Basically they did not have to go as hard as they did here. A Christmas Carol covers 60 years of fashion through flashbacks and they still manage to do nearly everything right. 

I’m mainly going to be talking about the human actors here because it’s harder to judge Muppet costumes proportionally, but those costumes are still on point 90% of the time.

First off, A Christmas Carol was published in 1843, and anyone who knows me knows I love the absolute train wreck that was mid-19th century men’s fashion. Do you like plaid? GOOD, BECAUSE IT’S ALL PLAID. Mixed with whatever else your little Victorian heart desires, color schemes be damned. Go wild.

This of course means I absolutely love Fred.

This outfit is hideous and it is also 1000% on point.

We also get to see him in a different outfit the next day, along with his wife and some friends.

First off, MORE PLAID, good for you. Second, I can literally find near-identical images of both these ladies’ dresses just by googling “1843 fashion plate”, I shit you not. To the damned year.

A good part of the story involves travelling through Scrooge’s life, so we get to see the costumes varying wildly over the course of several scenes. This was a time when styles were changing rapidly, and you had to keep up if you wanted to be fashionable and keep up appearances. Fashion changed so fast that you can often pinpoint an outfit to within a year or two like the ones above. 

First, we go to Scrooge’s childhood school. Given the timeline that’s normally put forward Michael Caine is definitely not old enough to play Scrooge, but ignore that for now. Let’s say if Scrooge is 75ish in 1843, it’s about 1783 when we see him leaving school and going off to be an apprentice. We actually see a few years of Little Scrooge fashion, but it’s fairly standard stuff. Scrooge doesn’t have a super childhood and his clothing is pretty plain, but it’s totally on par for the time. Why this haircut though? It makes me sad.

Then we jump ahead a few years and it’s about 1789. The whole group is attending the Fozziwig Christmas party and have gotten tarted up like they’re about the storm the Bastille, including Gonzo and Rizzo.

Again, they look absolutely ridiculous and it is absolutely accurate. 

Now, this is super ostentatious and a lot of people would have considered it way too French for their taste in this time period. But it definitely did happen (I’ve seen stripey bubblegum pink menswear in person) and like. It’s the Muppets. So, Rule of Funny.

Scrooge and Belle are dressed way closer to average Londoners of the time, and it’s worth noting that both are supposed to be somewhat poor. Fozzy pays everyone well but Lil’ Scrooge is still a skinflint and Belle is just getting by. They’re both looking darn good but their clothes are much more understated than everyone else’s and maybe even on the verge of out of style. 

Even their hair is pretty good. Including his. Also, holy shit does this guy look like he could be a young Michael Caine. Like, he doesn’t actually look how Michael Caine looked when he was that age, but if I didn’t know that I would totally buy it. Wow.

Then we jump ahead another ten to twelve years or so. This is the period I know the least about, especially when it comes to outerwear, so Jane Austen stans please comment. I don’t think it looks too bad though.

Here’s a couple of fashion plates from 1801 and 1803 for comparison.

I’d also like to point out that there is a wide variety of costumes based on social class that we get to see in the 1843 “present” that you wouldn’t really notice. So while the Scrooge family that’s doing alright for itself is wearing the latest looks, the rest of the town is not. A few of the women in the crowd dancing around Scrooge during “It Feels Like Christmas” are wearing dresses a couple of years out of date. Not too far, but you can see some looks from the tail end of the 1830s before women started shrink-wrapping their sleeves onto their arms.

You can see something similar to these outfits from 1839 in the crowd.

Contrast this with Mrs. Cratchit, who is living in poverty and has put on her absolute best dress for Christmas; it’s silk but it’s ten years out of style. 

This would have been the height of fashion in the early-mid 1830s.

And that’s important for making a world look real. Fashion was super important back then, but even so average people weren’t necessarily chucking their clothing out every year to keep up with the latest fashions unless they could really afford to. You would get there eventually, but you don’t want everyone in your universe, rich and poor, to look like they just stepped out of the latest fashion magazine. 

It’s absolutely astonishing to me that they put so much effort into this. I don’t tend to go down the rabbit hole of nitpicking historical costumes in movies as much as some, but when a movie that you never expected does it very right it just throws me for a loop. 

“A collection of common glyphs of the poorly understood Memeorite civilization of the Second Silicon Age. Memeorite glyphs possess multiple conflicting interpretations and a complexity of meaning impossible to capture in a few short words. These are rough translations only.”

Pain???

d e p l o y

Being older now and having an art job it’s…kind of essential. 

So: a quick primer for those of you who are like ‘ok but how do i actually go about doing this warmup thing.’ 

1) you may be tempted to do ‘a warmup drawing’ which is just a drawing that will take longer than it needed to and probably be frustrating and kind of bad because you didn’t warm up first. It’s tempting but always a trick your brain is playing on you! Do not trust! 

2) warmups will vary based on what feels good to you/what task you’re about to do/what motor skills you want to practice. That being said, some good standbys:

a) circles. Just a whole page of circles on whatever drawing surface you’re going to be using, whether that’s your tablet or your sketchbook or a drawing pad on an easel. For these circles you should make sure that you’re drawing from your shoulder and not your wrist. In fact, you want to be drawing from your shoulder rather than your wrist most of the time! forever! your wrist is delicate please preserve it! 

In order to ensure that you’re drawing from your shoulder, when you’re holding your pencil or whatever drawing tool you’re using, the only part of your hand that should be touching the drawing surface is part of the last two fingers–some people prefer the finger tips, but I tend to favor the first knuckles. Either way, the fingers should really be ghosting over the surface, providing guidance rather than support. 

I usually start with big circles and then go to smaller circles and lines of ellipses, and then try to fit circles and ellipses inside other shapes i’ve already drawn as a precision exercise, but i don’t do that unless i’m feeling loose

b) spirals! i don’t always do spirals, but if i’m stiff and the circles just aren’t cutting it, spirals are a good fall back. I start from the center and work outward, going both clockwise and counterclockwise until i feel comfortable with the whole range of motion. Some people really care about getting perfect spirals but for me it’s all about making sure i’m comfortable with how i’m moving so who really even cares about how the spirals look. Not me! 

c) lines! straight lines! in parallel! i do a mix of vertical, horizontal, and diagonal. These are often more from the elbow than the shoulder, especially if I’m working on a smaller surface. For this exercise, I recommend holding the drawing tool perpendicular with the surface

d) connect the dots. This is a precision and accuracy exercise and takes two forms. The first is to draw two dots and then draw a straight line between them. The second is to draw three dots and draw the curve that connects them. This sounds a lot simpler than it is in practice. Take time to ghost over the line you plan to draw before actually committing to your line. (I don’t always remember where I picked up my warm up exercises, but I’m pretty sure I got this one from Scott Robertson. His how to draw and how to render books are very technical but also accessible and worth checking out)

e) cubes, spheres, cones, and cylinders. These help get your brain into a more volumetric space. I draw multiples of each, rotating the forms around, and I’ll often take the time to do some rough shading on at least a few of them

f) spidermans! This one is really good if you’re going to be storyboarding or working on dynamic poses. Just fill a page full of spidermans doing all sorts of acrobatics. 

g) beans. I don’t do beans too much anymore, but I know a lot of people like it so I’m mentioning it here. Fill an area with different size bean shapes without lifting your pencil off the paper. 

h) short medium and long line repetition. draw a short, medium, and long line on your page, and then draw directly on top of them 8 to 12 times, doing your best to exactly trace what you’ve already drawing. Repeat with a wavy line. I’m bad at this one, which means I probably need to do it more. 

And there are lots more options too! Hit up youtube to see what other people recommend, put together your own go-to list, mix it up when you’re getting bored, etc. 

This is a long list, I know, but I usually don’t take more than 10 to 15 minutes to warm up, and I can warm up one handed while I’m drinking coffee, so, multitasking hurrah. 

Sometimes I’ll advance to a precision warmup and find that I haven’t loosened up enough yet; it’s totally ok to go back to an earlier exercise! Also, all of this has the added benefit of kind of ritualistically getting you into the drawing mode so even if I’m not feeling it before I start, by the time I’ve gotten to the end I’m usually Ready For Drawin’. Brain hacks.