Updated Intro Now That I Kinda Get How This Works:
Hello! It's 32W. Iāve been a long time lurker who finally wants to be part of this community! Iāve been into whump pretty much forever (since my formative years in the single digits), but Iāve been reading, writing, and drawing whump on and off for the last 15 years. I finally worked up the courage to post my own work this time last year, but I also reblog other peopleās stuff too! My long-suffering wife is probably tired of hearing me talk about my fictional guys going through it as well, hence the blog!
Obligatory warning: minors DNI. Please. Thereās gonna be nasty stuff on this blog and it will be tagged appropriately. Only you are accountable for your own online experience.
Likes and Interests
Slavery whump
Captivity whump
Pet whump (not exactly BBU, but BBUās not bad)
Noncon/NSFW -will tag!
Noncon body mod -e.g., branding, tattooing, piercing
Kidnapping
Bondage
Caretaking
Communication barrier (language barrier, nonverbal whumpee, etc.)
G/t dynamics -relatively new interest but I like it
Squicks (nope-tropes, things I donāt like)
Gore -experimenting with mild gore, but I cannot handle a lot right now
Most hero/villain tropes -no shade, Iām just not into it
Supernatural whump -by this I mean magic and stuff. Again, nothing bad about it, just not really into it
Sickfics that have too much fluff
I have a Masterlist now
Special thanks goes out to @burnticedlatte @demondamage @whumperofworlds @poc-whump and other blogs and the people behind them who inspired/encouraged the making of this blog. You guys are awesome ā¤ļø
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āFelix and Josh Adoptā AU? Is this like a forced family sort of situation where they raise a kid together? Why does that sound so fun?
@3-2-whump
It is a forced family dynamic where they adopt and Josh and Felix raise the child together! It completes their little family unit and fulfills Felix's happy ever after fantasy! Josh has no choice but to play along, and he feels a duty of care and protection for the child so he is overly involved wherever he's allowed!
Thereās whumperless whump in the toxicity of the industry. Of selling your talent and body on stage, of abandoning your creativity to conform to the industry. The vulnerability of your entire life being known and every action or inaction judged, especially when whumpee isnāt a perfect person by any means.
However, there is also a potential when a whumper is whumpeeās manager/producer. Giving whumpee drugs to prepare them for performances, starting/fueling that addiction. Overseeing what they write and perform/act, so none of Whumpeeās ideas are their own. Forcing whumpee to do things for the sake of their status that they would never want to do at all. Whumper can even blackmail them to keep them in the industry. Whumper indulges toxic fans and almost allows whumpee to get hurt by them. Whumper has the ability to control every single aspect of whumpeeās life even beyond their career, from diet, exercise, and clothing, to even who they date and who they spend their time with.
Whumpee might think this is a normal part of the industry, might accept or even perpetuate these toxic ideas. Accepting that fame requires sacrifice.
So, they donāt think twice before bringing this up to other idols in private. Maybe just asking an innocuous question about how other idols deal with fans who are getting handsy, a cheery remark about how whumpeeās so glad that their manager lets them hang around other idols, or a comment about how the idol so lucky that their manager allows them such freedom with their diet.
Imagine whumpeeās shock when their idol friends are concerned by their comments and outright horrified when whumpee accidentally tells them about the horrifying control whumper has on them. Imagine how surprised whumpee is when their idol friends tell them that that the way theyāre treated isnāt normal, maybe even asking if they need legal protection and a place to stay.
Still, whumpee canāt leave whumper, they canāt help but imagine the scandal when everything gets released to the public. As whumper says, if this gets out from behind closed doors everyone will see whumper for who they are and hate them. Whumpee knows how the industry works, knows escaping whumper will only leave them as a sob story for the media to indulge in before theyāre left in the dust.
Also thereās possibly good recovery ideas too! Whumpee getting loads of support when whumper is exposed, maybe even changing their brand and embracing what they wanted to be from the start. Whumpee who supports the causes they actually want to now that they can control their own funds, possibly donating to an organization that helped them get clean. Whumpee who discovers the joy of having a respectful and caring fanbase, who actually enjoys fan meet ups now. Whumpee who is more than what they survived and where they came from, who leaves that pain behind and doesnāt build their brand off it.
Please, please, everyone consider idol whumpees. A spotlight can burn too
CW: Pet whump, bound and gagged, muzzled, hurt/no comfort.
A/N: Inspired by this amazing drawing from @sorrowful-hyacinth
Sirius tried to relax his posture. The collar tightened around his neck, tugging upwardānot enough to strangle him, but enough to make every breath slightly harder. The thick leather muzzle did not help either, but biting down on the bit inside his mouth let him focus on sensations other than the countless ropes wrapped around his body, cutting off his circulation and binding him to the chair, or the claws of hunger tearing through him from within, as though his own guts were devouring themselves.
If anyone had ever asked Sirius for his opinionāwhich had never happened in almost ten yearsāhe would have said this was completely insane, utterly ridiculous; but to Graus, his owner, it made perfect sense.
"What have I told you about following the rules?" the man said, feigning calm despite his icy blue eyes burning with fury. He had caught Sirius resting on one of his luxurious upholstered chairs, part of a new dining set he had imported a few weeks earlier from the other side of the globe. "Animals are not allowed on the furniture."
Sirius tried to explain himself. Foolishly, because it was obvious no one would listen when he was barely allowed to speak. He had only been sitting there for a few seconds!
"Since you enjoy sitting on chairs so much," Graus declared, "I hope you enjoy your stay here for the next eight hours."
How much time had already passed? Locked inside that windowless room, empty except for the hard wooden chair and himself, there was no way to know for certain, but if he had to guess, judging by the hunger gnawing at him, at least two mealtimes must have already passed.
Struggling was pointless. There were enough ropes to immobilize a wild tiger, winding around his arms and legs while cinching tightly across his chest. Graus truly enjoyed exaggerating his punishments, always boasting about having "a firm hand."
He spent the following hours drifting in and out of dissociation until the door finally opened and his owner stepped inside.
"Did you learn your lesson?" he asked, stopping in front of him with a faint smile.
As best he could, Sirius tried to nod and make a confirming sound behind the muzzle.
"Good."
The man ordered someone to untie the boy before dragging him back to his cage.
"This is where you belong," he said in farewell, slamming the barred door shut. He did not lock it, that was part of the test, one Sirius had no intention of failing again. Instead, he curled into himself and hugged his old pillow. It smelled faintly of sweat and worn laundry soap, but to him it was the closest thing to peace he had ever had. His body ached from hours in the same agonizing position, and despite his empty stomach, it did not take long before he fell asleep.
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You've heard of "character who went through hell but doesn't want anyone else to suffer like they did" and of "character who's been thrown around and hanged like a ragdoll and can only wish for others to be put in their shoes so they'll feel what it's like" get ready to "character who cannot, does not and will not recognize they are suffering at all in the first place and refuse to do so with such adamant determination it's almost like they're trying to convince you as much as themself"
Whumpers who casually manhandle the whumpees, as if doing so is completely natural. They don't even think twice about it. Whumpee is trying to crawl away? Oh, just grab them by the ankle and pull them back. Whumpee's head is pointed in a suspicious direction, as if looking for an escape? Pull them by the hair so their eyes are forced away. Trying to yell for help? Put them in a chokehold, without so much as a change in expression.
Just little things that reinforce the power dynamics and show how helpless Whumpee truly is. For them, it's Hell on Earth. For Whumper, it's Tuesday.
Especially if there are other people in the room. Whumper's having a casual conversation while dragging whumpee around. Barely paying attention as they push whumpee down to their knees, which joking with friends.
Rope or chains / stabbing or shooting / intimate or clinical / used as bait or forced to watch / muzzle or gag / whip or cane / broken bones or dislocated joints / burning or electrocution / rescue or escape / off the grid or hiding in plain sight / sick or injured / blindfolded or not / recovery or not / sickfic or not / hidden injury or pet whump / living weapon or sidekick whump / solo whump or team whump / caretaker or carewhumper
Tagging (no pressure also open tag!): @whumpasaurus101 @tildeathiwillwrite @whumperofworlds @mid-knife-crisis @flowersarefreetherapy @whumpyourdamnpears @angst-after-dark @whatwasmyprevioususername
Rope or chains / stabbing or shooting / intimate or clinical / used as bait or forced to watch / muzzle or gag / whip or cane / broken bones or dislocated joints / burning or electrocution / rescue or escape / off the grid or hiding in plain sight / sick or injured / blindfolded or not / recovery or not / sickfic or not / hidden injury or pet whump / living weapon or sidekick whump / solo whump or team whump / caretaker or carewhumper
Couldn't choose for some of them T-T
Tagging @piplupfluffwritingstuff2 @whump-till-ya-jump @whump-since-2010 @3-2-whump @ableut-astratanica @acelightningwhumper and open tag! :D
Rope or chains / stabbing or shooting / intimate or clinical / used as bait or forced to watch / muzzle or gag / whip or cane / broken bones or dislocated joints / burning or electrocution / rescue or escape / off the grid or hiding in plain sight / sick or injured / blindfolded or not / recovery or not / sickfic or not / hidden injury or pet whump / living weapon or sidekick whump / solo whump or team whump / caretaker or carewhumper
I was also indecisive for some of the prompts -_- whatcha gonna do?
No Pressure Tag List: @melpomenelamusa @jumpywhumpywriter @defire @skittles-the-whumpee @yet-how-they-creep @foresttheblep and open tag, because I swear I could probably think of several more people but Iām also coming up with nothing š„²š
Hopped on twitter for one second and immediately hit with seeing a fic accused of AI because of the metaphor and flowery prose and... it looks normal to me??
Guys if I ever use a bad metaphor or maybe get a little purple prosey, I promise it's not AI, I am just a hobby writer experimenting and sometimes it hits, sometimes it doesn't š
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I've made this post a thousand times and I'll make it a thousand times more until I stop seeing people being ashamed for the crime of being creative and caring
hi i um. am very new to writing fiction. i've never really been good at it in the past but i want to practice so i can write about my ocs. how do i like... write so it's not a super fast paced step by step with no real feeling?? because that's how a lot of my writing tends to be.
I have no idea how this got lost in my inbox-
If you're worried about the pacing of your writing, there's several different places where the rushed sensation might be coming from. I myself am not very good at pacing, especially when it comes to Chronic, but there is some advice that I take to heart while I myself am trying to improve
All My Writer's Pacing Tips & Tricks
In my opinion the most difficult focus pacing when writing is of course the plot. You don't want it to feel like its dragging on for all eternity, boring anyone who reads it. But you also don't want it to read as rushed and back-to-back-to-back.
Sentence & Paragraph Variation
Making your sentence length more diverse can help guide the eye, and give the writing a natural feeling whilst reading
The same can be said for paragraph size
But you can also use both to influence the pace and atmosphere in writing
Shorter, more direct sentences, and smaller conjoined sentences in a short paragraph give a fast sensation. It can be really helpful during an action scene, a scene with a lot of chaos, or to build anticipation
Meanwhile longer sentences, and paragraphs, with intense attention to detail or descriptions, can give a longer and calmer feeling. This is especially helpful when setting a scene, or bringing attention to something subtly that tells us about the characters, story, or moves the plot
Emotional scenes also require more detail
Some ways you can change sentence structures is by adding what a character is actively doing
For example
Original: Aldrich sighed. He had enough of it all, so he got up and stood at the window.
Now this sentence isn't bad, but if we're trying to give a sense of Aldrich's impatience and restlessness from this, we need the timing to feel the same to the reader.
Tweaked: Aldrich heaved a prolonged sigh. Wrapping his finger nails against the side table, he shifted uncomfortably in his seat, biding for even the slightest change in the lighting outside. The unease itched inside his muscles. Next thing he understood, he was standing at the window, scanning the outside furiously.
The longer sentence structures and use of commas, makes the scene longer in someone's head when reading. We also get more description of what the character is feeling, and just doing.
But what if we wanted to do the opposite? Let's take the tweaked paragraph for instance. If we were originally working with that, but we wanted to portray a suddenness and surprise, a shorter structure could help.
Tweaked II: Aldrich flinched at the sound of the door. He leapt up from his seat, and rushed to window.
Dialogue & Action
Also used in my examples is action, but don't forget how much dialogue can change the pacing too.
Things can feel rushed and give the impression that there's non-stop happening in a story when it lacks breaks through action and dialogue
The hard part though is balancing the action, dialogue, and description
Too much dialogue can make the story read faster, meanwhile too much description can make it read slower
Meanwhile action serves an enjoy for both
Original: Dexter shut the car door. He ran up to the front of the house, and knocked loudly. Without hesitation, he shouted at whoever was inside.
Again there is nothing wrong with this paragraph, but if we want to make it read less back-to-back, while keeping a somewhat fast pace, we can use action and dialogue.
Tweaked: Dexter slammed the car door shut behind him. He ran up to the front of the house, battering it with his fist.
Without hesitation, he shouted, "This is the Entomology Specialist Squad for the infected. I demand you open this door now!"
Scenes & Chapter Breaks
Next there's scenes and chapter breaks, which is my personal favorite when it comes to editing my own writing, while trying to adjust the pacing.
Breaking up scenes, and in the case of a many chaptered series, chapters properly can drastically change how a story is read
Moving on from a fast-paced scene to a calmer one can give the reader a chance to breath.
While the vice versa ramps things up
Ending a chapter and starting a chapter on different atmospheres of scenes can also affect how a reader approaches the next chapter, or thinks back on the previous one
cliff-hangers are just one form of iconic chapter break, but there's many different techniques out there
Wordplay/Prose
Another technique I've used in my examples is adjusting my prose
If you're trying to make a scene seemed more fast-paced, intense, or sharp; words that match such descriptions can really change a sentence
The same can be said for slowing things down.
But more importantly in my opinion, I feel like unique, descriptive, or interesting words generally just make reading feel more put together
This includes switching out words like "said" for better verbs, and similar instances.
I feel like these common words are not only typically shorter, but them being less descriptive causes the reader's in-mind picture of the story to also be less descriptive, and pass easily by when the eye is going over them
So don't underestimate the power of using a thesaurus or dictionary to discover some new words
Myself personally, I typically have the merriam-webster dictionary open on the side when I write for when I need some words to help spur my inspiration
Original: The young woman got up from the floor at the sound. She looked through the open door, and saw two people who shouldn't be there.
Tweaked: The young lady slowly rose to a stand at the hum of their conversation. She peered through the ajar door, and witnessed the two men whispering to one another, neither in the Entomology uniform.
The more descriptive words make a bigger picture y'know, making the reading feel less rushed, compared to the ones used in the previous sentence. The same can of course can be said for the same as the flow of the sentence. Sometimes changing the order of the words, a pro of the English language, can add to the imagery and atmosphere.
Cutting Out Unnecessary Scenes
This one kinda goes without saying, but its also my fatal flaw as a writer
Its very hard to kill your darlings as they say
You fall in love with certain scenes, you have a chapter that's gone on way too long and you don't know where to cut back, maybe important information has been lobbed in besides unnecessary ones
But removing a pointless scene can entirely changer how readers view the overall story
So it can be intimidating to do so, but often times it needs to be done
I usually start with cutting out useless prose. If a room has already been established to be extremely dark, there's very little reason for me to describe it so again unless something about this darkness or the characters perception of it changes
Then I move on to re-analyzing my scenes
Could something important be explained and or revealed in a much better scene?
Why does this scene need to be here?
Is there a better way I could've transitioned from one moment to another
Honestly I could make an entire post about learning how to kill your darlings, but I myself struggle with this greatly
In-Story Timing
Finally there's the narrative's timing, the written world's passage of time
Another one I personally struggle at
If things in your writing feel like they're going too slow, you might need to speed up the passage of time in the story
There's nothing wrong with transitioning to the next day already, and with some good descriptive work, one could easily make sense of anything important of note between then
But if things feel to rushed, maybe scenes need to last longer
Which can most easily be done by establishing the environment, or extending the story's passage of time. I'd say slow it down, but surprisingly doing so can often have the same affect as rushing it
It's really difficult to balance the narrative's time, if everything seems to happen in just a day, it'll seem chaotic and all over the place.
And if you're writing a story about chaos and survival, that feeling can be utilized
Example: Milo waited to hear back from the raid. Soon enough, he had received that fated call. He listened dutifully, and after receiving his orders, he marched off right away to go after Dexter.
This isn't a bad paragraph, but if you wanted this scene to feel less fast-paced. I'd personally extend the passage of time in-story if possible.
Tweaked: Milo waited to hear back from the raid, but that fated call never arrived. He spent every night hoping to hear something... Anything. Almost ready to send out a missing person's report, the phone finally rang. He rushed to answer it. The voice on the other end was melancholic yet somehow urgent. Without waiting to hear how bad the prognosis was, he hung up mid-sentence, and was quickly out the door.
By extending the passage of time within the narrative, not only is there a less sudden atmosphere to the happenings in the story, but a sense of digestion and acceptance of about these happenings. I also made the actions of the character take longer to keep his sense of worry, while maintaining the pacing.
probably a controversial opinion but I think screenshotting someone elseās fic and posting it elsewhere because itās āobviously aiā is also harmful to the writing community youāre trying to protect. because
every single time I see these posts, there are always writers who say āthis looks like how I writeā and āwhat if my works sound like aiā. itās discouraging to genuine writers to see a screenshot of a fic that is āobviously aiā and then wonder if their own human-made works ālook like aiā too. itās discouraging to genuine writers to have to live in constant fear and worry if someone will screenshot their human-made fics and put them on blast for being āobviously aiā too.
no matter how āobviously aiā a fic looks, unless the author says they use ai, you can never know for absolute certainty that itās ai. you assume. based on vibes. and thereās always a chance of you wrongly accusing a genuine, innocent writer and encouraging people to harass them. āreal humans donāt write like thisā do you know literally every single human being to say for absolute certainty that none of them write like the machine that was trained on millions of human-made works to look and sound like humans? āmost people can tellā no, no one can tell unless authors disclose their use of ai. most people guess. based on vibes. every ai telltale is something humans actually write, otherwise ai would never have been able to mimic it in the first place. short sentence stacking? some people prefer it as a stylistic choice. ānot x, not y, but zā type of sentence? people have been using this for ages, way before gen ai became a thing. Iāve been using it in my writing for almost a decade, way before gen ai became a thing. em dash? you mean proper grammar? not to mention how often people who are autistic and people whose native language isnāt english are wrongly accused of using ai in their fics because āreal humans donāt like write thatā ā itās super offensive and harmful.
even if someone says they use ai, the right thing to do is to not read their fics and leave them alone if it bothers you. I donāt like ai fics. I donāt agree with people who let ai write for them. but I will always condemn harassment. no matter what. also not to mention, if you harass someone for being honest about using ai and tagging their fics as such, chances are that they will stop tagging their future ai-generated fics as ai, meaning no one can know for sure if the fics are ai, meaning itās impossible for anyone to filter them out. if you want to be able to effectively avoid ai fics by filtering them out, youāll have to make sure people who use ai are comfortable enough to be honest about it.
I also want to say that no one āwrites like aiā. itās the other way around. ai writes like human, because thatās what it was trained to do. saying a human-made fic āreads like aiā is saying a work looks like its copycat.
last but not least, harassment, accusations, speculations and witch hunt harm the writing community as much as ai does. if not more.
thinking about whumper who has raped whumpee in the past, probably repeatedly. maybe even over an extended period of time. specifically in a context where no one else knows about the abuse yet. and the particular power this gives whumper to threaten other people whumpee cares about, even in front of them, in language only whumper and whumpee will understand.
ādo you think your friend has time for an appointment with me, since youāre so busy?ā ācareful now, wouldnāt want to have to go have a talk with [name].ā
or even overtly violent situations where the other character(s) know this is a threat but not what the threat means. āmaybe i should punish [name].ā ā[name] has been a lot of trouble. think i should put them in their place?ā
the shame and triggering nature of having the abuse theyāve suffered so directly and openly referenced in front of others. the terror and guilt and anger of the threat to hurt someone else in that same awful way whumpee has been hurt too many times by this person before. the conversations that could happen afterwards where then whumpeeās friend/teammate/etc asks. what did whumper mean? you had a strong reaction.
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Sometimes I forget that Iām a pervert. Someone will ask ālol whatās the WEIRDEST thing youāre intoā and then I get insecure because I canāt think of anything weird because Iām So Normal /s
"shipping and blorbofication are not inherently at odds with understanding a story's deep themes" and "some people can't grasp the themes of a story because they never learned how to engage with stories outside of the lens of shipping and blorbofication" are two statements that can coexist
blorbofication to me is when you love a character in such a laser focus way that you somewhat detach them from the narrative from which they are inserted and treat them in a way roughly similar to how you'd treat an oc for which you still have no story and just like to put them in situations just for fun. which there's nothing wrong with btw, it's just that it can easily lead to people forgetting the character engine in a narrative and not just a barbie doll
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