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@dropsofmercuryinherhair
DJ dubcon hopes everyone in the club is having a good time tonight but he’s not going to check

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reading a historical romance novel and reflecting on the way these stories often present woke nobility for the contemporary reader. a big thing is servants. you can’t not have servants in those times but many modern readers think “but I would never have servants. it would be so weird to have servants” and in order to make the protagonists of the story more relatable they are actually friends with the servants. but flip your perspective and think of it from the side of the servants. wouldn’t it be so awful if your boss was always trying to be friends with you. a really common thing you’ll see is the woke baronet having tea in the kitchen with the servants bc he’s not like other baronets. but what if your boss wanted to hang out and talk during your lunch break every day. not so charming when you think about it that way
#okay but now what is the optimal way to be a good boss in this situation i genuinely wanna know#its easy to guess what makes a bad boss or a mid boss. but what is a good boss#specifically in such a highly structured hierarchal situation (via @rainbowroach)
HELLO you are asking questions that literature and poetry THROUGHOUT the middle ages has asked, and it is from this questioning that we derive things like the Codes of Chivalry (which is not "how to treat a noble lady really nice" but is actually "how to be an ethical person when you're rich and you own a horse" and includes such things as "don't run people over with your horse")
In fact I daresay you already know instinctively just from cultural osmosis what a good boss -- a good liege lord -- is and does based on the tropes that have survived to the current day and the kinds of things that get Hugely Praised in things like legends of King Arthur.
A good boss (liege lord) is:
Merciful. He is not having his peasants killed for things like poaching rabbits during a famine. In fact, he is working to mitigate famine. During times of individual hardship, he might negotiate with a peasant for a payment plan on their annual rent.
Patient. He is not impulsive, he does not lose his temper.
Prudent. He makes choices that are thoughtful, considered, conservative (in the sense of not needlessly risky--he's not investing his entire fortune in having everyone plant an unproven crop). He is making sure local infrastructure like roads and public buildings are maintained and kept in good nick.
Gentle. He doesn't haul off and slap a servant or a tenant for breaking a dish or making a mistake. He doesn't abuse animals, his wife or children, or his employees. He doesn't rape the servants.
Generous (both in money and in spirit). He is not extorting the peasants for an amount of rent that is beyond their means, he is not raising taxes every year to cover his own lavish lifestyle. He is paying his servants a living wage (or, if wages are low, he's giving them room/board/clothing to make up the difference). If someone in a tenant's family dies, the lord is sending a gift of condolence, or helping to pay for the funeral, or possibly even ATTENDING the funeral and speaking a few kind words about the deceased, ESPECIALLY if they were a really upstanding and important member of the community. If one of his tenants is gravely sick, the lord is sending a basket of food or paying for a doctor. He is giving charitably (generally this will be, like, a bequest to the church so that they can run a hospital or an orphanage or a school for the local village children).
Pious. This classically means "goes to church, submits with humility to God" but to me this quality is subtextually standing in for "maintaining an ongoing sense of Perspective that HE'S not god, that there are higher powers he is Accountable to, that he too can be Judged, etc, so that he doesn't end up going on a weird fucked up power trip"
Humble. One of the most admiring things you hear about a lord doing in literature and epic poetry is, "He ate off of wooden plates while his followers ate off of gold and silver." Humility isn't about being meek, it's just about not thinking so much of yourself that you turn your nose up and sneer at what "lesser" people do. In other words: Don't be a fucking diva. If your carriage gets stuck in the mud, climb out and help everybody else push, you're not gonna die from getting mud on your shoes.
Condescending. This word has changed wildly in meaning/tone over the last couple centuries -- it's now a rude thing to do (because we've done away with legal social hierarchies, so someone acting like they're lowering themselves to your level IS insulting), but in older times, a high-ranking person "condescending" to a servant was worthy of praise and admiration: it means they were setting aside rank and privilege to speak to them with the easygoing, friendly respect and compassion they'd give a peer. This is things like... Treats those beneath him with courtesy and respect (ie: listens soberly and attentively when one of his servants or tenants comes to complain about a problem). Having a sense of humor and kindness about it when the lord and a servant both come around a corner at the same time and run into each other and the servant gets knocked to the ground and starts babbling apologies--the condescending (positive) lord helps them to their feet with his own hands and cracks a joke to show them that it's ok (as opposed to just walking off without a word or insulting/scolding them). This is also things like trusting a farmer, woodcutter, or artisan to speak with expertise about their own livelihood and taking their advice into consideration if they tell the lord that one of his ideas won't work.
Good boundaries. The ethical liege lord knows that it's normal for the staff to probably be softly bitching about him in private (even with a really good boss, we all grumble from time to time). He's not eavesdropping on them, he's not going into the staff areas where they should reasonably expect to have a degree of privacy, etc.
Righteous and protective of "the weak". The "weak" here doesn't necessarily mean physically weak, this is often used in the sense of someone politically or socially weak, aka The Marginalized -- the poor, the disabled, women, children, the elderly, etc. If a lord sees someone like this being mistreated or abused, he's supposed to step in and put a stop to that.
Committed to reciprocity. In a highly hierarchical system like feudalism, every person (from the lowest peasant all the way up to the crown prince) legally OWES their liege lord certain things (taxes, labor, service, loyalty, etc). A good liege remembers and takes very seriously the idea that this should be a balanced and reciprocal relationship -- in other words, he owes something BACK. Feudalism is modeled very strongly on the family system: If children owe their parents obedience and service, then parents owe their children care and protection. This still applies when the "child" is a farmer and the "parent" is a local baron. Or when the "child" is a duke and the "parent" is the king.
Basically, we get so caught up in the aesthetics of nobility that we forget that it literally is a managerial position that comes with responsibilities that were... very similar back in the day to the same ones we have now. Humans have not changed all that much. At the end of the day, a really good boss in the 1400s versus in one from the 2020s displays most of the same qualities of personality, even if the details of execution are different.
The next question is, of course, "well, but this theoretical liege lord is HIGHLY idealized -- how often did that actually HAPPEN? Wasn't it more likely that everyone was exploited all the time?" and to that I say: Well, maybe. But again, I don't think humans have changed all that much. Just like the bosses of today, there's a SPECTRUM: A really really good boss is rare and precious and one that you tell stories about for years after you've left that job, but a truly, genuinely, homicidally nightmarish boss is also pretty rare. Most bosses are sort of meh -- they have their good moments, they have their shitty moments, but they're tolerable and you can get along with them well enough to do your job, and then you roll your eyes at them behind their back. Generally, humans don't take outright exploitation lying down. Being a bad boss in the historical period is how you get peasant uprisings and revolts, and you know that to be true because your parents raised you with that knowledge, so unless you are very stupid or inbred or an egomaniac, there is literal personal incentive to at minimum be a Tolerable liege lord. And that means hitting at least SOME of the above bullet points.
TL;DR: In the words of Honore de Balzac, "Everything I have just told you can be summarized by an old word: noblesse oblige!"
(for more discussions of the ethics of fealty and what it means to be a good boss when you are an exquisitely beautiful twink of a prince with a hot beefy bodyguard.... [fingerguns] read A Taste of Gold and Iron)
ɪ ᴡᴀɴᴛ ᴀɴᴅ ɪ ᴡᴀɪᴛ.
David Hockney.
fire walk with me

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circa 2019, watercolor + pen
Something i WAS going to sell prints of but have given up on
Genuinely this is one of the most beautifully animated things I've seen since the golden age of animation. I could actually cry for how much love they put into this jfc what a beautiful homage
Everyone say thank you gorillaz
narnia has actually way too many completely devastating concepts in it that are not explored At All
We talk a lot about how in The Lion, the Witch and the Wardrobe, the Pevensie children live full adult lives as kings and queens of narnia before stumbling out of the wardrobe by accident and being children again after like 15+ years. But I’ve never seen the same level of analysis devoted to how in Prince Caspian they return to Narnia and discover that over 1,000 years have passed in Narnia since their last visit.
Imagine undergoing the grief of losing an entire life you lived in another world, being forced back into the body of a child and to grow up all over again without the ability to even talk about what happened in the decades you lost. Every person you knew and loved, vanished, leaving no indication they were ever real and no guide for how to move on.
But returning to that world where you were a King or Queen and discovering that centuries have passed without you and that the people you lost are not only dead, but mostly aren’t even remembered? That’s almost worse.
That series is really something for “worldbuilding threads picked up and never touched again” too like
in the silver chair it’s confirmed that deep underneath the earth in narnia there’s a molten, fiery abyss world called Bism that is apparently populated and also apparently gemstones are living creatures that live there, and what we understand as diamonds, emeralds, rubies etc. are just the discarded husks of once living creatures
Jadis is actually not originally from Narnia, but accidentally gets sent there at its creation (making her one of the oldest beings in narnia) and she annihilated all life in her world of origin. she also very much does go to literal actual London and terrorize people. she is like 7 feet tall and can tear iron with her bare hands like it’s taffy.
Jadis makes it “Always winter and never Christmas”…what the FUCK is her beef with Father Christmas. I know it’s supposed to be like a metaphor or some shit but I’m imagining what exactly the fuck must have happened between them for jadis to specifically want to prevent him from coming to narnia to the extent that her powerful seasonal-change-stopping magic also includes a “fuck that guy in particular” clause.
like think about it, Jesus is not a thing in narnia, he’s just aslan. and aslan did not get born. ergo, the origin of such a concept as Christmas is the entity Father Christmas. Christmas is not a religious holiday to Narnians it has no symbolic meaning it is just specifically the time of year when Father Christmas fucks around across the landscape giving children gifts, such as very deadly real weapons. There’s no reason for him to do this. It’s just what he does. And Jadis fucking hates it.
another thing from the magicians nephew that is never brought up again is that Polly and Digory don’t go directly to Narnia, they end up in this intermediate place between the worlds that’s like a forest full of pools leading to other worlds, potentially infinite other worlds, and they end up in Narnia pretty much at random.
I think it’s also confirmed that Archenlanders were originally from Earth, and are the descendants of a small group of people who traveled to Narnia by accident and got stuck. One wonders why Aslan didn’t whisk them back out. Or why being too old wasn’t a problem for them.
I think this is early installment weirdness but there are Roman gods in narnia. ?????
stars are sentient???
narnia is flat. this is not actually an unresolved thread but I don’t think it’s common knowledge even though in one of the books they literally sail to the edge of the world. caspian specifically thinks it’s super cool that the earth is round
I LOVE the whole concept of Bism. Like Lewis really just said oh yeah there’s a whole world under Narnia where people live and jewels are alive too actually you wear dead ones in your jewellery and then no one ever spoke about it again, not even the fandom
No wonder this series infuriated Tolkien so much. Lewis just threw paint at a wall and jokingly asked the man who’d spent a decade on a single painting if he liked it.
Holy shit there is a lot about Narnia I don’t know.
Writer’s block? Why not try peppering panpsychism into your atheist-turned-christian young adult literature and never addressing it again?
So many fics, so little time.
Fun fact about the woods between worlds thing and what the inspiration behind it was:
This is an illustration of it from the book.
And THIS is a forest full of shell craters from WW1. Which C.S Lewis fought in as a teenager.
I’m sorry @stargirl-and-potts I couldn’t leave your tags there 🥹

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Feelings come in waves; they always hit you, whether you expect it or not Prints | Ko-fi | Patreon
When I was in college, my Creative Nonfiction professor would regularly have us do something she called "hotspotting" (she didn't know that this was already a term tbc) with our rough drafts. Basically, hotspotting is when you look at your draft and pick out your favorite sentence, or one of your favorite sentences--one that you're really proud of--and write it down in a blank sheet in a notebook. Not a new document, a physical notebook. (You are not allowed to use technology for hotspotting.) And then you set a timer for however long--like maybe ten to twenty minutes--and you elaborate. You treat that one sentence as if it's the opening sentence to a new draft, and you write from there, until the timer is up.
It sounds like a gimmick, but honestly, some of my best writing in that class came from hotspotting. Usually, the sentence you consider the "best" is the one that really gets to the heart of something you're trying to convey. In a rough draft, it tends to be that you're fumbling around a bit before you really hit on the heart of things. So with hotspotting, you're starting from a less fumbly place, which means you're able to dig into your subject in a much deeper and more precise way. It makes you feel like a surgeon, a little bit.
So I do recommend trying it, even just for fun, even if you think the rough draft you have is already good. You might surprise yourself with what you come up with! :)
i’ve warmed up significantly towards the concept of small talk ever since i learned that its sole purpose is to make friendly noises.
as long as you smile and nod, people are satisfied. it’s just to show that you are nice and there with good intentions. we’re small in a big world and have to rely on other people to be decent to us. so we do our little human dance to each other to say, “i’m not here to hurt you. here’s something we have in common, like the weather or sports or itchy sweaters, so we both know we’re on the same team. we both agree on a basic fact, like that it is rainy or that being itchy is uncomfortable, and this proves we can get along. i’m being light-hearted and non-threatening right now.”
small talk isn’t to get to know a person. it’s just a greeting to affirm you’re buddies in the universe.
i am motivated by wanting the other person to know i am friendly, so i have gotten pretty decent at small talk when i used to hate it.
The thing about character design theory is I really think we shouldn’t just keep reinforcing our “this is what a sneaky and untrustworthy character looks like, this is what a threatening and intimidating character looks like, this is what an innocent character worth protecting looks like, this is what a smart and competent character looks like, this is what a man looks like vs what a woman looks like” conventions like they’re innate human wiring that we tap into scientifically and not like, heavily societal
NOT staying in the tags on my watch
I think I'm dumb
-or maybe just happy?

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“Time for a good cry”
Notes: I’m really pleased with this one. I’m definitely getting a good challenge blending my art styles into something neat.
Eugene Thacker, "Nine Disputations on Theology and Horror", Collapse: Philosophical Research and Development, Vol. IV