the other bennet sister- janice hadlow
Aqua Utopiaď˝ćľˇăŽĺşă§č¨ćśăç´Ąă

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@deardisdain
the other bennet sister- janice hadlow

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hayley wiliams, nashville night 2
Why did God create a dual universe? So he might say, Be not like me. I am alone. And it might be heard. ââ- Mark Z. Danielewski, House of Leaves.
BACKROOMS (2026) dir. Kane Parsons
Kayleb Rae Candrilli, from Water I Wonât Touch; âHere we are, aging together, just like we said we wouldâ

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For about fifteen seconds there, we were actually playing tennis. And we understood each other completely. So did everyone watching. It's like we were in love. Or like we didn't exist. We went somewhere really beautiful together. CHALLENGERS (2024), dir. by Luca Guadagnino
olivia pierce
Cairo Time (2009) dir. Ruba Nadda Roman Holiday (1953) dir. William Wyler
Dublin, Ireland, ca. 1957 - by Leonard McCombe (1923 - 2015), American
Parts of the Jewish left believe trauma explains attachment to Zionism. But what they call âtraumaâ is more likely a collective story than a
The homogenization of vastly different histories into a grand narrative of Jewish trauma points to a desire to tell a palatable story about how Zionism became hegemonic in American Jewish life. Like the original deployment of the lachrymose conception of Jewish history, it relieves Jews of political agency while making historic trauma the focal point of Jewish identity. This time, what gets lost in the mythologized Jewish past is an understanding of the political, economic, and social forces that shaped what scholar Shaul Magid calls the âZionization of American Jewish life,â like the centralization of financial and communal resources by Jewish communal leadership toward support for the State of Israel. Zionism was not simply adopted by a terrified rank-and-file American Jewry, nor is it a trauma response today; it was, and is, a political project, with specific and evolving strategies aimed at particular, andâit should be emphasizedâviolent aims.
16 April 2026

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"SalammbĂ´ with the sacred python." Illustration by Suzanne-RaphaĂŤle Lagneau (1928), for 'SalammbĂ´' by Gustave Flaubert.
2006. Salma Hayek and PenÊlope Cruz on the set of Bandidas is a Western action comedy film
â perverts â â filet crochet by me
âPlainwater: Essays and Poetry,â Anne Carson

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Mitski photographed at Sydney Opera House by petedov (2026)
happy pride to losers who get no bitches and stack no paper