[one single bloodcurdling agonized scream] ok time to lock in
hello vonnie

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Lint Roller? I Barely Know Her
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if i look back, i am lost

#extradirty
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@embers-fly
[one single bloodcurdling agonized scream] ok time to lock in

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do you ever tell people you’ll be going to sleep but then you don’t and you have to not do anything noticable online for the sake of it seeming as if you didn’t lie to them
the last time i got sloppy with this @tinynaught Columbo’d me
this post is classic tumblr in a lot of ways but the one I appreciate the most is that the second post happened eleven years after the first one. one of these days I’m going to see a reply to a post by someone younger than the post itself and we’re all just going to have to deal with it
happy pride Ronan Lynch, gay disaster dream boy of all time
Also happy pride month to Adam Parrish and Jean Moreau who are my bisexual fathers
One hot and cool writing tip that I wish more people knew is... you don't have to write out people's accents phonetically. You just don't. You are not Dickens. You are (hopefully) not Rowling. There are so many other ways you can make someone's speech feel authentic to their background, or just make it clear that they're speaking in a certain accent, not limited to:
literally just saying 'he spoke with a Welsh accent'; sure, it's a bit blunt, but it gets the job done in a pinch. "He's completely drunk," he said, his southern drawl lingering on the final syllable as if to highlight the extent of the offence. Y'know, something of that ilk, but not as shit.
learning the specific vocabulary and syntax that someone with that accent might use. Sticking with the Welsh theme, because it's objectively the best accent*, there's a bunch of things that differentiate a colloquial South Walean accent, outside of our famed tendency to elongate a vowel to the point of death. The way we use prepositions (where to by is he?), the vocabulary borrowed from Welsh - saying that someone daft is twp, or something small is dwty - can easily signpost our speech as being from that specific area, without needing to type something like "'e's absolutely 'angin', man, pissed as a faaht 'e is!" Something less jarring, such as "He's absolutely hanging, he is." is just as clear. A character who says "Do you want a cuppa?" is coded or located very differently to one who says "You'll have a cup of tea, so you will."
ditto if there are specific ways that someone from a certain area might refer to a well-known concept. Regional words for mother and father, for example, or words that are class-specific; your character who calls his parents 'mater and pater' is likely inhabiting a different socioeconomic strata than your character who calls them 'mam and dad'. See if there's a colloquial way of saying 'yes' and 'no'; a lot can be signposted if your character says 'nah' rather than 'no', or 'aye' rather than 'yes'. A character saying 'couch' is inherently coded differently to one who says 'sofa'.
The reasons that writing accents phonetically is Generally Ill-Advised, In My Opinion are as follows:
quite simply, you're probably not being as clear in conveying the sounds of the accent as you think you are. Taking JK Rowling's work as the best possible example of this, her attempts at writing a Cockney accent phonetically come across like someone is chewing a mouthful of cheese curds and struggling to contain them. There's no consistency, no proper understanding of how to transcribe syllables into writing in a way that coherently conveys the accent she's trying to portray. I mean this so seriously, but what the flying fuck is: 'Well, 'e 'ad these 'ead pains and 'e was def'nitley nervous. Depressed maybe.' It's a crime, is what it is.
it's just plain hard to read. Trying to wade through sentences full of apostrophes and elision, parsing what's actually being said, gets tiresome. It asks the reader to do work that you're actively making harder for them. And that's not always a bad thing! Making readers Put Some Fucking Effort In can be very fruitful! But do you really want them to be struggling to understand every single thing that your Character B is saying for 350 pages?
which leads me onto the last point, and the most important in my mind: writing out accents like this always, always affects accents that are already in some way Othered. They're either racialised or working class, or associated with certain local regions that have negative stereotypes - think the deep South of the US, or the Welsh Valleys. They're never the 'default'. And this raises thorny questions about what the default is, what the standardised accent is, the accents that do and do not merit differentiation from the norm. You're relegating Character B to being hard to read because he's from, idk, Sunderland. You've decided that he isn't speaking 'properly', and therefore the reader needs to understand that other people think he's speaking weirdly. That, to me, is the principle issue. Because returning to JK Rowling (a sentence I hoped never to type), the only characters who speak like this in her work are working class, or they're from other countries. They're never from, you know, Surrey. Wonder why that is. And it's easy to be glib about it, but I do think it reifies class and regional boundaries in a way that's ultimately harmful.
This isn't to say that there's never a place for eye dialect in writing - Trainspotting (edit to respond to some legitimate comments in the reblogs: I bring up Trainspotting because it's written in Scots and Scottish English, not just Scots, but I agree that this isn't the best example as the Scots portions are not part of this conversation in the same way; consider Their Eyes Were Watching God by Zora Neale Hurston as a better example, and apologies for the confusion!) wouldn't be what it is without it, and there's definitely a different conversation to be had when it's your own accent and you're making a deliberate point about identity by differentiating through eye dialect - but I think that the blanket assumption of 'oh shit, my character is from Ireland, I'd better type that out phonetically!' can actually be both damaging to your writing and to your character representation, and I think that instead doing the work to really understand the vocabulary, speech patterns and unique aspects of a language or dialect always makes a work feel more authentic and lived-in.
To wit, less of this shite:
There’s mony a slip, an’ I’m no losin’ sight o’ any o’ my suspectit pairsons, juist yet awhile. (One of the Lord Peter Wimsey novels by the very English Dorothy L. Sayers, if you were wondering, and yes, that's supposed to be a Scottish accent; I'd not be bringing it up if it were a Scottish author writing in Scots)
and more of this:
"Are we straight so?"
"Aye, we're straight," said Jim.
"Straight as a rush, so we are." (Jamie O'Neill, Irish, from At Swim, Two Boys)
*objective determination made via a sample size of one: me, in an elaborate hat.

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I find it very telling that Tamsyn Muir, who came up through this hellsite, wrote books where the evil emperor starts out as a basically okay leftist millennial tumblr user.
What makes the villain the villain (inasmuch as it's useful to examine TLT characters through that kind of simplistic lens) is that when the chips are down and he has to choose, his priority is punishing the wicked, not saving the people left behind.
I would invite anyone whose engagement with their cause consists of finding the 'correct' group of people to hate, to consider whether 'evil emperor' is the next career move you see yourself taking, and if it isn't, to gently suggest disembarking from the hate train.
Because no one wants their God King to be a tumblrina called John.
If I could directly implant this understanding into the brain of every TLT fan, by jod I would
i block ppl all the time so my blocklist ranges from "actual fucking asshole fascist" n "post that mildly annoyed me because im petty" and if i went thru my blocklist rn i probably would have no idea why i blocked each of them but whatever
"why can't they just be friends?" not in the homophobic sense, but in the "in your need to center romance in everything you are missing the whole point of the media in question" sense
i love writing out numbers and then putting them in parentheses like "one (1)" even when i dont need to i think its funny
Griddlehark study sketch as a treat after commission work.

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Thank you. I hope everybody thinks this
PSU Foxes 🥍
Come on then. I warn you, I’ve been trained to kill since birth. (requested by @samecoin​)
apologies in advance—

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I know the points been made, but god damn, Gideon must have been terrifying for most of Canaan House. She is this muscle bound mute wearing half assembled skull face paint and dark robes, often skulking around the building with her creepy necromancer out of sight. The first time anyone sees her duel she doesn’t seem to register this as a sport and instead just bodies the other cavalier. She’s from a planet of weird monks and nuns who love bones and she is either so pious she took a vow of silence or care so little of everyone else that she simple has nothing to say. The moment things start to deteriorate amongst the various houses she and her necromancer are ready to tear shit up.
Then she opens her mouth and she is this dumbass jock who may only think about swords and boobs. 10/10 perfect character.
As a society we have benefited so much from successful public health measures that we now have the privilege of declaring that we must not need them anymore
Bitch before enriched flour, neural tube defects like spina bifida were far more common. Even now, spina bifida clinicians and researchers are begging to have salt and maize fortified to reach groups that don’t use as much flour. Before iodized salt, the United States had a fucking GOITER BELT. Eleven years after the introduction of fluoridated water, a city in Michigan found the rate of dental caries among school children dropped a staggering 60%— in an era where tooth decay regularly fucking killed people
I’m literally not even going to start on vaccines, which are among the most successful and robustly studied public health measures in world history
You might say “oh well today we all have access to vitamins and toothpastes and dentists so we don’t need those things in our food supplies” and boy do white people on social media loooove to fucking say that. But here’s the thing: no, people don’t all have easy access to those things. That’s privilege talking yet again
This is their logic: