Pre-dating era, Yara poking the lion ๐คฃ Hamzah and Nuhro never let her pay for food, and while she knows how it goes (SWANA cultural shenanigans) she can't help but push their buttons here and there. Hamzah does not mess around tho LOL
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Pre-dating era, Yara poking the lion ๐คฃ Hamzah and Nuhro never let her pay for food, and while she knows how it goes (SWANA cultural shenanigans) she can't help but push their buttons here and there. Hamzah does not mess around tho LOL

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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"The colors' silence whisper
The wool' s palpitation of blood through the knotยดvessels
And the fingers' sweet souls which are trampled"
- from Ahmad Shamluยดs "To the Scarlet Blossom of a Dress"
The Knot series (2011) by Jalal Sepehr (ุฌูุงู ุณูพูุฑ) is comprised of 13 images taken in the historic city of Yazd. In this series, Sepehr has striven to depict a place in his pictures in between traditional and everyday life.
Jerry Habibi in Looksmaxxing (2026)
Kinda tired of stories that are like โvaguely โArabianโ desert kingdom is inherently evil and bad and full of bandits and shitโ and also (this next part isnโt racist but it is annoying) when they have a desert kingdom thatโs in the middle of the sand?? Hello?? Where are the people getting water?????? Where are they growing their crops??? What the fuck is happening?? You cannot โitโs magicโ your way out of this one vro
yeah the orientalist trope is extremely annoying.
however just letting you know there have been thriving desert settlements that have been able to procure water, mostly by engineering underground aquifers/wells, settling around oases, and using tree shade/drip irrigation to grow crops (in the modern day they use climate-controlled greenhouses & seawater processed through desalination plants). i would recommend learning more about these civilizations and their methods instead of assuming it's impossible for people to live in such a dry place and that it must be magic.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch โข No registration required โข HD streaming
He had it coming
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Guess who's back ๐๐๏ธ๐บโจ I can't believe it took me 7 years to give Dusk and Jenna their first official speaking roles in the comic oh my god Excited to finally give them some proper characterization :D (also should you wonder, no, they can't actually "talk" like humans, El and Guzma would just hear goose noises and clinging steel)
Thank you to my wonderful Patrons, who made this update possible!! Hoping to work on both a new comic AND an animated video soon ๐ Get early access and wips of all of my art on Patreon!
Palestinian developer Rasheed Abueideh has announced Dreams On A Pillow, a mixture of stealth-adventure and interactiveโฆ
Dreams on a Pillow - a videogame experience about theย 1948ย Nakba, based onย aย trueย story
Reported by Edwin Evans-Thirlwell | Nov. 29, 2024
Palestinian developer Rasheed Abueideh has announced Dreams On A Pillow, a mixture of stealth-adventure and interactive documentary set during the Nakba - Israel's violent displacement and dispossession of Palestinian Arabs in 1948, shortly after Israel's founding. Created by "a global team of veteran game developers", it's the story of a Palestinian woman grappling with the loss of her baby after fleeing a bloody assault on her town. Here's a description of the game, via press release. "Dreams on a Pillow is a pseudo-3D Stealth-Adventure game based on the true Palestinian folktale of Omm - a Palestinian mother who fled the massacre of her town with her new-born child. After running for an hour in sheer panic, she realized that she had carried a pillow to safety, instead of her child. Inspired by the story, Dreams on a Pillow explores Omm's life story, showcasing both the history of Palestine before the ethnic cleansing of the lands, and the trauma borne from the violence that was inflicted upon the Palestinian people during the Nakba." According to the announcement materials, Omm's journey as a refugee takes her through the sites of several atrocities, including concentration camps and attacks on Palestinians near the Lebanese border. Whenever she is able to rest, the game switches into a documentary mode, "reliving a rapidly fading memory of a pre-Zionist Palestine" by means of archive imagery and text. Omm's principle possession is the pillow, which serves as both a terrible reminder of her lost child and a kind of coping device. When carrying it, she's not able to interact with objects or do things like jump, crawl, throw rocks and climb ladders. Putting the pillow down, however, triggers Omm's guilt and trauma, provoking nightmares that "reveal dangers of the mind, and shroud the dangers of the real world". The immediate practical challenge during the stealth-adventure sections, then, is to complete whatever objectives are at hand and retrieve the pillow before Omm's delusions overwhelm her. [READ MORE HERE]
Support Rasheed's project directly here on LaunchGood:
A pseudo-3D stealth adventure game about a land full of people being made into a people without land
How do you feel about the acronym SWANA to refer to the region commonly called the Middle East? Are you from there?
I'm from that area, and I like it
I'm from that area, and I'm neutral on it
I'm from that area, and I dislike it
My family is from that area, and I like it
My family is from that area, and I'm neutral on it
My family is from that area, and I dislike it
I'm NOT from that area, and I like it
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SWANA stands for South West Asia and North Africa.
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