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Victor Frankenstein after achieving the impossible and building a fucking person from scraps of the dead: Oh god, ew, ew it's ugly! Yucky! Yucky! Gross! Ew! Ew! Yucky! Yucky! Gross! Ew!
but just about Matt Kellner, bc why else am I here*?
Igby Rigney and Owen Painter doing The Most with their 0.3 seconds of screen time together. The tender way they held/looked at each other - I am dead.
Deeply saddened that we didn't get to see a summer school montage (though obviously thrilled we got to see Bret/Debbie origins lol). It really would have helped highlight just how long they'd been seeing each other/why they even liked each other in the first place.
Bret seeing Ryan and Matt at the same time kind of cheapens both relationships. Bret "breaking up" with Matt to see Ryan was important - he saw Ryan as an actual suitor and he saw Debbie as an accessory.
However, Bret getting broken up with by Ryan then turning around and doing the exact same thing to Matt because "apparently it's for the best" is delicious in its own way.
"I'm the realest guy in that whole school" Silly, whimsical little guy I love him.
I like that Matt isn't tanned and shredded like everyone else we see. Obviously Owen Painter is a gorgeous guy, but in a way that makes him genuinely nice to look at, rather than in an MCU kind of way.
The way the breakup was shot was fantastic, both of their facial expressions - ugh.
The missing fish scene was really good, I'd always thought it would take one hell of an actor to laugh and get high while talking about something that obviously terrifies him and Owen Painter nailed it.
Mourning the lack of green swim shorts, I won't lie.
The fight was good, but it should have been Matt's big moment and I feel like they put the focus on Bret a little too much. We could have got the same exposition/vibe even if Matt had more lines. But Bret being really persistent in going in for the kiss was gross in a good way.
Sad they didn't spring for Ghost Town, and that they made Matt explicitly a reggae fan as opposed to blues/jazz/ska more generally.
Ryan being concerned about Matt? The guy he wouldn't even give the time of day on account of him being Jewish?
Not to sound like I don't love to see my SON, but we didn't need a montage of Matt's daily routine, especially not from Susan's POV. The whole point was that his parents didn't know what he did, and when Bret thought about it neither did he.
The pins on Matt's backpack and his name tag, ooooooh, he was just a little boy.
No Matt potentially going to visit Robert plotline, since his dad was going to get the car serviced, not had got it serviced already.
The tape already? No "Brett"? While I would have loved to have seen more backstory I think the pacing up until this point was fairly accurate but now it seems like they're rushing to get through the Matt plotline so they can get to whatever the hell it is Ryan Murphy clearly actually wanted to do with the show. Bret finding out from Matt's father that he was murdered is such a huge deal in the book, the turning point of the entire novel. And now that scene categorically can't happen.
MY SON MY BABY MY SPECIAL BOY the beach scene is hard to watch and spectacularly acted.
However, they don't necessarily make it clear this is what Bret's imagining, since the whole thing no longer really takes place in his memory/from his POV. And Matt was canonically, explicitly not killed by The Trawler. Sooo??
Really, really mourning the loss of the prologue/epilogue scenes after this. I can't believe they crammed all of Matt's plotline into two episodes and he doesn't even get to come back as a ghost in the epilogue!!!
Overall: Owen Painter is great and they wasted him. Thank you.
*for Debbie also, obviously, but I feel I'll have plenty more time to enjoy Debbie.
guy on the subway with one ear pierced, little gold hoop. other guy on the subway very quickly and subtly googling "which one is the gay ear". it is not the gay ear. visible disappointment on his face as he puts his phone away.
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Look, I love all my mutuals equally. But the ones a decade younger than me have a special place in my heart. And not in a weird way, I promise. Like in a “I see you as a future adult.” No. Wait. I swear it’s still not weird. It’s like… how do I put this?
Look, the only time I ever got blackout drunk was at a wedding I was in and I spent the entire time while blackout lecturing the junior bridesmaid on how she needed to start saving 10% of her allowance and investing it in an IRA Roth. I have no memory of this. But I can tell you I lectured her brother of the same thing when he turned 16. I have a reputation for this now.
Every kid I work with or am responsible for in the moment is someone who has a bright future ahead.
I was also an idiot when I was their/your age and I just want to want you to make good choices, dammit.
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this girl was showing all the signs of being a secret mermaid so i pushed her into the pool and she turned into a forty foot long mosasaurus which is tbh way cooler
for those of you asking why i pushed her into the pool in the first place: i work for a duplicitous small town aquarium and i'm trying to kidnap mermaids to jump through hoops and shit to entertain tourists and make money. fucking obviously. now that i know she's actually a mosasaurus though i Have fallen in pure-hearted love with her
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Studying the hundred years war so I can study the war of the roses so I can read Shakespeare so I can read Macchiavelli so I can study the 30 Years War so I can appreciate Rembrandt so I can understand the rise of colonialism as a means of European hegemony so I can read Victor Hugo so I can read Marx so I can read Edward Said so I can read Dune so I can read Fevre Dream so I can read ASOIAF so I can write au fanfiction on the internet