twitters exploding so now im here

9:30 MST - The State of Audio Fiction - Anne Baird, Tal Minear, & Wil Williams

10:30 MST - Audio Fiction You Can Play With - Gabriel Urbina

11:30 MST - Nuance and Niche in Voice Acting - Emma Sherr-Ziarko, Asante Mango, Josh Rubino, & Giancarlo Herrera

12:30 MST - Marketing Smarketing - Ned Donavan, Roshan Singh, & Wil Williams

1:30 MST - Where Actual Play and Scripted Fiction Meet - Tatiana Gefter, Giancarlo Herrera, Destiny Howell, & Jeff Stormer

2:30 MST - Adapting Audio Drama - C.S.W., Roshan Singh, Ned Donovan, & Hannah Wright

3:30 MST - Solo-Producing an Audio Drama - ItMe!!, William A. Wellman, Lisette Alvarez, & Wil Williams

4:30 MST - Community in Audio Fiction - Jeff Van Dreason, Finch Smallsies, Tatiana Gefter, & Tal Minear

5:30 MST - Crowdfunding Crash Course - Brad Colbroock & Tal Minear

6:30 MST - How to Make Art When the World is Burning - Lauren Shippen

The State of Audio Fiction Where is the world of audio fiction today? From networks to funding to our current favorites to trends in content, your three TAFCON founders sit down to reflect on audio fiction today – and how we got to where we are now. Let's kick off our first TAFCON by talking all about this medium we're joined here to celebrate and learn more about!

Audio Fiction You Can Play With In a kaleidoscopic journey through his twelve years in audio fiction, Gabriel Urbina (Wolf 359, The Harbingers, Audible’s Gasolina and Hit Singles, and more) guides us through his evolving perception of what makes satisfying audio fiction and what proves so endlessly fascinating about this medium. Using examples from his own work as well as work that has inspired him, Gabriel tries to nail down what is at the core of a great audio fiction moment.

Nuance and Niche in Voice Acting Voice acting is one of the most important aspects of any audio drama – but it’s also one of the least discussed in terms of art, craft, and community! Learn from this panel of seasoned audio drama voice actors about what they do what they do. How does voice acting differ across medium, genre, and style? How do voice actors make the choices they make, and how does that add to the art of script in front of them? What is the role of voice actors in the audio drama community? How do we lobby to give them all an EGOT right now? Let's dig into the why and the how of voice acting.

Marketing Smarketing Across all different art forms, marketing is seen as a dreaded chore. In podcasting, though, it can be a lot more like making friends and hanging out than buying a billboard. In this panel, we'll talk about what effective marketing for a podcast looks like in 2026 at every level of production: from indie all the way to big budget IP work. Great marketing can happen on a budget of $0 and hardly any time, as long as you have strong fundamentals and the know-how we're excited to share here.

Where Actual Play and Scripted Fiction Meet What can actual play learn from audio fiction, what can audio fiction learn from actual play, and what's actually the difference between these two? These two forms of podcasting overlap, but there's much more knowledge to be shared between them than there could be – and sharing more could help us all from writing to sound design to marketing. Learn about the connections between a good actual play GM and a good audio fiction director, how players and voice actors can learn immediately applicable skills from each other, and how a little bit of random chance can help any script.

Adapting Audio Drama A good story can exist in multiple forms, across all kinds of media – but how do you actually translate something from the page to audio, or audio to screen? Learn from folks who have done exactly this to find out what changes they had to make and how they made them. It’s time to kill your darlings that only work in their original form, but meet some beautiful new audio darlings along the way.

Solo-Producing an Audio Drama Don’t have the budget, connections, or energy to cast an entire audio drama? You literally don’t have to. Solo produced audio dramas made by one person from start to finish are a fundamental backbone of audio dramas throughout podcasting history. But how do you manage all of that alone? From editing yourself to setting deadlines to keeping yourself sane, this panel will help you launch a podcast with the only resource you’ll always have at the ready: yourself.

Community in Audio Fiction Community in audio fiction gets a lot of talk, but who are we really talking about, and how do we find our people? In this panel, we break down who the “audio fiction community” is, as well as how to find a community for your show. Community can mean a lot more than listeners or fans. It can mean the people who keep you afloat when things get tough, a trusted group to bounce around ideas – or the always-necessary salt circle so you don’t post your way to professional hell.

Crowdfunding Crash Course Crowdfunding is hard! It’s overwhelming! Not sure where to begin? We got you. Brad Colbroock and Tal Minear tell you everything they know about the state of audio drama crowdfunding. You’ll learn how to make a good crowdfunding campaign (which includes what you should never ever do), different ways to promote it, and how to avoid burnout while funding. We’re fitting as much as we can into this crash course!