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Scene interpretation of my Inquisitor Ilaan Lavellan with her Dread Wolf. She would be right in the middle of that final battle the whole time! Face close up under the cut.
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I commissioned this piece from the unbelievably talented Hotwe, who is one of the most intelligent, thoughtful, deliberate artists I've ever had the pleasure of working with. I cannot express how grateful I am for the kindness shown towards my imaginary dolls at every step of this process. Thank you! <3
This is a paired piece to this one, also by Hotwe, which I commissioned immediately after finishing Inquisition for the first time. Once I finished Veilguard and filled out how the story ends for these two, I knew I desperately wanted the other half of this diptych.
Close-ups and lengthy notes on the incorporated symbolism are below the cut.
Where the first piece was much more somber and determined, I really wanted this moment to feel triumphant (if not unreservedly happy). These are two people at the end of a long war with each other, and moving forward doesn't mean erasing the road before.
Some notes in no particular order:
Solas's hands are now open, releasing the hard and inflexible grip he had in the original piece
The constellation is Fervenial, the Oak, for its associated concept of Vir Tanadhal: "fly straight and don't waver, bend but never break, and the idea of balance. ...The imagery of the hunter (Adahla) metaphorically striking like a bolt on Solas' plans and forcing a reframing of the lightning/smite-y/fate concept of Fulmenos into a concept of balance and growth/organic/spring" - straight from the artist's massive brain
(I've written about why constellations & stars, especially Fulmenos, are important to them here)
Red embrium leaves for healing
Spring growth for seasonal change
Solas, being pushed forward by the strong wind behind him, is finally able to stop thanks to Adahla's pressure
Adahla's dress is inspired by this statue (San Joaquín, Santa Ana y la Virgen Niña by Juan Alonso Villabrille y Ron), but has been reworked with Dragon Age motifs and emblems
The gold vines are from my post-Veilguard fic for them, The Heart Where I Have Roots
I plan to do one more post with both of these pieces together as soon as I can; their journey's been messy to the max, but it honestly brings me so much joy to know they've landed somewhere like this, and I'm again so thankful to Hotwe for bringing that ended war to life.
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Staying up past midnight to finish an art piece has never been so worth it! I'm really happy with how this redraw of DAI's fem elf tarot card with Amaris turned out.
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