I survived the Mok concert

I WILL !!! I WILL DO THAT

some of my favourite indigenous artists, in no particular order:

Inuit artists:

the jerry cans (esp their album Inuusiq)

beatrice deer

twin flames

Māori artists:

jordyn with a why

Indigenous australian artists:

tilly tjala thomas (i particularly love ngai yurlku nhiina)

kardajala kirridarra (srlsly check out ngajabu (Grandmother's Song))

And one of her own:

Oh and of course there's also the HU and Bloodywood for people who like more rock and metal mixed in:

┬─┬┬─┬┬─┬┬─┬

ඞ📖 ඞ📘 ඞ📖 ඞ📝

ඞ📝 ඞ📘 ඞ📘 ඞ📖

ඞ🖍️ ඞ📘 ඞ💦📕 ඞ🍌

i'm sort of having a mild brain fog moment rn so i can't fully articulate what i'm on about, but i think a lot of able-bodied artists view things like canes and crutches as interchangeable. and they often don't know enough about the wide range of mobility aids to make an informed decision about what their character might actually use based on their disability

there are 1001 one things you can put into the backrooms that are more interesting than monsters

once you have done that, find something else to do with your creative efforts. not everything needs to be suitable for a video game.

if we can count comics, Moore's Promethea too, one of the volumes is a trip around the Tree of Life, i think the whole narrative can be mapped on the Tarot Majors too

Mark Danielewski's Only Revolutions is a book length prose poem that you read from the ends in to the center. i haven't gotten through it but respect the ambitious structure

i feel like Hal Duncan's Vellum & Ink had something interesting structurally between them but i don't think i finished them, specifically bc i waited too long to start Ink after Vellum & got completely lost

Honorable mention/not sure if it counts but the language was interesting enough that I'm tempted to include it: The Tide Will Erase All by Justin Hellstrom is an Improbability Drive-style apocalypse told by a ten(?) year old but might also be a radio/satellite announcement of their story after the fact? needs a revisit

OH SHIT Koji Suzuki's Ring Cycle. Ring is a horror novel that happens on an entirely different level of operation than what we find out about it on Spiral & Loop

Jeff Vandermee's Dead Astronauts, i actually don't know how to describe what he did with it but it's nuts

Blake Butler's There Is No Year is decidedly nonlinear, bordering on nonsensical, with upsetting vibes and such perfect pacing that I couldn't put it down

Matt Bell plays in this territory a lot; pretty much anything by him is going to be fighting you back a little but my introduction was the short story "The Cartographer's Girl"

John Elizabeth Stintzi takes a pretty oblique approach to structure in Vanishing Monuments and, I understand, in My Volcano. (Disclaimer: they are also a friend of mine, but I make the recommendation in earnest)

The Library at Mount Char by Scott Hawkins is like if Warren Ellis tried to write House of Leaves, and I mean that as a compliment

I'm sure you're aware of Our Share of Night by Mariana Enriquez, but it is, in fact, all that and a bag of chips, especially in its structure

Monica Ojeda does some fun things with structure, especially in Nefando but definitely also in Jawbone, though I'll note that Nefando especially deals in some very dark territory

Steven Millhauser's short stories are pretty distinctly nonlinear and often outright weird in a very fun way -- I love his collection The Barnum Museum, notably the source of the short story that inspired the movie The Illusionist

I feel like Ayse Papatya Bucak's The Trojan War Museum fits here, but I also just feel like that collection is underrated, so cum grano salis

I think the movie is better-known, but Laszlo Krasznahorkai's Satantango is formally and topically very weird in a way that I found delightful

The Bridge by Iain Banks

and

Marabou Stork Nightmares by Irvine Welsh

(both have the dude in a coma)

See Under: Love by David Grossman. It's in four parts, two of them are straightforward lit fic, one is salmon point-of-view, if I recall correctly, one is a story told in dictionary definitions.

And short stories:

Stet by Sarah Gailey (the story emerges from the footnotes)

1-2-3-4-5-6-5-4-3-2-1

The stories leave off, sometimes mid-sentence, and resume later in the book, while working forward in time from the first story that's an Age of Sail story until the 6th one, the only one not interrupted, is in the far post-apocalyptic future. Then each story is resolved in reverse chronological order.

This is a given.

If the last digit is divisible by 2 (a.k.a. even), then so is the whole number.

If the sum of the digits is divisible by 3, then so is the whole number. The recursivity of this means that if the sum has multiple digits, you can add them up again until you get a single digit and see if it's 3, 6, or 9.

Like the rule for 2, but check if the last two digits are divisible by 4.

If it ends in 5 or 0.

If the rules for both 2 and 3 apply.

No shortcut. Alas.

Like the rules for 2 and 4, but check if the last three digits are divisible by 8. (Yes, this pattern keeps going for 16, 32, etc.)

Like the rule for 3, but the sum of the digits (or the sum of the sum of the digits, etc.) must be 9.

For example, 294

29 4

4×2=8

29-8=21

21 is divisible by 7

Second example, 1946

194 6

6×2=12

194-12=182

182 is still large, so let do it again

18 2

2×2=4

18-4=14