Robin's side blog

“yeah can i get a deluxe quarter pounder with cheese?”

“absolutely, do you want the meal or just the sandwich?’

“uuuuuh hold on”

*fishes something out of my pocket*

“mikey what do i do?”

“get the fries. youll need the energy in the coming days”

*stuffs it back in my pocket*

Authors set out to correct under-representation of female sounds – and found some surprising revelations

When we hear the beautiful call of a bird from a high bough, we’re told it’s likely to be a male – singing for territory, or belting out tunes to woo a female. But as the annual dawn chorus reaches a crescendo this spring, a new guidebook is urging us to think again – and turn our ears to the hidden world of female birdsong. The songs, sounds and sights of female birds have historically been overlooked in field guides and sound archives. In 2016, just 0.01% of the bird sounds in the global Xeno-Canto sound library were labelled female. Another sound archive was just 0.03% female, according to a 2018 study. But the new book – The Sound Approach to Birding 2 – aims to correct this under-representation and properly explain female birdsong. Female birds sing for territorial displays, to ward off other females and to attract extra males, according to Lucy McRobert, a writer and researcher who studied the issue for the guidebook. The book comes with its own library of 300 sounds from 200 species, accessed via web or app. The clips are drawn from the larger online archive of Sound Approach, a birdsong project founded in 2000 with confirmed recordings of females for 41% of species found in the Western Palearctic, a biogeographical region encompassing Europe, north Africa and most of the Middle East...

UPDATE:

The other day I was surfing the internet and I found this specialized painting colour wheel, it shows how real paint colours relate to each other. 

Outside: the purest/brightest colours from the tube.

Inside: naturally muted or earthy colors, like browns and ochres.

The Center: dark neutral tones used for mixing shadows.

The Lines: two equilateral triangles. One shows the triad of primary colors, and the other shows the triad of secondary colors. Triads are traditionally used to create vibrant yet perfectly balanced compositions.

Complementary colors: are those located directly opposite each other on the wheel.

Shadows I:

If you want to achieve rich, dark neutrals, the standard rule is to mix a color with its direct complementary (opposite) tone. However, doing this can often make your shadows look flat or muddy.

Instead of using the exact complementary color, the real trick is to use one of the colors right next to it (either to the left or the right). By doing this, you avoid a dull mix and introduce a beautiful, subtle color bias into your shadow, keeping it clean and full of life. You can see an example of this in the second image.

I want to share this with you because I think it is really illustrative!

So sad :(