the thing about phone in bed is that it's so awesome. almost makes you feel like betraying & destroying yourself for nothing isn't all so bad


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@awinterdawn
the thing about phone in bed is that it's so awesome. almost makes you feel like betraying & destroying yourself for nothing isn't all so bad

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🎂 🐴
@ghoulettesinspace
we gave one of our mares a birthday party a couple of years ago and she LOVED her carrot cake @ghoulettesinspace
🙏🙏🙏🙏
they do deserve cake!!!
Foaling Season 1
In the dew-saturated foot-high blades of grass, we stand amongst a sea
of foals, mare and foal, mare and foal, all over the soft hillside there are twos,
small duos ringing harmoniously in the cold, swallows diving in and out, their fabled
forked tail where the story says the fireball hit it as it flew to bring fire to humanity.
Our friend the Irishman drives us in the Gator to sit amongst them. Everywhere doubles
of horses still leaning on each other, still nuzzling and curious with each new image.
2
Two female horses, retired mares, separated by a sliding barn door, nose each other.
Neither of them will get pregnant again, their job is to just be a horse. Sometimes,
though, they cling to one another, find a friend and will whine all night for the friend
to be released. Through the gate, the noses touch, and you can almost hear—
Are you okay? Are you okay?
3
I will never be a mother.
That’s all. That’s the whole thought.
I could say it returns to me, watching the horses.
Which is true.
But also I could say that it came to me
as the swallows circled us over and over,
something about that myth of their tail,
how generosity is punished by the gods.
But isn’t that going too far? I saw a mare
with her foal, and then many mares
with many foals, and I thought, simply:
I will never be a mother.
4
One foal is a biter, and you must watch him as he bares his teeth and goes for the soft spot. He’s brilliant, leggy, and comes right at me, as if directed by some greater gravity, and I stand firm, and put my hand out first, rub the long white marking on his forehead, silence his need for biting with affection. I love his selfishness, our selfishness, the two of us testing each other, swallows all around us. Every now and then, his teeth come at me once again; he wants to teach me something, wants to get me where it hurts.
ADA LIMÓN

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thank you guys for playing blogs with me
Analyzing the politics of a work that's meant to be apolitical is actually a really interesting exercise because it asks you to critically examine what the creator considers to be "political" in the first place. Which ideas are just How Things Are, and which ones are Political, and how is that influenced by the creator's beliefs?
Usually this just ends up with you looking like a moron btw
Angrily lashing out at the suggestion that it's possible to do basic media analysis was foundational to the ragebait ecosystem of the 2010s, from which we got basically the entire culture of modern far right politics, btw.
I genuinely believe myself and others are being so sincere and literal when we say TOUCH GRASS
I went outside and got an education, that's where I learned that you can obtain knowledge and insight through analytical methods, then noticed that some people who sit on the internet yelling at strangers get really mad about that constantly.
Don’t make me point to the Omar Sakar poem
bro said he was beleaguered i was like well look what has beset you
Harrison Wood Hsiang
1 year of kcd2

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Elizabeth Shull
seasoflife
Hungarian woodwork depicted on a gate
Nausikaa - Tristan Unrau , 2025.
Canadian , b. 1989 -
Oil on linen , 78 x 64 in. 198.1 x 162.6 cm
different, but the same
connor storrie the actor that you are

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henry the horse girl
still being active on tumblr is camp
this post is gonna blow up even more when op deactivates
i'll outlive everything you love