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Now, are you going to mind your own business, or must I really give you a piece of my mind? Oh, I couldn't take the last piece.

In 1984, "The Hound of the Baskervilles" (1939) was broadcast on German television for the very first time. The German version for the GDR television network back then was produced at the dubbing studio in Leipzig.

We hear Walter Niklaus as Basil Rathbone, Hinrich Köhn as Nigel Bruce, Hans-Joachim Hegewald as Lionel Atwill, and Dieter Bellmann as Richard Greene.

Dr. Mortimer’s praise for the master detective is even more enthusiastic in the German version. Instead of just mentioning a sense of security that Holmes provides through his work, the German dubbing states that Holmes’ intellect makes every mystery solvable, which increases the public's admiration for him even further.

Laura Aguilar is a Los Angeles-based photographer whose work mines the intersection between feminism, body image, queer politics, and latinx identity. Her earliest works depicted latina lesbians in intimate portraits, calling to mind the frankness of Catherine Opie, while her best known series features self-portraits of Aguilar posed nude in the California desert landscape. These photographs are instantly striking, finding in the artist’s body formal elements that echo the landscape itself, as in its doubling here with the giant rock that eludes the frame. Aguilar also forces our gaze onto a body that does not conform to stereotypical images of latinx or feminine identity—a body type that is not so much othered as invisible, despite its ubiquity. The artist originally began to produce these photos as a means of grappling with her own issues with weight and self-acceptance, but quickly came to see them as something more. They offer a profound, ambivalent vision of woman and nature. We see Aguilar dissolve into the landscape in search of anonymity, at the same time that she reclaims the pride and beauty in her body far removed from the society that rejects it.