happy birthday bilbo and frodo baggins
hello vonnie
will byers stan first human second
almost home
I'd rather be in outer space 🛸

pixel skylines

oozey mess
Lint Roller? I Barely Know Her
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he wasn't even looking at me and he found me
Alisa U Zemlji Chuda
occasionally subtle

JVL
art blog(derogatory)
KIROKAZE

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@autisticfrodo
happy birthday bilbo and frodo baggins

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yay happy 48th birthday to the silmarillion
The Lord of the Rings movies did Denethor, Steward of Gondor dirty in their depiction of his competency in rule, eg, in the films he refused to send to Rohan for aid and it was up to Pippin, directed by Gandalf, to light the first of a series of watchfires connecting the countries; whereas in the books, Denethor has already sent a messenger to Theoden by the time Pippin & Gandalf arrive in Minas Tirith, bearing the traditional Red Arrow with which Gondor calls upon its sworn ally Rohan (no watchfires involved, either). However, this change resulted in the “lighting of the beacons” scene in Return of the King (2003) (x), one of the best—most beautiful and inspiring—depictions of pure hope in cinematic or maybe any media history. In this cause and effect, we see at work one of the fundamental underlying diegetically mythological and non-diegetically thematic principles of Tolkien’s world, that the good shall ever result from evil, and the truest good from the darkest evil. In this essay I will
Tonight, we remember one who lent his enormous talent to telling the story we have all come to love. Hail, the victorious dead!
May the Simbelmynë cover his tomb as it did the tomb of the one he so accurately portrayed.
Bernard Hill Dec 17, 1944 - May 5, 2024
Frodo: *stabbed by an immortal blade*
The Hobbits: What do we do Mr. Strider
The Hobbits: *looking to this big scary mountain man so intimidating and mysterious they don’t even know his real name*
Aragorn, truly just some guy at heart: I’m gonna call my dad

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the lord of the rings: the two towers (2002), dir. peter jackson
When Philppa Boyens (one of LOTR’s screenwriters) was asked why ROTK had so many endings, she responded with something like “because this story ultimately isn’t about the destruction of the Ring, it’s about the destruction of Frodo” and I think about that a lot
fun lil lotr poster concept
Can you spot all four dogs?
female awesome meme ✔ 1/5 warrior characters ➱ éowyn (lord of the rings)

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arwen đź’ś
Every time I rewatch The Lord of the Rings I oscillate violently between “it’s important to show men having close, supportive friendships and I’m so glad Peter Jackson chose to show all the male characters being loving and physically affectionate with one another in a healthy, platonic way” and “damn, these bitches gay. good for them, good for them”
Frodo literally said: Gandalf, bestie, what the fuck am I gonna do?
Gandalf in The Hobbit: You are Took and that makes you absolutely suited for adventure!
Gandalf in The Fellowship of the Ring: Who the FUCK let the Took come on this adventure?
He learned his lesson
Nah you guys don’t get it. For all that Gandalf complained about Pippin, he better than anyone else knew that Pippin was absolutely crucial. Pippin accomplishes a very impressive feat: not only does he manage to see something in the palantĂr (most hobbits would perceive nothing, as these stones were designed for use by high elves), but he manages to close his mind against Sauron. That is a seriously impressive feat of ĂłsanwĂ« given Pippin’s youth and almost total inexperience. The only clue Sauron manages to glean from the meeting with Pippin is that he is in Meduseld: which Pippin probably did not even directly give to him. Pippin did not tell Sauron his name, so Sauron is led to believe that Pippin is Frodo. I remind you, in the books, the Good Guys manage to trick Sauron, by making him believe that Aragorn has claimed the One Ring. They can only do that because of Pippin’s ridiculous feat of ĂłsanwĂ«. Far from sabotaging the mission, he is the one who allows it to succeed (albeit, not on purpose). This is why Sauron doesn’t think anything is fishy when Aragorn wins the Battle of the Pelennor Fields by controlling ghosts: that would be consistent with the idea that he is using the One Ring. Which Sauron believes that Pippin brought to him. This is why Sauron pulls out his old “play nice and weak” card from his NĂşmenor days. He first of all believes that Aragorn is a lot more powerful than he actually is, and secondly thinks that the Ring is beginning to affect him.
He should perhaps have remembered that Aragorn is named for Fingolfin. Fingolfin’s mother-name, Arakáno, would properly be translated to Sindarin as “Aragorn”. Most people would not show up to an enemy fortress with an army they knew was far too small, and start a battle they knew they would lose. But Fingolfin famously did exactly that.
When you read the line “fool of a Took!” It is important to understand that in the context of Gandalf calling himself a fool on several occasions. Galadriel too sees beyond the veneer of foolish naivety in Pippin. She gives him and Merry belts that almost definitely were once her brothers’. A golden flower on a gift from Galadriel can only be a golden lily, the sigil of the House of Finarfin. Galadriel, while all hell was breaking loose in Tirion, raided her brothers’ rooms and took their belts from when they were little kiddos, hauled them across the Helcaraxë, and then held onto them for three Ages before giving them to two hobbits she just met. Merry, of course, is comparable to Angrod and Aegnor: his great deed is done in a moment of beserk rage, and it is a feat of strength. This then implies that she is comparing Pippin to Finrod. That’s one hell of a complement coming from Galadriel: but as I just pointed out, entirely warranted. Pippin manages to reproduce Finrod’s feat of radio silence, in the face of torture by Sauron. Which again, is extremely impressive given that Pippin is far younger and less experienced than Finrod was.
You see me <3

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Best song in the LOTR films
"May it Be" by Enya (FOTR)
"Gollum's Song" by EmilĂana Torrini (TTT)
"Into the West" by Annie Lennox (ROTK)
"Edge of Night" by Billy Boyd (ROTK)
"Lament for Theodred" by Miranda Otto (TTT)
"The Green Dragon" by Billy Boyd and Dominic Monaghan (ROTK)
"Hey ho, to the bottle I go" by Billy Boyd and Dominic Monaghan (FOTR)
"The Houses of Healing" by Liv Tyler (ROTK)
"The Lay of Luthien" by Viggo Mortensen (FOTR)
"The Road Goes Ever On and On" by Ian Holm/Ian McKellan (FOTR)
LotR genuinely had no right being as good as it was, how did filmmaking peak so perfectly in the early 2000s with a crazy mishmash cast and a self-made director who only bought a studio because he took out a loan against his house to buy an abandoned paint factory, how come late 90s cgi-video-game-elves look better than high tech movies now, how come nothing else has consistently incredible acting, soundtrack, set design and effects, writing, emotion, platonic affection and pure romance