Ari's secret evil kitchen

What does bother me though, is when I have a friend tell me they'd rather end their lives rather than go through what I am going through health wise. Which is just. Hurtful. There is no need to say that.

Yes, I have to deal with horrible pain everyday, but I still get to live and be happy in my own way. My life has value too. I'm tired of hearing abled people say that the lives of chronically ill people are worthless.

Look, I don't even have it that bad. Maybe I don't have the right to be the one saying this. Maybe this is a "right message, wrong messenger" situation. I just have chronic pain, it's not like I have a life threatening illness like some do. But my point still stands

Dracula book: an evil count who only sees the world as a resource to be drained for his own pleasure is stopped by the group of people who deeply care for each other

Dracula in media: a tragic romantic hero, main love interest of one of the protagonists who must be liberated from her dull little life

Frankenstein book: any human has capacity for evil when completely abandoned and shunned by the world and the people who brought him into it

Frankenstein in media: don't play God because it's against nature's laws

Jekyll and Hyde book: repression and only caring about external appearances can cause your worst impulses to indulge themselves in dangerous ways if ignored for too long

How many cartoons can you name where a Black boy is the hero? Not the sidekick, not the comic relief, but the center of the story, the one who gets to dream, to fall, to grow, to save the day. For too many Black boys, the first time they see themselves reflected back isn’t in a world of imagination it’s in headlines, obituaries, or mugshots. That kind of visibility shapes how the world sees them, and how they begin to see themselves.

FLY exists to shake up that narrative.

How many cartoons can you name where a Black boy is the hero? Not the sidekick, not the comic relief, but the center of the story, the one who gets to dream, to fall, to grow, to save the day. For too many Black boys, the first time they see themselves reflected back isn’t in a world of imagination it’s in headlines, obituaries, or mugshots. That kind of visibility shapes how the world sees them, and how they begin to see themselves.

FLY exists to shake up that narrative.

How many cartoons can you name where a Black boy is the hero? Not the sidekick, not the comic relief, but the center of the story, the one who gets to dream, to fall, to grow, to save the day. For too many Black boys, the first time they see themselves reflected back isn’t in a world of imagination it’s in headlines, obituaries, or mugshots. That kind of visibility shapes how the world sees them, and how they begin to see themselves.

FLY exists to shake up that narrative.

Context: a tragedy in three acts, ft. millions crumbs

trans f/o & trans s/i

Worldbuilding where being queer is normalized and queerphobia has no impact on the plot? THAT'S FINE. Worldbuilding that includes queerphobia and tackles the effects of it as part of the story? THAT'S ALSO FINE.

Low-stakes queer romcom where the characters are fluffy and cute? THAT'S COOL. Messy queer drama with toxic people who fuck each other over and clash repeatedly? THAT'S ALSO COOL.

Stories that center the characters' queerness, show a trans character's transition, and are about the queerness as much as the rest of the plot? AWESOME. Stories where the characters' queerness isn't treated as a big deal, and have trans characters whose transition happened before the story entirely? ALSO AWESOME.

You may PREFER one thing or another, but it is actually good to have all these things. It's about variety. It's about queer characters being allowed to exist without censorship. It's about queer artists getting to make things without being told we're a "niche issue" or "adult content." It's about having as many goddamn cakes as the bakery can produce.