i love my misandrist mother i asked her one time if she liked lord of the rings and she said βiβm tired of men going on adventuresβ
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i love my misandrist mother i asked her one time if she liked lord of the rings and she said βiβm tired of men going on adventuresβ

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"he would not fucking say that" but its about a character being a leftist. he would not fucking believe that
media literacy is knowing when a character would say "i dont vote. why are you bringing politics into this?" no matter how mad it makes you to hear somebody irl say the same thing
This goes for a good amount of the characters who are complained about "oh no they were a cop in the timeskip", a lot of the time they wouldn't have an issue with being a cop and it is perfectly in character.
The number of people who go like 'my beloved war criminal blorbo!' but then act like you poured a drink on them if you suggest they'd be a Republican is honestly pretty funny.
the issue is i fear that you all love gay people. but you do not consider gay women to be gay. or people.
Nolan's Odyssey plays with PTSD as a theme, but it neither glorifies nor condemns war as such. It's textually a movie about how war and fighting and killing have Rules, and if you break the Rules enough then not only will you as an individual be divinely punished but all of civilization will collapse. This is the rare take so ultra-centrist that it will appear to many viewers as cryptic and esoteric
I actually don't resent Nolan for making movies with assertively centrist politics. That's his right as an artist, and anyone vehemently asserting anything is automatically kind of interesting to me. But of course there's a void at the heart of centrism - a fundamental absence of real belief - which is why people run into so much trouble when they try and pick apart the politics of a Nolan film. There's nothing underneath, nothing there to "get to."
I was thinking about Disco Elysium's Moralism while trying to explain this post to someone, and of course about "Kingdom of Conscience", and it occurred to me (and I know this isn't an original thought) that centrists have a very hostile relationship to desire. It's not just beliefs and convictions that must be "put away immediately, and the child reprimanded," it's the wordless desires that lie under those beliefs and convictions. Desire is by definition unfulfilled: all desire is the desire for things to be different, which is the opposite of what centrists want.
What I'm saying here is that the lack of sex, and of sexiness, in Nolan movies (and Marvel movies and other contemporary blockbusters) has a direct connection to their political messaging. It's not solely American puritanism or risk-averse PG-13 corporate conservatism - although it is those - it's also this desire thing. These movies don't just lack sex, they lack eroticism in the broadest sense of the term. They lack frisson. Even when there is sex or nudity, there's still no eroticism!
These blockbuster protagonists generally don't want things, they don't need things, they don't crave things, they're obligated to things. That makes them less than human, not more than human (just compare and contrast with the gods in Greek mythology), and it makes the movies quite boring in my opinion!
Nolan is decidedly an artist who has an appreciation for and respect for cinema and the craft of film making, and he has a love for making films that are supposed to be strange, dreamlike, even nonlinear. which is hindered by the fact that he, strangely, seems completely uncreative and artistically bland.

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and i don't necessarily believe any of this i'm just saying words recreationally
kind of harmonically beautiful
the old school internet was run by serious nerds and that was good, actually
sometimes a fic can just be about the age old question 'how emotionally bad for everyone involved can a threesome be when they all did in fact agree to be there'
#me whenever there is a small inconvenience

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santa claus but instead of naughty or nice i judge if uve been banal or avant gardeΒ
I think it's a shame that "Oedipus complex" refers to fucking your mom instead of the actual point of his story, fulfilling your destiny through your attempts to avoid it. It just so happens his destiny was to fuck his mom
Yeah, I donβt know what Freud was thinking, but Oedipus very much did Not want to fuck his mom. He spent the entire play trying to avoid that, and then gauged out his eyes when he learned that he had anyway.
I think Freud was too caught up with the fantasy of fucking his mom to appreciate the themes of the story tbh
I always feel so cheated in stories when characters are walking around with this Big Guilt and then...you find out that the thing wasn't their fault at all. And not in a "they thought they did it but it turns out they were set up" way, or even a "accepting that just because they did A which caused B which caused C it doesn't mean C was their fault", way but where they finally lay out the sequence of events and it's clear that any thinking person would not connect them. Like, fucking commit!!! The character isn't LESS compelling if they actually did the thing! You can't have the haunted brooding meow meow who is...also completely blameless
someone tell OP i did it, i spent about 3 hours on it

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do not raise a foul word against tofu in my presence
I always feel so cheated in stories when characters are walking around with this Big Guilt and then...you find out that the thing wasn't their fault at all. And not in a "they thought they did it but it turns out they were set up" way, or even a "accepting that just because they did A which caused B which caused C it doesn't mean C was their fault", way but where they finally lay out the sequence of events and it's clear that any thinking person would not connect them. Like, fucking commit!!! The character isn't LESS compelling if they actually did the thing! You can't have the haunted brooding meow meow who is...also completely blameless
Ok listen