judicial warrant
administrative warrant
So sad that if you don’t know your rights they will abuse their power, fucking disgraceful
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@dragobsessedandposessed
judicial warrant
administrative warrant
So sad that if you don’t know your rights they will abuse their power, fucking disgraceful

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just as a reminder, changing your identity is not a bad thing, for any reason. thought you were a lesbian and now ur bi? thats ok! thought u were nonbinary and now ur a binary trans person? good and healthy. thought u were trans but realized ur cis and gender nonconforming? im glad u figured urself out! thought u were gay but ur actually ace? good! u were romance repulsed but u worked through some stuff and now ur romance favorable? good for u! and vice versa for all of these and anything else like this! changing ur mind on things is natural! fluctuations of the self is normal! i love u no matter what! have a good day!
(this post is not for t*rfs, aphobes, queerphobes, lesbophobes, biphobes, tr*scum, or any other kind of bigot)
The thing about trans women that people don’t talk about enough is the voice problem. Many of us are afraid to admit it, but there’s something incredibly degrading about being expected to alter the way we use our voice around people.
Really, like, the way that trans women are taught and expected to speak is incredibly tedious, unnatural, and obviously forced to the ear of any speech pathologist. So the “solution” is for us to go “full-time” and essentially ditch the voice that comes naturally.
It isn’t right, but there’s no winning in either case. People will misgender you if you speak naturally, and if you do try to use your “feminized” voice you’re honestly putting yourself at risk of violence, and how the fuck am I supposed to feel confident when knowing full well that the sounds coming out of me aren’t genuine or convincing to anyone?
This is a serious fucking problem that doesn’t get addressed. Trans women are expected to find services and often pay absurd sums of money to get training or “therapy” for the voice, but all you are really doing is practicing the art of speaking in a submissive and stereotyped voice. Enter radfems, who would then use this as a weapon against us, claiming that we are perpetuating *ppfffpffpfafbloobpblboooblbllblblpp* by using our voices in a way that makes us feel safe.
But, unless you’re the lucky 5-10% of trans women who can pass even after speaking, that safety is not only unlikely, but more often than not people are going to look at you with disgust and of course you know what happens once you’re outed.
Why should I have to talk like a fucking cartoon character? Cis women do NOT sound the way that these voice experts insist they do, because trans women have to speak primarily with a head tone, completely forgoing the chest and therefore removing the part of the sound that makes it sound like speaking and not fucking squealing.
If you care about trans women, expecting us to change our voices in order to pass as cis is fucking gross.
read this in its entirety.
THE CRAFT (1996) dir. Andrew Fleming

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The cast of Company performed the opening number for New York Times! God, I love them all so much
I keep hate-reading plague literature from the medieval era, but as depressed as it makes me there is always one historical tidbit that makes me feel a little bittersweet and I like to revisit it. That’s the story of the village of Eyam.
Eyam today is a teeny tiny town of less than a thousand people. It has barely grown since 1665 when its population was around 800.
Where the story starts with Eyam is that in August 1665 the village tailor and his assistant discovered that a bolt of cloth that they had bought from London was infested with rat fleas. A few days later on September 7th the tailor’s assistant George Viccars died from plague.
Back then people didn’t fully understand how disease spread, but they knew in a basic sense that it did spread and that the spread had something to do with the movement of people.
So two religios leaders in the town, Thomas Stanley and William Mompesson, got together and came up with a plan. They would put the entire village of Eyam under quarantine. And they did. For over a year nobody went in and nobody went out.
They put up signs on the edge of town as warning and left money in vinegar filled basins that people from out of town would leave food and supplies by.
Over the 14 months that Eyam was in quarantine 260 out of the 800 residents died of plague. The death toll was high, the cost was great.
However, they did successfully prevent the disease from spreading to the nearby town of Sheffield, even then a much bigger town, and likely saved the lives of thousands of people in the north of England through their sacrifice.
So I really like this story, because it’s a sad story, because it’s also a beautiful story. Instead of fleeing everyone in this one place agreed that they would stay, and they saved thousands of people. They stayed just to save others and I guess it’s one of those good stories about how people have always been people, for better or worse.
It gets better.
Here’s the thing. One third of the residents of Eyam died during their quarantine, but the Black Plague was known to have a NINETY PERCENT death rate. As high as the toll was, it wasn’t as high as it should have been. And a few hundred years later, some historians and doctors got to wondering why.
Fortunately, Eyam is one of those wonderful places that really hasn’t changed much in hundreds of years. Researchers, going to visit, found that many of the current residents were direct descendants of the plague survivors from the 1600s. By doing genetic testing, they learned that a high number of Eyam residents carried a gene that made them immune to the plague. And still do.
And it gets even better than that, because the gene that blocks the Black Plague? Also turns out to block AIDS, and was instrumental in helping to find effective medication for people who have HIV and AIDS in the 21st century.
Here is a lovely, well-produced documentary about Eyam and its disease resistance. It’s a little under an hour. Trigger warning for general disease and epidemic-type stuff, but also, maybe it will help you have some hope in these alarmly uncertain times.
Ok, so theres like 14 tugboats working on the Ever Given now and the tide is coming in. They MIGHT be able to refloat her today.
As a hilarious side note, THIS apparently happened on a highway in china this morning, which SEEMS like a joke but is apparently real:
https://www.unilad.co.uk/viral/evergreen-truck-blocks-chinese-motorway-just-days-after-evergreen-ship-jams-suez-canal/
The word ‘Evergreen’ will likely now be forever associated with chaos, after a truck carrying one of the company’s shippin
Thank you for a source!
Update on the Ever Given: between the tides and the tugboats, she was straightened out by like...30 meters. The tide has gone back out, so she's not gonna be free TODAY it seems, but they are making progress.
To answer some questions that have come up in the notes:
1. Ever Given is the ship; Evergreen is the company. Yes, that's confusing
2. Yes, it's the same Evergreen that owns the shipping container on the truck (but not the truck itself, I think.)
3. It is also the same Evergreen that has a ship, the Ever Laurel, that spilled thousands of rubber ducks into the ocean in 1992.
Both ships were reportedly chartered by the same company
3/28/2021 It is Sunday morning. They are going to try again today to dislodge the Ever Given with the tides/tug boats.
Sunday evening: still stuck.
Maybe tomorrow evening?
With 17 tugboats helping her- The Ever Given has been refloated and is straightening out! It looks like she did it, yall. She's moving!
Friends. I am so sorry. It is 8am Monday and...we may have celebrated prematurely???
She...she might still be stuck? Or be re-stuck? It's a little unclear at this point.
8:30 Monday update!!!
I think it's for real this time. I think she's free.

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As a former band nerd, I can tell you that this instrument is finally being used as it should be :D
Also here’s a link to the entire song if you want it - there’s more silliness!
https://www.youtube.com/watch?v=d6vBezPo3T0
The slapstick guy is named Grant and according to a YouTube comment:
[Image ID: A screenshot of a youtube comment by Ava Giselle that reads: “grant isnt even a percussionist. he plays clarinet and is the human embodiment of chaos.” / End ID]
Grief is the final act of love
One last time–Ariana Grande// Allegiant–Veronica Roth// The Good Place (2016-2020)// Jamie Anderson// WandaVision(2020)// The Capacity to Love Requires the Neccesity to Mourn–Dr. Alan Wolfelt// Soon You'll Get Better– Taylor Swift// Fleabag (2016–2020)// Wish: Heaven Has No Regrets–Tessa Shaffer
In which I am both of them
i absolutely set people up to infodump at me, it's one of my absolute favourite ways to learn things! you mean i get to LEARN NEW STUFF from a FRIEND who is INCANDESCENT OVER SHARING? sign me up FOREVER.
some day ill be able to post this on thursday
it’s out of touch thursday
Okayyyy FootWork!

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mascara is supposed to make your eyes look bigger but a real beauty tip is having eyes at 9 in the afternoon
WHAT THE FUCK AM I MISSING????????
April 2015
this week in I Am Very Smart: having enough money to go to the opera, museums and concerts correlates with having enough money for food, shelter and basic health needs
They controlled for socioeconomic factors though! The people who conducted this study knew that people with lots of money to attend the opera were also more likely to be able to afford basic necessities, so they controlled for it in their analysis. The fun thing about statistics is that you can control for different confounding factors so you can look at the effects of one independent variable (opera or whatever) on the dependent variable (mortality). Part of being critical of potential biases is actually reading the article and knowing what to look for.
In addition to that very good point about controlling for socioeconomic factors, the article says a single museum or concert per year makes a difference. Most cities have free community concerts (some even have free opera performances!) and museums that are either free, pay-what-you-want, or at least have specific days/times during which they are free or at a significantly reduced cost. Many libraries (which are free) provide free museum passes to card holders. In fact, the article quotes a museum worker who works at a free art museum in Baltimore.
If you actually read the article you would also read that educators are excited about this study because it provides evidence that the arts should be made more accessible financially - by restoring arts programs in the public schools, for example.
Also, “Advocates said the study was also a reminder of how critical it is for the arts to be more accessible to Americans of all incomes.” Linking to the article so it’s easier for people to get to cos it’s a good read.