Pokemon #154 Mega Evolution Redesign - Meganium
Chikorita Line
KIROKAZE
𓃗
I'd rather be in outer space 🛸
Misplaced Lens Cap

ellievsbear

if i look back, i am lost
hello vonnie
macklin celebrini has autism

titsay
ojovivo

Origami Around

#extradirty
taylor price

Keni
Lint Roller? I Barely Know Her
YOU ARE THE REASON
d e v o n

gracie abrams

@theartofmadeline
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@aymerictheblue
Pokemon #154 Mega Evolution Redesign - Meganium
Chikorita Line

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mutant Femra oc (210cm tall)
Illustration practice with new brushes!
you're not depressed, you just need $750,000 in your bank account.

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I'm so tempted to @ a few mutuals right now.
I too want to give Maomao a kiss on the cheek
EDIT: I made a follow up comic
me everyday
cat noises
i hate when people defend those horrible monoculture lawns because they don't want bugs outside. like we don't live on planet bug

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it is like. i am deliberately not posting that much about the nolan odyssey because i don't have much genuine interest and i find the whole like outrage theater people do at adaptations to be exhausting and unproductive and often misguided + i don't really care what celebrities are doing. but zendaya's 3000-year-old iranian earrings are like. such an on-the-nose fuck you. like 1. you can practically feel the stylist going "oh, it's old, it must be on-theme!" without really considering that ancient cultures are not interchangeable. but also 2. there's a very clear and important difference between ancient greece and ancient iran, in that there's a reason zendaya isn't wearing ancient greek artifacts on her ears--ancient greece has a cultural cachet that ancient iran does not, by virtue of its position as the perceived origin point of "western" (white) civilization. they are just interchangeable enough that zendaya can wear the artifacts of one civilization to a premiere of a work based on the mythos of another, but just different enough that she can get away with one but not the other.
and of course there's 3. which is that modifying and wearing a cultural artifact of dubious provenance taken from a country the us is actively bombing (and in doing so presumably destroying plenty of historic buildings/artifacts) asserts a certain lack of respect for and/or sense of ownership over that country's people and culture. and obviously this is what makes it seem like such a specifically heinous move.
Really important to note when it comes to (3) that the elite (and frankly Orientalising) appropriation of ancient Near Eastern artefacts as jewellery has a long colonial history. Cylinder seals are these little cork-shaped cylinders with pictoral or written designs engraved on them, and work the same way as a signet ring in that you could roll them over wet clay to leave an impression of the engraved relief on the clay to dry. They look like this:
(Cylinder seal of First Dynasty of Ur Queen Puabi, found in her tomb, dated circa 2600 BC, with modern impression. Inscription: 𒅤𒀜 𒎏 - Pu3-abi(AD) Nin - Queen Pu-abi. Nicked straight off Wikipedia as it's a fab comparison of seal / relief.)
In the British Museum you can find "Lady Layard's jewellery". Austin Henry Layard is a guy whose academic efforts I'm admittedly very indebted to. He was passionate about Venetian and Roman glass and did a great job re-popularising both styles in the UK, but more importantly he was the assyriologist who excavated Nineveh and the Library of Ashurbanipal—where we've found the majority of the Gilgamesh tablets. Pioneer figure in terms of Near Eastern archaeology... but check this out:
This is a necklace Layard had made for his wife. It uses real cylinder seals.
To quote the British Museum's entry on the item: One cylinder seal is Akkadian (about 2200 BC) and four belong to the second millennium BC, but eight are late Assyrian (about 1000-612 BC). Late Babylonian and Achaemenid stamp seals (about 600-350 BC) are used for the pendants and clasp.
Enid later wrote in her diary that, when they dined with Queen Victoria in 1873, it was 'much admired'.
Ancient Near Eastern artefacts, repurposed as jewellery in a set that doesn't give a single fuck about accurately dating them, let alone treating them with the sort of respect you might perhaps expect of items over four thousand years old. Instead they've become a mark of elite colonial status, an Oriental curiosity utterly separated from their historical context. They're 'old'. They're non-descriptly 'other'. Time and place dissolve into an attractive and vague exoticism.
All while the place these seals have been appropriated from is busy being exploited by the very empire this "jewellery" is being shown off to!
So to bring it back to your third point: you're absolutely right!!! And this has precedence dating right back to the start of Western study (and plundering) of the Ancient Near East. It's a carelessness, it's an ignorance of historical context, and it's explicitly colonial.
thank you for the added context!
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I think a lot of fandom's problems would be solved if more people who need some kind of religious structure in their lives actually found an appropriate faith tradition and stopped trying to derive a moral code and a reason for living from movies and TV shows. You can't have a fun conversation about art with someone who is treating that art like their sacred text, particularly when they become enraged that the blasphemous show runners and writers are destroying the True Religion by putting in a subplot they don't like
fun fact about character development by the way. you can make them develop worse.
like I mean this very seriously as writing advice. the character should experience events and make decisions that make them different at the end of the story. they should be changed. they do not have to be improved.
they can get worse. they can make decisions of an increasingly terrible nature. they can stop taking risks on kindness. they can discover how much they can get away with. they can find religion, or abandon it, with negative effects on their moral creed. the character has to develop. the character does not have to grow.
“The LEGO Movie was my favorite movie of 2014, but it strikes me that the main character was male, because I feel like in our current culture, he HAD to be. The whole point of Emmett is that he’s the most boring average person in the world. It’s impossible to imagine a female character playing that role, because according to our pop culture, if she’s female she’s already SOMEthing, because she’s not male. The baseline is male. The average person is male. You can see this all over but it’s weirdly prevalent in children’s entertainment. Why are almost all of the muppets dudes, except for Miss Piggy, who’s a parody of femininity? Why do all of the Despicable Me minions, genderless blobs, have boy names? I love the story (which I read on Wikipedia) that when the director of The Brave Little Toaster cast a woman to play the toaster, one of the guys on the crew was so mad he stormed out of the room. Because he thought the toaster was a man. A TOASTER. The character is a toaster. I try to think about that when writing new characters— is there anything inherently gendered about what this character is doing? Or is it a toaster?”
— Bojack Horseman creator Raphael Bob-Waksberg commenting on how weird gendered defaults in entertainment are, and why we should think twice about them. Excerpted from this longer original post. (via 360degreesasthecrowflies)
this is why I try to refer to inanimate objects as my Daughters when I do that particular meme joke
or say a dog whose sex I don’t know is a Very Good Girl
these things matter even if we don’t think about them

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everyone start CissieBart maxxing NOW ‼️
how it feels discussing how an ocs conversation hypothetically would go down on a meta level in dms instead of roleplaying the for real conversation