i'll be yours, when it rains it pours

Here's an amazing story about him that I read years ago and never forgot.

I'd hoped to meet him at a convention, myself, one day.

I came back to the SGA fandom after a wonderful comment on an older story of mine. I’m now friends with that person, I found a whole community, and I have posted maybe 30 new stories since.

That said, as my fandom gets quieter including less stories posted and less readers/commenters, my motivation to write has dwindled. It may not seem fair as I do write for me, but the community is such a huge piece, too. Comments bring me so much joy that I get a burst of excitement for writing my next story. If I feel alone, a lot of that joy dissipates.

I love how dusty everything is in the sand kingdom shots

There’s something called culture. People (especially USAmericans) think of culture as cultural dress, cultural food, cultural music. These are culture, but they are only the very superficial aspects of it. Like the icing on your cake. Far more deep rooted is the more meaty bits of culture: the attitudes, the ideas, the taboos.

There’s a guy on tiktok who has done a series that shows this very well, of Germans Vs Irish. In one video the German offers the Irish person two kinds of tea, green or black. The Irish person keeps putting off the choice with things like “Oh sure whatever is easiest”, “Which have you more of?” and, “Ah sure I don’t want to cause a fuss” whereas the German just wants a straight answer. This is a cultural difference of politeness.

Here in the UK, accents mark your class very openly. They let everyone know where you’re from (though this has become less pronounced in the last 50 years,) and what your background is. A lot of people (especially northerners, but also a fair contingent of working class southerners) face discrimination on the basis of their accents.

Some of us (myself included) even change register (though I believe USAmericans call it code switching) in and out of our regional accent and a close approximation of RP. We learn to do it because it makes us seem more intelligent (even though it shouldn’t) and helps us be taken more seriously.

Thus, our country carries a lot of baggage when it comes to accents. Especially those of the working class who have had their accents made fun of, or have faced discrimination based on it.

So when someone outside the country (usually USAmericans) makes fun of our accents they’re stepping on a lot of cultural taboos and boundaries. Especially because the “It’s Chewsday, gonnae wot-ch sum yewchube innit” is a working class accent.

Now, that’s not to say we can’t take a joke, but this is the kind of joke you share with someone who you have been friends with for a while. My boyfriend often will pick up on the way I say certain words, in much the same fashion I pick up on his idiosyncrasies of speech (English isn’t his first language so he says stuff like close the lights, which is adorable.) If we aren’t predisposed to liking you, then the joke you’re trying to make is more like an insult.

The way I like to think of it is if you were in a pub, and made those sorts of jokes to someone. If they knew you, and they liked you, they’d probably laugh along. If they didn’t like you or know you, they would punch you in the jaw.

Even now, after decades in Scotland, I still don’t sound Scottish. The English hear a slight lilt but that disappears as soon as I spend any time with them.

When Christopher Eccleston was cast as the Doctor in Doctor Who, people were surprised that he used his own northern accent, instead of performing with an accent like every Doctor before him. That was only 15-ish years ago.

Even now, this still happens - James McAvoy made a very vocal protest a couple of years back about a critic who complained about the use of Scots accents and only applauded the “plummy English” accent of one character in a play.

There’s something called culture. People (especially USAmericans) think of culture as cultural dress, cultural food, cultural music. These are culture, but they are only the very superficial aspects of it. Like the icing on your cake. Far more deep rooted is the more meaty bits of culture: the attitudes, the ideas, the taboos.

There’s a guy on tiktok who has done a series that shows this very well, of Germans Vs Irish. In one video the German offers the Irish person two kinds of tea, green or black. The Irish person keeps putting off the choice with things like “Oh sure whatever is easiest”, “Which have you more of?” and, “Ah sure I don’t want to cause a fuss” whereas the German just wants a straight answer. This is a cultural difference of politeness.

Here in the UK, accents mark your class very openly. They let everyone know where you’re from (though this has become less pronounced in the last 50 years,) and what your background is. A lot of people (especially northerners, but also a fair contingent of working class southerners) face discrimination on the basis of their accents.

Some of us (myself included) even change register (though I believe USAmericans call it code switching) in and out of our regional accent and a close approximation of RP. We learn to do it because it makes us seem more intelligent (even though it shouldn’t) and helps us be taken more seriously.

Thus, our country carries a lot of baggage when it comes to accents. Especially those of the working class who have had their accents made fun of, or have faced discrimination based on it.

So when someone outside the country (usually USAmericans) makes fun of our accents they’re stepping on a lot of cultural taboos and boundaries. Especially because the “It’s Chewsday, gonnae wot-ch sum yewchube innit” is a working class accent.

Now, that’s not to say we can’t take a joke, but this is the kind of joke you share with someone who you have been friends with for a while. My boyfriend often will pick up on the way I say certain words, in much the same fashion I pick up on his idiosyncrasies of speech (English isn’t his first language so he says stuff like close the lights, which is adorable.) If we aren’t predisposed to liking you, then the joke you’re trying to make is more like an insult.

The way I like to think of it is if you were in a pub, and made those sorts of jokes to someone. If they knew you, and they liked you, they’d probably laugh along. If they didn’t like you or know you, they would punch you in the jaw.

Even now, after decades in Scotland, I still don’t sound Scottish. The English hear a slight lilt but that disappears as soon as I spend any time with them.

When Christopher Eccleston was cast as the Doctor in Doctor Who, people were surprised that he used his own northern accent, instead of performing with an accent like every Doctor before him. That was only 15-ish years ago.

Even now, this still happens - James McAvoy made a very vocal protest a couple of years back about a critic who complained about the use of Scots accents and only applauded the “plummy English” accent of one character in a play.

prev, i'm sure you mean my guy Leonid Pasternak

Corksniffing losers have to sully an awesome new space photo just to erroneously claim film is inherently superior.

I think this version is the original color processed version, which is still not as saturated or contrasty.

That's still an amazing result just from darkroom processing, but the deep blue version in the tweet definitely needed some help from Photoshop. And, personally, I think they overdid it.

The new photo was actually taken in darkness. It is a moonlit photo taken at extremely high gain (ISO 52,000). They did a long exposure to make it appear as if it were as bright as day. But without significant editing, that is going to make the colors less saturated and reduce the contrast.

The same thing would happen with film.

This is another version they did with a more accurate-to-eyeballs exposure.

Film is great.

Digital is great.

But it was not a great medium for space.

Most astronauts are fighter pilots. And there are only a few who are genuine photographers. You can train a fighter pilot to competently use a camera, but becoming a good photographer during the days of film usually took years of practice.

During the Apollo days they would send them up there with the best camera available. Usually a 70mm Hasselblad medium format. But the astronauts proved that the only way to get amazing photos without being a photographer was mostly down to luck.

We see the best photos they took, but those only amount to a handful. And as you saw above, NASA often had to do a lot of darkroom magic to make them aesthetically pleasing.

If you look at the Apollo archives, you can find hundreds of photos like this.

I'm fond of this one.

There was no instant feedback. They didn't have any instincts for settings or focus or composition. Most of the time they were just collecting visual data.

But every once in a while the stars aligned and they took absolute bangers.

That flag one is amazingly composed. But it took them a few tries.

Digital cameras give you a better baseline of quality. They can focus for you. They can meter for you. And they have high ISO gain that film could never touch.

They are... fighter pilot friendly.

With digital, they can look at the back screen and see if they bungled the exposure.

If they take a photo like this...

They get instant feedback and can be like, "Houston, where is exposure compensation?"

There is an undeniable ineffable quality that film sometimes delivers. But the medium is far less important than the skill of the person taking the photo.

Don Pettit is my favorite astronaut photographer. A true artist.

He really makes you forget about whether film is better than digital. He makes one remember that the person taking the photo is the paramount variable.

There is a great interview from Smarter Every Day where Don talks about how he captures amazing photos from space.