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People think that fandoms are dead and that no one is posting but NO you just need to find one blog still fandom-pilled and stalk their reblogs to find their mutuals and then you're in. The most active fans ALWAYS know each other you just need to find one of them and the rest will skitter towards you like strays once they find out you like the same dead-in-the-water thing.
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very funny how sauron did the Dramatic Villain Monologue exactly once, nearly got overpowered by finrod's song, and then immediately decided to never do that again
like I mean this very seriously as writing advice. the character should experience events and make decisions that make them different at the end of the story. they should be changed. they do not have to be improved.
they can get worse. they can make decisions of an increasingly terrible nature. they can stop taking risks on kindness. they can discover how much they can get away with. they can find religion, or abandon it, with negative effects on their moral creed. the character has to develop. the character does not have to grow.
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I don’t think about Morgoth as much as I should but it’s bugging me that for much of the First Age his crown has only two Silmarils in it (after Beren steals one).
So from that point onward one of the three settings stands empty and he absolutely HATES how tacky it looks, and no one sensible dares say anything about it?? Oh and he can’t even get it remade because he canonically REFUSES to take off the Iron Crown—
And imagine he tries replacing it with some lesser stone and it just looks worse somehow because of course next to the Silmarils every jewel looks like it’s on clearance from Claire’s and Gothmog or someone unwisely tries to be nice like, “my lord, the diamond looks very—” before getting yeeted out the hall with extreme prejudice
Sauron’s like “that FOOL thought to mention the asymmetric headgear”
The reason you can't be the next J R R Tolkien isn't because you don't have the talent, but because you're not the right kind of unwell. Tolkien wasn't bent for fantasy worldbuilding; he was bent for constructed languages, and got into fantasy worldbuilding in order to provide a material context in which to ground the notional evolution of the languages he invented. If you want to be the next Tolkien, you can't start with the worldbuilding; you've gotta find something extremely specific to fixate on, and develop it in such depth that inventing a world to contain it is genuinely the most logical next step.
#the best route is clearly to get really into a specific kink scenario and invent a world to justify it (via @salix03)
That's not even a joke. Developing a kink scenario so elaborate and so excruciatingly particular that it can only properly be contemplated in the frame of a world created specifically to contain it is genuinely closer to Tolkien's actual creative process than 99% of the stuff that plays at being heir to his legacy.
I think the twitter format of "what opinion has you like THIS?" has potential that's stifled by everyone using the same image all the time of a guy surrounded by various swords and blades. when we break free of disney's gravity we'll have an entirely new vector of discussion open to us
Being obsessed with a piece of media that is so mainstream that it has become ingrained in modern culture is embarrassing as hell. You perk up like "omg they're talking about my blorbo, I wonder if they're in the fandom" and it's literally just a reference to Gandalf the Grey, the most famous wizard of our time
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Okay so I made a list of 30 (well, 29 actually) prompts I am releasing into the wild. The point of this is that at least one of the participants are not having a good time.
It has 30 prompts for November but feel free to write and post whenever, but please add the tag #No one nuts November or #NoonenutsNovember wherever you post. You do not have to @ or credit this blog if you use any of these prompts.
(Text version under the cut)
1. Safeword
2. Sub/dom drop
3. Loosing intrest halfway through
4. Trying something that doesn't work
5. Medical emergency (bonus points: it happens during bondage)
6. Bad/failed orgasm
7. Should have safeworded
8. "Wait, it's not supposed to hurt?"
9. "Let's never try that again."
10. Sex so bad they break up after
11. Realistic shower sex
12. Incompatible kinks
13. Threw up on that thang
14. Can't get hard/wet/aroused
15. Says wrong persons name during sex
16: ugly crying/overwhelmed
17: "I remembered you being better at this"/"I'm not impressed."/"I've had better."/"You're not hung chill"
18: Allergic reaction/cut off circulation
19. Dirty talk/degradation gets too real
20. Ignored/missed a safeword
21. Random horny confession that kills the mood for the other person/people
22. "No really, that's not going to fit."
23. Fire alarm goes off/interrupted by a third party
24. Pushing themselves into sex they aren't ready for
25. Sex toy gets stuck
26. Only one person having fun/agreeing to boring sex
27. Couple brings in a bad 3rd
28. Sex in a bad location
29. Sex so bad it kills you/one of the participants dies
I think we downplay Melkor's intelligence a lot. Yes, he's impulsive. Yes, he's not quite as good at Mairon at really complex, Millenia-long plans with exacting detail. But he's still brilliant.
And even if we ignored everything he does that shows his brilliance, there is no chance that Mairon would ever have been willing to serve someone who wasn't smart. There is no way he would tie himself so fully to someone who wasn't a match for him, someone he couldn't respect, someone he didn't believe had the intelligence as well as the power to implement their plans. It just isn't in his nature. Yes, he saw Melkor's physical power for sure. But he wouldn't have been willing to work for someone who was just brute strength and nothing more.
For a really long time, I thought that making fun of Melkor's intelligence was just a joke. Personally, I also really enjoy poking fun at both Melkor and Mairon's plans, because, well, most of their plans sound at least a little ridiculous. But at some point, I realized that many people genuinely think Mairon is the only smart and organized one, and that Melkor would perish without him. But like, no? Are we really going to ignore that many of the things Mairon does in the Second Age (like taking on a new form to seduce the elves) he does so effectively because he learned them from Melkor? I think the whole image of Mairon being smarter comes from how often people portray him as doing some kind of admin stuff, u know, management, lists, obsessive perfection while Melkor more often is memes character.
Honestly, I always thought Mairon joined Melkor precisely because of his intelligence. Sure, Melkor gives the impression of someone who thinks a bit too quickly and outside the box, but that doesn't mean he's stupid. I'd say most of the brilliant plans could have been his; Mairon was just good at putting them in order. Something Like. Idk, maybe architect and engineer duo? Melkor's physical form is also quite interesting, because if you think about it, every time he's had a physical clash with another character, he's either lost (hello Tulkas) or won, but only barely (rip Fingolfin). This always made me think his main fighting tools were manipulation, deception, magic, and song—again, all of which Mairon later uses. And where else would he learn that if not from his Lord? God, even pouring his soul into material things was Melkor's idea, wasn't it? So, in conclusion, I agree. Melkor isn't stupid; perhaps he's become lazy over time, but hey, if someone is intelligent enough to build an empire, they have the right to do so. After all, now he has people to do most of the thinking for him.
Honestly, I disagree that Melkor wasn't as good at long-term planning as Mairon. He lived in Valinor for 900 years before his schemes to slowly corrupt the Noldor and turn them against the Valar were uncovered. That's three times longer than Mairon's time in Eregion, for example. And everyone in Valinor already knew who he was, so he didn't even have the advantage of pretending to be a completely different person like Mairon did. Plus, his politics in Beleriand also often relied on long-term strategies rather than immediate results.
But as I said before, most importantly, Mairon LEARNED from Melkor. He used his methods when rising to power! Of course, it's also fair to say that he wasn't behaving exactly one-to-one like Melkor, but he was still his apprentice, and it shows.
"Melkor only relied on his brute strength and was dumb as a brick" is just such a blatantly wrong statement that you start to wonder if all the people who say this have even opened Silm. His powers were his main asset at the very beginning of Arda, even before Tulkas arrived there. After that, perhaps only the breaking of the Lamps could be counted as a deed for which he needed nothing but his strength. Otherwise, he was hiding, scheming, planning, gaining allies, and, whenever he was defeated, he always managed to come back with a new plan and start causing problems again. How is that even remotely similar to someone who has "muscles but no brain"?
And I swear, at least part of this agenda comes from people's obsession with making it seem as if the time Mairon served Melkor was nothing but hell and torment for him. As if he was the only reason Melkor's empire was functioning, carrying all the responsibilities on his back, making all the plans, being the smart and responsible one while Melkor was just a decoration on the throne.
And I'm just so fucking done with this stupid and biased fanon that I don't even want to engage with it in the form of jokes.
also hilarious misunderstanding of the text because clearly Gothmog was the one carrying both of them with his brute muscles and strength since he's the captain that actually takes out everyone important in battle. Meanwhile both Mairon and Melkor are obsessively breeding show dogs like the nerdy little evil biologists they both are.
I think this also falls into a wider trend among shippers where the twink is the thoughtful femme one and the muscle has to be thoughtless and masculine despite that characters, like people, can contain multitudes.
They can be warriors and magicians, philosophers and conquerors, capable of great violence and appreciative of great art. Look at real life examples like Ghenis Khan, Alexander of Macedon, Timur, who could do it all.
I think any over simplification of either of them does them a disservice when they were both written as very layered and interesting antagonists who plotted and connived and also had tempers and rushed in to situations without thinking. Mairon rushes in to battle against Huan and Lúthien, and Melkor bides his time and seeks out an ally before attacking the Trees (so much that everyone thinks he's just gone sulking off).
I mean that's what personally attracted me to Melkor in the Silmarillion and to exploring the angbang dynamic overall; their complexity.
Yup to all of this. I do think Mairon was more detail oriented whereas Melkor was more big picture. But both were brilliant, both worked together. Mairon had a hand in everything Melkor did, and Mairon learned from Melkor.