Catholicism-and-comics => feenyreadscomics
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almost home
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Aqua Utopia|海の底で記憶を紡ぐ
YOU ARE THE REASON

shark vs the universe

#extradirty

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Fai_Ryy
PUT YOUR BEARD IN MY MOUTH
"I'm Dorothy Gale from Kansas"
Cosimo Galluzzi

Love Begins
Misplaced Lens Cap

❣ Chile in a Photography ❣
wallacepolsom

oozey mess

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@feenyreadscomics
Catholicism-and-comics => feenyreadscomics

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
there's this weird thing people fall into online a lot, where people assume that if the [perceived-to-be-inferior] version of [activity] is discouraged then people will, naturally, do [perceived-to-be-superior] version of [activity] instead. When really it's just as (or more) likely that if [perceived-to-be-inferior] version of [activity] is discouraged people just won't do it at all.
audiobook listeners are not necessarily people who would otherwise do a lot of traditional reading if audiobooks did not exist, many are people who simply would experience zero books. Booktok romance readers would not necessarily be reading the classics if booktok did not exist, many of them would simply not read. Fanfiction writers would not necessarily be novelists if fanfic wasn't an option, many would just be people who didn't write. You know?
"The best thing we can do with power is give it away" - On the leftist critique of superhero narratives as authoritarian power fantasies:
The ongoing "Jason Todd is a cop" debate has reminded me of a brilliant brief image essay by Joey deVilla. So here it is, images first and the full essay text below:
"A common leftist critique of superhero comics is that they are inherently anti-collectivist, being about small groups of individuals who hold all the power, and the wisdom to wield that power. I don’t disagree with this reading. I don’t think it’s inaccurate. Superheroes are their own ruling class, the concept of the übermensch writ large. But it’s a sterile reading. It examines superhero comics as a cold text, and ignores something that I believe in fundamental, especially to superhero storytelling: the way people engage with text. Not what it says, but how it is read. The average comic reader doesn’t fantasize about being a civilian in a world of superheroes, they fantasize about being a superhero. One could charitably chalk this up to a lust for power, except for one fact… The fantasy is almost always the act of helping people. Helping the vulnerable, with no reward promised in return. Being a century into the genre, we’ve seen countless subversions and deconstructions of the story. But at its core, the superhero myth is about using the gifts you’ve been given to enrich the people around you, never asking for payment, never advancing an ulterior motive. We should (and do) spend time nitpicking these fantasies, examining their unintended consequences, their hypocrisies. But it’s worth acknowledging that the most eduring childhood fantasy of the last hundred years hasn’t been to become rich. Superheroes come from every class (don’t let the MCU fool you). The most enduring fantasy is to become powerful enough to take the weak under your own wing. To give, without needing to take. So yes, the superhero myth, as a text, isn’t collectivist. But that’s not why we keep coming back to it. That’s not why children read it. We keep coming back to it to learn one simple lesson… The best thing we can do with power IS GIVE IT AWAY." - Joey deVilla, 2021 https://www.joeydevilla.com/2021/07/04/happy-independence-day-superhero-style/
Kids don't want to be Batman because he's rich, they want to be him because he's got tons of cool gadgets he invented himself, is a badass martial artist, is a genius on par with Lex Luthor, and uses all this to be on the same level as Superman despite having zero actual superpowers. They see the little boy who lost both his parents, decided nobody else should ever have to live through that, and want to be like that.
Kids don't want to be Superman because he's superior to humans(he isn't, that's always been a core part of his character that he rejects that outlook and it's always just Lex projecting his view of Superman onto Superman himself), they wanna be able to deflect bullets and shoot lasers from their eyes because Superman uses all that to show the best side of humanity, to show how humanity isn't even tied to actually being human but to how you act towards other people.
actually new question
you are a superhero with a secret identity. you have just realised you are transgender (congrats). you decide to come out separately in both ids with a break between so its not suspicious.
superhero identity first
civilian identity first
i would simply not be in this situation
You don't have to grieve alone.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Vilest Villain Contest! Round 1! Part 39!
Ars Goetia (Fate/Grand Order)
Mike Murdock (Daredevil)
Isabella (The Promised Neverland)
stupid doodle i made in like 5 minutes based off of this post i saw matt and his many many regrets, will he continue to make more? yes
Vilest Villain Contest! Round 1! Part 39!
Ars Goetia (Fate/Grand Order)
Mike Murdock (Daredevil)
Isabella (The Promised Neverland)
i like a trans headcanon as much as the next guy but sometimes it really boils down to “that character has not had enough agency and/or introspective freedom in their life to have transitioned by the time we meet them in their story”

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
What is the ultimate expression of your love for your Blorbo?
Writing whump and hurt/comfort fics about them
Writing fix-it fics and/or fluff fics about them
Insulting them
Defending them against people who mischaracterize them
Making fan art and/or video edits about them
Screaming about them
Fantasizing about biting them and/or putting them in a jar and shaking the jar
Shipping myself with them
Consuming everything about them (source material, fanfics, fan art, hcs, etc)
Promoting their source material to people
Gatekeeping them
Vibrating in bed at night just thinking about them
Every poll on this blog is about fictional characters only. This request was sent to us and we made a poll in response to it. Send any Blorbo-related question you want to our inbox and we’ll make a poll on which people can vote with their own Blorbos in minds
Return a Character from Limbo: Round Three Match Two of Eight
Milla Donovan
Michelle Carter (Goldstar)
it’s funny how quickly you get desensitized to comic book nonsense like mister sinister is an insane name for a fictional character it’s so goofy but when i read his name i’m like this is not a laughing matter. we’re talking about cyclops’ traumatic secret laser beam eyeball orphanage surgery backstory. stop laughing.
this is, in my opinion, the best panel from absolute martian manhunter since issue #4. incredible work on so many levels. the novelty of being encouraged to draw in a comic book is heightened by the context of the situation. “hey there, reader! want to participate in american imperialism? it’s fun and interactive!” asks a faceless and identityless uncle sam, whose blank face shows how hollow america is and always has been. the country has given up even pretending to be just or kind or relatable, and is encouraging its citizens to aid them in capturing and subduing empathy. this issue could not have been timed more perfectly.
comic mattfoggy doodle while I practice rendering!!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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he would not fucking say that, but with disability.. he would not fucking be able bodied. sick n tired of characters walking away from multiple life changing injuries without a scratch. let’s get some natural consequences in here.
give that knife/sword fight survivor nerve damage. give the character who was shot in the gut a stoma. give that fire survivor lung damage and an oxygen cannula. give that leg injury survivor a cane. give that starvation survivor gastroparesis. give that spinal injury survivor a manual chair or powerchair.
while we’re at it, give your characters congenital disabilities too, just because. give them intellectual and development disabilities. give them acquired and postviral illnesses. dare to make somebody bedbound. for me.
I want to staple these numbers to people’s faces any time they try to explain to me that N52 wasn’t really that bad
This is one of those things that I wanted to look into more and my initial searches haven't gotten a lot of details...except this
As with the other lists, I will include those writers who have been credited so far in the post-Flashpoint universe. For simplicity's sake,
This list stopped updating a while ago and probably isn't reflective of the complaint above, but it also illustrates the point well.
My eyebrows kept going up as I scrolled
Hi! I made an addition to this post with links to a bunch of resources on women in N52 (or to be more accurate—after Dan Didio took over) and DC’s issues with writers during that period more broadly. It’s far from comprehensive, but there’s a lot there to dig through.
I especially recommend looking at Tim Hanley’s gendercrunching blog posts, which offer an in-depth look at what creative roles women have filled at both DC and Marvel for a decade plus worth of comics.
Both the post on editorial’s treatment Stephanie Brown (which is what this is a screenshot of) and the one on Cassandra Cain are also excellent.
Enjoy!