more fatigued than embittered

Academy Award winner Marcia Lucas has died. While winning major awards for her work as an editor for Star Wars (alongside a team of editors, including Paul Hirsch and Richard Chew; some of her contributions outside of her work with George Lucas include Alice Doesn't Live Here Anymore, Taxi Driver, and New York, New York), she mostly disappeared from the public eye following her divorce and essentially retired.

While Marcia dispelled the belief that she singlehandedly saved Star Wars in the edit (and very passionately defended George's craftmanship and ideas, which she felt were undercredited, as well as the work of their team in general), there was a lot of work she specifically did and I thought it would be good to highlight just how much she did and give her credit where it is due. There is a lot that came from her that most don't know about. Most of those examples are from Howard Kazanjian's biography, A Producer's Life, published in 2021.

On some of the uncredited dialogue and story revisions for Star Wars:

On some of her work in Star Wars:

On having the iconic trench run on the Death Star as her biggest work while working on Star Wars:

On her uncredited work in The Empire Strikes Back:

On how her input changed the ending of Raiders of the Lost Ark:

On her joining the Return of the Jedi crew, an emphasis in finding the right cut for actors, cutting together footage of Luke in ROTJ after she and George disagreed with the characterization the director had given to Mark Hamill and unable to reshoot footage:

On editing the climactic ending in the Throne Room in ROTJ:

Because at the end of the Thrawn campaign (~9.5ABY), Luke gives her his father's lightsaber.

Which he treats as a normal coworker interaction / gentle encouragement to join his Jedi Academy.

This is, for the record, COMPLETELY INSANE behavior.

Sir. This woman VERY recently had an inescapable psychic kill command for you lodged in her skull courtesy of the Emperor. And your response to resolving this situation is apparently:

“Here, take my dead father’s laser sword.”

:)

Luke is operating on spiritually earnest farmboy logic here, but Mara — who is bad at emotions in general and especially bad at affection directed at herself — is nevertheless, like many women, dimly aware of this thing called BOUNDARIES and decides maybe she should not immediately go do Jedi training with the incredibly intense blond man handing her meaningful family heirlooms after one shared military campaign.

Now, the Doylist explanation for all of this is obviously that the EU authors in this era were barely coordinating.

But the Watsonian result is hysterical.

Because while the rest of the cast is dealing with assorted disasters with the Imperial Civil War and Dark Empire Trilogy, Mara quietly kriffs offscreen to pursue Jedi training.

Not with Master Skywalker.

No.

With Kyle Katarn.

And if you know the timeline, this is SO funny because circa 9.5–10ABY Kyle is basically an independent-study self-certified Jedi Master whose primary qualifications are:

surviving

owning a lightsaber

and aggressively tomb raiding Sith ruins

This is peak Jedi Knight era Kyle. His entire educational and life philosophy is basically, “I found this in a crypt and it probably won’t kill me.”

So Mara, in an effort to avoid one emotionally complicated Jedi, accidentally apprentices herself to another Jedi whose emotional range is approximately that of a very honorable brick.

And naturally this culminates in Mysteries of the Sith, where Kyle immediately gets too cocky poking around Sith artifacts on Dromund Kaas and falls to the dark side.

Which means poor Mara spends her gap year dragging THIS IDIOT back from corruption.

(Should this perhaps have given her an early warning sign about the Exar Kun situation brewing at Luke’s Academy in the Jedi Academy Trilogy? You would THINK.)

But WAIT. Because this is ALSO the year of Dark Empire, my very favorite and absolutely deranged year of the Legends timeline.

So imagine this from Mara’s perspective.

You flee the emotionally earnest not-quite-love-interest Jedi by going to study under another Jedi who immediately starts having Sith Artifact Problems.

And then somewhere in the middle of this nonsense you get the news bulletin:

“By the way, Luke Skywalker got yoinked away by some kind of inexplicable Force storm and has apparently resurfaced as the military commander of the Reborn Emperor’s Operation Shadow Hand.”

And Mara’s just standing there like:

“... the REBORN WHAT.”

So during the events of Mysteries of the Sith, Mara successfully drags Kyle back from the dark side through what is, functionally, the Power of Friendship.

Like yes there are Sith artifacts and Force visions and actual mechanics involved, but emotionally the plot is basically:

“Kyle, stop licking cursed tomb walls.”

“No.” *lick*

“Kyle PLEASE.”

And somehow it works.

So Mara presumably exits this experience going:

“Great. Wonderful. Fantastic. I have now personally managed one emotionally constipated Jedi man having Sith Problems. Time to go talk down or put down Skywalker.”

And she’s probably mentally preparing herself for the world’s worst intervention road trip.

Like:

“Apparently if I don’t supervise Jedi personally they start freebasing Sith artifacts within thirty business days.”

Except then she gets back and —

Oh.

Luke already came back with his sister's help.

Apparently it was a phase.

Wonderful.

Excellent.

I DON’T have to solve every problem myself.

But then the VERY NEXT YEAR, 11ABY, the New Republic looks at this man — this VERY RECENTLY RECOVERED FROM A SITH APPRENTICESHIP man — and decides:

“Yes. We should give him government support to found a religious boarding school for Force-sensitive children.”

Insane institutional decision-making.

And Luke, who has learned absolutely nothing about normal interpersonal pacing, immediately circles back around to:

“Hey Mara :)

“do you want to come train at my Jedi Academy :)”

SIR.

From her perspective you vanished into evil hyperspace weather, joined your dead fascist dad’s evil wizard cult, and got government funding to open a school less than a year later.

you are playing with an imaginary toy in an imaginary sandbox. fandom is all about having fun and letting your imagination run wild. canon is only a suggestion, not a rule. how much of canon you will follow, if any, is entirely up to you.

please stop trying to apply rules on hobbies and something that’s supposed to be your comfort place and a form of self-care.

“is it okay if I think this” “is it okay if I imagine that” it’s YOUR little world that you create for yourself and your own enjoyment. you literally do not need strangers’ opinions or permission when it comes to a hobby that doesn’t harm or affect anybody in real life. again, it’s YOUR imagination, YOUR world, YOUR creation. you have all the power and the freedom to:

headcanon whatever you want, however you want

ship whatever you want, however you want

write whatever you want, however you want

draw whatever you want, however you want

create whatever you want, however you want

reject whatever you want, however you want

as long as you’re not harming anybody in real life, how you have fun with fictional characters and your imagination is no one’s business but your own’s.

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