Couple sur les marches naturelles de la rivière Montmorency, Québec, en 1902

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Couple sur les marches naturelles de la rivière Montmorency, Québec, en 1902

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Masks by Richard Luksch
Workers posing with the stator of a hydroelectric generator, 1915, Sweden.
Glenn Kreisberg, Spirits in Stone: The Secrets of Megalithic America
A name is the linguistic threshold through which persons enter a shared world, a condition under which one becomes addressable. Unlike descriptive language, which tells us what something is, a proper name allows us to turn toward someone. In complete isolation, a name would lose its function, for names exist so that one person may call and another may answer; one may remember another in their absence, or speak of them after they are gone. This understanding transforms the idea of naming into one of presence.
Speaking a name momentarily alters our situated world before conscious recollection of the named person begins. The atmosphere has already changed—speaking the name of someone who is absent or dead can feel like an incantation. A name reorganizes the experiential field, gathering an entire mode of being-in-the-world. The body often recognizes this transformation before thought can explain it. In the act of naming someone, absence collapses, evoking that person’s presence within the shared world of meaning.

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James Mensch, "A Brief Account of Husserl's Conception of Our Consciousness of Time" in Subjective Time: The Philosophy, Psychology, and Neuroscience of Temporality, ed. Valtteri Arstila and Dan Lloyd
We measure and evaluate and judge. We distinguish and classify and categorize. We hypothesize and test and infer. By doing these things repeatedly, we construct a perfectly objective world that we can perfectly understand and perfectly control.
We use our understanding and our control to make ourselves happy. We see lack in our lives, and we focus on it like a problem to be solved. We reason that by increasing whatever is lacking, we will improve our well-being, and when nothing is lacking we will finally be happy. Then all of our desires will be satisfied, our aversions vanquished, and our beliefs confirmed.
It is this state of objective perfection that we seek. We want to be the perfect human animal, the one that has optimized its environment through control and thrives endlessly as a result. But in focusing completely on this singular goal, we miss something important. We forget to ask who it is that will thrive.
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The thing itself is no longer simply the being in its obscurity, as an object presupposed by language and the epistemological process; rather, it is auto di’ho gnōston estin, that by which the object is known, its own knowability and truth. The thing itself is not a thing; it is the very sayability, the very openness at issue in language, which, in language, we always presuppose and forget, perhaps because it is at bottom its own oblivion and abandonment.
Giorgio Agamben, Potentialities

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Devi (1960) dir. Satyajit Ray
Devi (1960) dir. Satyajit Ray
Properly written texts are like spiders’ webs: tight, concentric, transparent, well-spun and firm. They draw into themselves all the creatures of the air. Metaphors flitting hastily through them become their nourishing prey. Subject matter comes winging towards them. The soundness of a conception can be judged by whether it causes one quotation to summon another. Where thought has opened up one cell of reality, it should, without violence by the subject, penetrate the next. It proves its relation to the object as soon as other objects crystallize around it. In the light that it casts on its chosen substance, others begin to glow.
Theodor Adorno, Minima Moralia
Many places have a "forest that shouldn't be entered." Even people who are used to working in the mountains feel there is something there. They are suddenly overcome with fear and it becomes the custom to avoid certain places. These places exist. I don't know what is there, but I think they are real . . . The world is more than we can fathom with our five senses. The world doesn't exist just for humans. So I think it is all right to have such things. This is why I think it's a mistake to think about nature from the idea of efficiency, that forests should be preserved because they are essential for human beings . . . I am concerned, because for me the deep forest is connected in some way to the darkness deep in my heart. I feel that if it is erased, then the darkness inside my heart would also disappear, and my existence would grow shallow.
Hayao Miyazaki, “Totoro Was Not Made as a Nostalgia Piece” in Starting Point: 1979-1996
I dont think things can be treated with that kind of duality. For Japanese who don't think that way, the gods are in the darkness. They may come out into the light at times, but they are usually deep in the forest or mountains. When a holy spot is created, the gods drop down onto it. That is why, in the shrines that are closest to their original form that still exist in Okinawa . . . the image of the god is just a tree or a stone. And such a shrine isn't in a bright, shining place, it's in an overgrown dark area where the silence is deep—a butterfly may flit about, but it's a bit eerie. When I went there . . . it felt as if something were there. This sense of dark awe is the sort of veneration that Japanese have toward certain forests and natural objects.
Hayao Miyazaki, "Totoro Was Not Made as a Nostalgia Piece" in Starting Point: 1979-1996

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Folio from a Dispersed Nuzhatnama, Early 15th Century
λόγος means ‘to glean’ [lesen], that is, to harvest, to gather, to add one to the other, to include and connect one with the other. Such laying together is a laying open [Dar-legen] and laying forth [Vor-legen] (a placing alongside and presenting) [ein Bei- und Dar-stellen]: a making something accessible in a gathered and unified way. And since such a gathering laying open and laying forth occurs above all in recounting and speaking (in trans-mitting and com-municating to others), λόγος comes to mean discourse that combines and explains. λόγος as laying open is then at the same time evidence [Be-legen]; finally it comes to mean laying something out in an interpretation [Aus-legen], ἑρμηνεία. The meaning of λόγος as relation (unified gathering, coherence, rule) is therefore ‘prior’ to its meaning as discourse.
— Martin Heidegger, Aristotle’s Metaphysics Θ 1–3