Waking up from your decade long enchanted sleep to learn that, not only is sharing your True Name with the fae okay now, but there's actually a rule against using a false name when entering the faerie market.
Your friends admit that this causes some problemsâ it's way easier to fall victim to a false deal, or get stolen away nowâ but everyone goes to the fae market to buy their goods so what are you gonna do? Not see your friends? Go out of your way to buy more expensive stuff from the human market? Yeah right.
Also yes they still perform their light-footed fluttering dances under the silvery light of the full moon, but in order to get in you have to first watch the dancers perform two short plays about why you should shop at certain local businesses. Also if you want to talk about the performance afterwards then you need to trade them your True Name, your home address, your date of birth and your personal interests.
You do this so that the fae can this information on a scroll and give it to local business owners.
Another part of the deal they broke is that nobody may talk negatively about those businesses within the market walls. In fact, your friends say, the enchantment is so effective that it's very difficult to talk negatively about anything at all.
âI know it sounds un-good,â your friend admits. âBut there are loopholes.â
âIn retrospect,â another friend says, âI wish the town had voted un-yes to teaching the fae about money.â
âOn the plus side,â the first friend says, âI hear the market is investing in one of those enchanted statues that responds to questions with deliberately ambiguous riddles, so long as you trade it your memories of secondary school.â
âOh, cool. Is that why they're burning down the library?â
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once again thinking about "the lottery" by shirley jackson.
imagine there was a man in the story who went around giving speeches about the importance of the lottery as a tradition. He said the casualties were unfortunate, but also an inevitable price of freedom. Imagine he treated those who sought to end the senseless cycle of violence with condescension and derision, calling them idiotic, naĂŻve, and diseased.
yet when that man was selected for the lottery and stoned to death, everyone mourned him and said how unfair it was that a bright young family man should die so soon. And when people pointed out that this man was killed by a system he adamantly defended and worked to perpetuate, they lost their jobs and were shunned from the community as insensitive and monstrous.
Imagine. Hypothetically. For no particular reason.
I met a traveller from an antique land,
Who saidââTwo vast and trunkless legs of stone
Stand in the desert. . . . Near them, on the sand,
Half sunk a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed;
And on the pedestal, these words appear:
My name is Ozymandias, King of Kings;
Look on my Works, ye Mighty, and despair!
Nothing beside remains. Round the decay
Of that colossal Wreck, boundless and bare
The lone and level sands stretch far away.â
- Percy Bysshe Shelley (1818)
I've been thinking about this poem a lot lately. Those who would be kings are fools, and the world and humanity will outlast them. It gives me some comfort.
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"Epic, which was invented after memory and before history, occupies a third space in the human desire to connect the present to the past: it is the attempt to extend the qualities of memory over the reach of time embraced by history. Epic's purpose is to make the distant past as immediate to us as our own lives, to make the great stories of long ago beautiful and painful now."
The Life and Deaths of Christopher Lee Kickstarts Deluxe Blu-ray Edition
Pre-order your copy of this unique documentary about the surprising life and eclectic career of one of cinema's greatest actors
The Life and Deaths of Christopher Lee mixes traditional documentary with a dash of fantasy. It is narrated by Christopher Lee himself... in the form of an elaborate marionette, voiced by Peter Serafinowicz. The marionette was custom designed and built by Arch Model Studios, who made all of the puppets for Wes Anderson's Fantastic Mr. Fox, Isle of Dogs and Asteroid City and Tim Burton's Frankenweenie.Â
The film combines new, exclusive interviews with filmmakers, including Peter Jackson, John Landis and Joe Dante, friends and family members with animated flights of fantasy from a wide variety of artists including 2000AD's Simon Coleby, award winning stop-motion animator Astrid Goldsmith and the legendary illustrator Dave McKean who directed, scored and animated a whole chapter of the film himself.Â
Spanning eight decades and almost three hundred films, Christopher Lee became famous for his iconic performance as Dracula. But he was so much more than just the Hammer Horror roles he is so fondly remembered for. His career took him from uncredited parts in 1950s swashbucklers with Errol Flynn, through famous performances in 007 and Star Wars films, cult hits like The Wicker Man and The Return of Captain Invincible, right up to a lead role in cinema's biggest event - The Lord of the Rings trilogy. Along the way, he worked with everyone from Orson Welles to Mario Bava, Jess Franco, Tim Burton, Martin Scorsese and Steven Spielberg.Â
Yet his story is so much richer than just his career. Lee was born into Italian aristocracy, with a military career shrouded in secrecy and kept his private life closely guarded. Some of his ventures and adventures seem highly improbable yet, as the film reveals, he often found himself in unexpected situations - he witnessed the last ever death by guillotine, was cousins with 007 creator Ian Fleming, he met Tolkien, performed with the classic Saturday Night Live line-up, was a friend and neighbour of Boris Karloff, he was the oldest person to ever get on the Billboard music charts (with his own Heavy Metal album), was an expert knife thrower, professional opera singer and a Nazi hunter. And somehow, he also managed to appear in almost 300 films of both the highest and lowest quality imaginable.Â
The film is finished and producers Jon Spira and Hank Starrs want to share it with you by producing a top quality Blu-Ray with great extra features and a really amazing LIMITED/NUMBERED EDITION COFFIN-SHAPED BOX SET, full of goodies, which will look killer on the shelf of any discerning cineaste. The jewel in the crown of this box-set will be a 3D 'death mask' of Christopher Lee designed and produced by Arch Model Studio exclusively for this set. They also want to host some screenings - both online and in real cinemas - so we can all experience it together and you can get to meet some of the people behind it.
Making this film has been a fascinating journey - producers excavated the British Film Institute archives where they hold Lee's personal collection of scrapbooks detailing his career in his own hand, been given access to personal photos from the family archive, they met and interviewed his closest friends and family from all over the world and we've worked with some incredible artists, puppeteers, animators, musicians and filmmakers to bring his story to the screen in the most cinematic way. Whether you're a fan of Horror, Star Wars, Lord of the Rings or just cinema history in general, we think you'll be delighted by this revealing and eclectic documentary.
Risks and challenges
The film is fully edited and ready to go. This Kickstarter is to fund the final bits of post-production and the production of a fantastic Blu-ray and deluxe collectors edition box set as we're all still committed to physical media. Please note that all illustrations of rewards are designs/prototype images. The final items might differ - we hope they'll actually be better.
The thing about Cottagecore is that is a fetishized aesthetic of country life, divorced from labor and idealized by a primarily urban audience with a backward looking ethos of tradition. They are not prepared for the stresses of a rural life: farming; harvesting; tapping pumpkins to ensure none of them have been replaced with flesh; losing out on income by having to use one of your pigs in a blood sacrifice to paint protective sigils over your doors and windows; checking cracks and chimneys for the flesh-vines of the Pumpkin Lord; having to decide, before the Growth is complete, whether that's really your tradwife or an amassment of vines, leaves, and blood in the shape of your tradwife; ignoring their desperate pleas that "I'm me! No! No!" as you burn them alive, realizing too late you picked wrong; and the exploitative corporate nature of commercial farming in 2024. All seen through a deeply colonial lens, of course
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It's really frustrating trying to look up old films on YouTube and running into mislabeled or incorrectly attributed uploads. And it's not like it's subtle. I just watched a video claiming to be by MÊliès, that clearly states in the video that it is an Edison production from 1900. For a second I thought maybe these people were deliberately trying to get clicks by lying and claiming to be uploading a previously lost film, but then I realized that no one is going to go viral over the 1897 version of Faust et Marguerite. This means that they must have just not cared enough to get the information correct, which is still bizarre to me, because, again, this is not popular content, why are you uploading it at all if you do not care??