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Remember, Be Here Now, by Ram Dass, 1971

ellievsbear
The Stonewall Inn

Andulka
NASA

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#extradirty
official daine visual archive

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Kiana Khansmith
occasionally subtle
I'd rather be in outer space 🛸
The Bowery Presents

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Discoholic 🪩

Claire Keane

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@thesparrow1996
Page 57
Remember, Be Here Now, by Ram Dass, 1971

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why is the chinese cover of my year of rest and relaxation perfect?????
Andy Warhol, early drawing
(via Instagram)

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The Waverider was surprisingly quiet, because half the team was away on a mission. Oh, the crossover. Yeah, had to take a rain check.
ZARI TARAZI & JOHN CONSTANTINE ↷ LEGENDS OF TOMORROW 6.13: SILENCE OF THE SONOGRAMS.
BLACK SAILS 2.06 “XIV.”
Sarah Sze’s “Split Stone (7:34)”
Opened like a geode, each half of the natural boulder reveals a sunset sky embedded in its flat surface, alluding to “gongshi” (scholar rocks) and the heavenly firmaments of Renaissance paintings.

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you think so much. You could think about a door for a hundred years and it would stay closed.
Fireplace by Robert Winthrop Chanler at Gertrude Vanderbilt Whitney's studio in New York City, 1918.
Belgrade, Serbia
"Go tell it to a tree," he said every time I complained or bragged and begged. Yet everything he did to me he did to save my life. Fed me crumbs in bed nights all I could keep down, helped me glug and didn't deny me any kind of drink. "I've got a dream of us on the high water," he'd said. He made it happen. He was like that—burning with want and courage, drunk that way. I had so much in kin with him, drunk on drink and supped and with my mouth full of deep meaning, drooling, head half caved-in from my fall from the train. He had changed full round from that dolt who came across me freezing in the woods outside New Haven. He had become, truth be told, a kind of monster. He talked of killing his father, wrath and bloodlust wrinkling his fine brow. "You've helped me," he always said. I knew what he meant. Fuck the world and go on, that was what I taught him. It seems he's fallen from his own train as now he shakes his face, blurries his eyes, smears tears away with the cuff of his unbuttoned shirt. "McGlue?" he asks, with nothing to follow it. Johnson would have dug his hands into my brain to pull out that one so rusted spring. But no. Bent and sore and dampened with gloom, this is not that man.
Ottessa Moshfegh, McGlue

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WOODLAWN CEMETERY MAUSOLEUM — 07/22/26
Lorenza Longhi, Untitled, 2025
Silkscreen ink on fabric mounted on wood panel, sequins, nails, aluminum, screws, 120 x 80 cm, Photos: Marc Doradzillo
Christian Andersen, Copenhagen and Fanta-MLN, Milan