Three Goblin Art

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@theartofmadeline
I'd rather be in outer space 🛸

izzy's playlists!

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Andulka
Not today Justin
$LAYYYTER
tumblr dot com

Mike Driver
trying on a metaphor

JVL
hello vonnie
Stranger Things
"I'm Dorothy Gale from Kansas"

taylor price
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@beansprouts

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happy lesbo week, almost forgot to post this here
ngl if you're doing the whole Blogging thing right you shouldn't need to put your disorders in your bio bc your followers will just figure it out on their own. it's kind of a "show don't tell" type of thing
Alien Miku
I wanna scream and shout and let it all out. Scream. And shout. And let it out

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“In Russian, Baba Yaga’s name is not capitalized. Indeed, it is not a name at all, but a description—“old lady yaga” or perhaps “scary old woman.” There is often more than one Baba Yaga in a story, and thus we should really say “a Baba Yaga,” “the Baba Yaga.” We do so in these tales when a story would otherwise be confusing. We have continued the western tradition of capitalizing Baba Yaga, since the words cannot be translated and have no other meaning in English (aside perhaps from the pleasant associations of a rum baba). There is no graceful way to put the name in the plural in English, and in Russian tales multiple iterations of Baba Yaga never appear at the same time, only in sequence: Baba Yaga sisters or cousins talk about one another, or send travelers along to one another, but they do not live together. The first-person pronoun “I” in Russian, ‘ia,’ is also uncapitalized. In some tales our witch is called only “Yaga.” A few tales refer to her as “Yagishna,” a patronymic form suggesting that she is Yaga’s daughter rather than Yaga herself. (That in turn suggests that Baba Yaga reproduces parthenogenetically, and some scholars agree that she does.) The lack of capitalization in every published Russian folktale also hints at Baba Yaga’s status as a type rather than an individual, a paradigmatic mean or frightening old woman. This description in place of a name, too, could suggest that it was once a euphemism for another name or term, too holy or frightening to be spoken, and therefore now long forgotten.”
— Sibelan Forrester, from her introduction to Baba Yaga: The Wild Witch of the East in Russian Fairy Tales
I love a woman with a loud ass laugh. I love a cackle. I love a guffaw. Love when a bitch laughs so hard it scares the dog. Be unapologetic in your joy.
My very first tiger drawing and my latest
do you think two pennies is still enough for the ferryman or has inflation driven up the fare
if he makes me use an app I am simply not crossing the river Styx.
The plastic bags are hard to open sometimes.
yay! bunnies snacktime! 🥕🩷🐇

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see this is exactly what I'm talking about. this labour is so incredibly invisibilised that there are real human beings, walking about amongst us, leading normal lives, etc., who earnestly believe that machines can make an item of clothing from start to finish.
cotton is planted, watered, weeded, harvested by big huge machines with spinny arms and then those spinny arms put the cotton on a conveyor belt to be fed into to a factory where it is cleaned, spun, woven, dyed, and pre-shrunk by machines, and then more big spinny arms put it onto another conveyor belt that feeds into another machine that can draft, cut, align, and sew fabric all by itself with its camera and advanced fabric-aligning algorithm and more spinny arms. nobody drives anything anywhere or operates the sewing machines or anything. everything is arranged exactly like in a base-builder video game. in these people's minds. I guess
perliculture is so advanced. i thought those fun-shaped “freshwater” coin pearls were fakes or cut to shape but they really get mussels to grow these
some look messier than others with thicker nacre but even the neat ones occasionally have nacre bumps.
simply cannot ever resist what i call the little mermaid or the tin man or the pinnochio plot, the one about a character who is either inhuman or human but outside in some way, constantly searching for whatever it is that they consider to be the quintessential proof of humanity, preoccupied by it so deeply that they fail to realize the proof is in the act and fact of the search itself
(via @notaficwriter)
MAYBE WE’LL FIND IT IF WE BOTH LOOK
'the author's barely disguised fetish' is quickly turning into another version of 'what drugs were they on when they made this?'

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"Cats on a Plane" by artist Kelly Pringle.
Icelandic woman's dress, Iceland, by Nordic Craft Week