is that song actually character-coded or is your brain a character-shaped hammer looking for lyrics to nail down somewhere
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@cuttlfeesh
is that song actually character-coded or is your brain a character-shaped hammer looking for lyrics to nail down somewhere

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i wish i was a beautiful woman (remembers i am a beautiful woman) i wish i was a CONVENTIONALLY beautiful woman (remembers normative beauty is boring) i wish i had powers
I WANT TO LOOK AT THINGS MADE BY HUMAN BEINGS
And also occasionally by pufferfish
playing stupid games but im really bad at them so im not even winning the stupid prizes

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sir please calm down i didnt "edit" crash bandicoot into your wedding pictures he was an invited guest
me after ants find me asleep at the picnic
This phrase has already entered my vocabulary re: media criticism where like. The viewer has a concrete view of what they expect a story to be based on the tropes and cliches they're used to seeing together, and when that doesn't happen, they judge it as a failed depiction of what they assumed it was going to be instead of judging it as what it actually is.
"This show is problematic because the hero didn't kill the villain at the end": When does he steal the bread?
"These two characters who were close friends throughout the series don't kiss at the end! What the fuck?": When does he steal the bread?
"This feels like it's missing a conclusion! Like, the protagonist does bad stuff and because of a critical decision he makes as a result of his major character flaws, meets tragedy in the end! Where's the part where he learns better and brings is love back from the dead and becomes a good guy and gets a happy ending?": When does he steal the fucking bread??
I heard this out as "When criticizing something, you must judge it for what it is, not what it isn't"
#this is why so many of us urge people to get a wider diet of stories

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Except, critically, at bedtime.
Ravings and urges get miscoded over time. Letâs say youâre thirsty, and you live in a strawberry field. Strawberries contain some water and a bunch of sugar so, over time, you may start to crave strawberries when you are thirsty because you get a reward and some relief in shorter time from the need starting than the trek to the stream. This can happen for every need: sleep, food, whatever.
Trevor Noah has a great tip, that when he craves ice cream at night he breaks it down into parts: I want something cold, I want something sweet. He drinks a glass of cold water then waits to see if he still has the ice cream craving. Usually he doesnât.
So listening to your body isnât âfollow every urgeâ but âdecompose the urge to discover the underlying need.â
If you always feel like getting cozy in bed you may be: cold, dehydrated, and/or malnourished (maybe a need for high calories that are bioaccessibleâŚnot processed).
If you do not feel tired at bedtime you may: need to eat dinner earlier because your body is still digesting, need to exercise or go outside more during the day, get the fuck off your screen for an hour so your brain can enter sleep mode.
Hope this helps someone.
P.S. notice i said nothing about neurodivergence. Not that itâs not a likelihood but the over-pathologization of behaviors prevents us from taking simple actions to improve our wellbeing. Also, these tips are pretty accessible and applicable to most brain variations.
crazy how there are only 2 hours of doing things every day before you keel over and die. if this werent normal id be worried
My gender is Homosexula
And theyâre all Vlad
i think about this a lot
you can stay indoors all day when the sun is out, and sometimes it's nice like a cool draught from a tranquil spring, but watch out because if you stay indoors for two days in a row while the sun is out you start doing odd gothic literature things, stalking the halls and passages and muttering to yourself and parting the blinds to gaze down at your neighbours with a haunted look before turning away to contemplate your mannequins #yourmannequins. three days and you're basically fucked. you have to throw a towel over your head to scurry as far as the store for milk and people jeer at you like frankenstein's monster.

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Consider this (based on a conversation I had with some friends a while ago): Pride and Prejudice and Zombies for people who actually like Pride and Prejudice. LookâI tried to read Pride and Prejudice and Zombies and I got about 20 pages in before I came to the conclusion that the person who wrote it did so out of the belief that the original Pride and Prejudice was stuffy and boring. There were out of character vulgar puns. And the trailer for the movie did not convince me that I had missed anything by cutting short my reading experience. So, what Iâm talking about here is this premise: the world of Pride and Prejudice, but if you die, itâs highly likely, almost certain that your corpse will get up and try to eat people. But no one dies in Pride and Prejudice, you might say. In fact, few or no people die in any Jane Austen novel. This is true. But people do get sick with some regularity. Imagine the tension added to Jane getting sick after going to visit Bingley if there was the chance that she would become a zombie after she died. Becoming a zombie in an eligible bachelorâs house probably would have seriously wrecked any chances of any of the living sisters ending up with him. Imagine Mr. Collins, as a minister, having the duty upon someoneâs death of severing their head with a ceremonial plate or something that would prevent the corpse from rising. Obviously important, but this only makes him more self-important and obnoxious. And dangerous. For you see, in this version, Mr. Bennett, who stays in his office all the time, whose life is the only thing allowing Mrs. Bennett and her daughters to stay in the houseâMr. Bennett is definitely a zombie. He died at home, and Mrs. Bennett decided that, no way were they dealing with this, and soâŚjust started faking it. Jane and Elizabeth know. The younger sisters donât. In this universe, I think we have to go with zombies that are not any faster or stronger than the humans they were, and in fact tend to get weaker as time passes because their flesh is rotting. AndâŚhmm, okay, how about they are pretty violent upon rising, and for about a week afterward, trying to bite people and spread the infection (even though most people are carriers anyway, but getting a nasty bite from a corpse will give you other stuff that will have you die while carrying the virus). But then they calm down and basically just start sort of attempting to act like they did in life, that is, taking habitual actions with no consciousness, in a depressing and desiccated way. So Mr. Bennett is a zombie, and Mrs. Bennettâs number one goal is to get her daughters married before anyone finds that out. And this, actually, makes Elizabethâs refusal of Mr. Collins more frustrating for Mrs. Bennettâobviously Mr. Bennett didnât tell Elizabeth that she could refuse Mr. Collins, because Mr. Bennett is dead, but Mrs. Bennett canât say anything or the game would be up. Another question in this versionâdoes Mr. Darcy find out about Mr. Bennett being a zombie somehow? Does Elizabeth find out that he knows and didnât say anything and this is something that helps repair his earlier actions? Anyway, this is the Pride and Prejudice and Zombies that I was looking for.
Okay also: in the original, when Elizabeth walks through the rain all the way to bingleyâs to care for Jane while sheâs sick, itâs a very dramatic expression of both Elizabethâs love for her sister and her penchant for flamboyant rebellion, but consider, if there is a chance Jane will wake up a zombie and Elizabeth knows it, how does that change the dynamic? Elizabeth might be going to help take care of Jane, or to *take care* of Jane should things take a more morbid turnâŚby killing her zombie sister.
This works especially well if zombieism is communicable prior to death; if mr. Bennett is a zombie and only the elder Bennetts know, that means Jane has been pre-exposed and is almost certain to wake up as a zombie should she die in the Bingleysâ careâ which the Bingleys do not know. Elizabeth has to forge through the rain to be there in case things get ugly, because she knows that the Bingleys arenât prepared.
And I think you pretty much HAVE to make Mr. Bennettâs zombie status play a role in how and why Darcy separates Bingley from Janeâthe heavy implication behind Darcyâs line about the want of propriety shown even by her father hits Elizabeth like a ton of bricks as she realizes he knowsâhe knows, and he thought Jane lying to Bingley about it was evidence that Jane didnât love Bingleyâbutâbut Darcy must not have told Bingley that part of it. Bingley couldnât keep a secret on his life; if he knew, his sister would know, and word would already be out and theyâd have been ruined by nowâ
And of course, not only does the fact that Darcy, who owes their family nothing, has kept and continues to keep this secret for them even after Elizabethâs refusal deepen the gratitude she begins to feel for him after the letter of explanation, but it also liberates Elizabeth to fall in love with him. Because Elizabeth-who-wants-to-marry-for-love would never be happy marrying someone who didnât know the family secret in advance. She had resigned herself to spinsterhood because she couldnât be satisfied with having to hoodwink someone to have their hand, but also couldnât put her family at risk by trusting someone who wasnât bound to them by more than an engagement. (Maybe she was even tempted to confide in Wickham at one point, and hasnât Darcyâs letter proven she was absolutely right not to yield to that passing thought.) But Darcy figured it out himself, and heâs kept her trust, and she could fall in love with him without guiltâif she hadnât already turned him down.
AND THEN LYDIA HAPPENS. And Darcy realizes immediately that Mr. Bennett canât do anything to recover herâand if Mr. Bennett doesnât do anything about Lydia, Mr. Collins might become suspicious, or even just officously involve himself, so find out the while thing. When Darcy blames himself for not revealing Wickhamâs character, itâs with a much more immediate sense of urgency. Itâs not that the other sistersâ marriage prospects being ruined may impoverish them down the roadâit might immediately drag them all into destitution. Thatâs why he rushes off to go look for Lydia himself.
I'm imagining a world where RPGMaker somehow made it as the de facto codebase for software and you have to navigate your banking app by walking around in a huge room full of NPCs named "make deposit" and "make withdrawal" etc and there's loud as fuck stock music playing