“Writing is, rather, entering an immense cemetery where every tomb is waiting to be profaned. Writing is getting comfortable with everything that has already been written—great literature and commercial literature, if useful, the novel-essay and the screenplay—and in turn becoming, within the limits of one’s own dizzying, crowded individuality, something written. Writing is seizing everything that has already been written and gradually learning to spend that enormous fortune. (…) Thus in order to devote ourselves to literary work must we subscribe to the great scroll of writing? Yes. Writing inevitably has to reckon with other writing, and it’s from the terrain of the already written that the sentence might jump out that sets in motion a small admirable book or the great book that displays a trajectory and constructs a unique world of words, characters, and conflicts.”