Sometimes a fanon interpretation shared by so many people will gaslight you into thinking YOU're not smart enough to understand it when, in reality, no, the collective of a fandom can indeed just be misinterpreting a character beyond parody. It's not you, it's them
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Thank you for so much traction on this post, itâs now my most popular one ever! Crazy how it took just one day
Some things I wanna make clear because Iâm seeing some said repeatedly in the reblogs:
- Iâm no longer friends with Friend 2 and I havenât been for a while, at least couple months. Most of my friend group cut off contact with him too (including Friend 1) after many situations that just made him look creepy, including not being able to set any boundaries (most tries ended up with him throwing a tantrum)
- a big chunk of people is suggesting polyamory in the reblogs, but I wouldnât expect him to get even one gf, let alone two, given how he finds scared women hot and his favorite trope is âreversed mommyâ situation (punishing the woman for dominating you)
- lots of people are also suggesting itâs an egg kinda situation, and I obviously canât say yes or no to that, but I wanna mention how he once said he wouldnât mind bottoming for a trans girl and how itâs one of the reasons he considers himself bi. Do with that info what you want
- Friend 1 is trans. Also weâre friends to this day and I love hanging out with her, sheâs a diva
- I made that comic because I randomly remembered this situation and I suddenly realized this was the first time in my life when I felt like my identity was being fetishized right in front of me. Thatâs just my personal opinion though
thereâs sixteen Colorado counties that their most searched was âwolf furryâ, plus thirty-odd counties (not counting either Arapahoe or any of the ones marked here as âInsufficient Dataâ) which may well have had plenty of searches for âwolf furryâ, just fewer than for whatever theyâre labeled here
and âskunk furryâ searches in Arapahoe County outnumbered âwolf furryâ searches in the entire state of Colorado
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ao3 tagging isnât always intuitive and some tags are highly subjective but some are really really not. If I see âmutual baby trappingâ Iâm expecting two people in a situationship whoâd rather engage in absurd manipulations and shenanigans to obtain a baby rather than communicate clearly âhey I want to be serious with youâ; if theyâre *already talking about marriage and kids* then itâs not babytrapping. If I see Underage I am expecting at least one Mrated scene with a minor, not âtwo teens kiss but donât even get to second baseâ. If I see the big Rape/Noncon tag and then the authors note says âthe Rape tag is cause they have sex while A is slightly drunkâ then I am backing out of the fic and never trusting your tagging again!
Like! Tagging is for two populationsâthe people who explicitly want to see X and the people who explicitly donât want to see Xâand neither population is served by overtagging! If there was a fic tagged, idk, âSwedish Politicsâ because in one throwaway line someone mentions Sweden has political parties, Iâd be upset if I was looking for Swedish Politics and this was all that came up. And Iâd be just as upset if I was filtering out fics with Swedish Politics and missed the perfect fic that was overtagged!
Mermaid: Hey, Human? I've been arguing with my Terrestrial Biologist Friend about the possibility of a bigger, more dangerous version of humans that could exists in deeper forests far from the coast. Is that a possibility.
Human: I mean ... It sounds like you're talking about Bigfoot, who isn't real, he's just a Cryptid.
Human: I mean, what if I asked you about Megalomaidens?
Mermaid: Pssht! Those don't exists! We know they don't exist! They're just stories made up for tourism to deeper waters- But, come ON there's so much land Up there! Surely you're missing something-
so many misguided metaphors around violence and desire. if the open maw of a panting beast fills you with the want to be devoured, that does not make you prey. while the rabbit trembles in fear, its deepest desire is to run. evolution demands it. in fact, the desire to be eaten does not make you any small animal at all.
ID: A youtube comment with 11 likes by Niceone, it says "I've lived 46 years without knowing this. How nice of life to save some of the best bites for later." End ID.
Normally, people tend to get frustrated, even jokingly, if they miss out on something. This comment was on a song from 1974 and it made me smile quite much. Simply appreciative. Like a dessert after dinner.
It is genuinely mind blowing to me just how many Tumblr posts have changed my life for the better and taught me to be happier. Not all of the thoughts originate on Tumblr, but the way people collect and frame them has literally changed my brain chemistry.
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Fun fact! Demanding updates is also likely to make authors delay them, either out of spite, or because you bring their mood too low to effectively write!
Kurt Vonnegut wrote: âWhen I was 15, I spent a month working on an archeological dig. I was talking to one of the archeologists one day during our lunch break and he asked those kinds of âgetting to know youâ questions you ask young people: Do you play sports? Whatâs your favorite subject? And I told him, no I donât play any sports. I do theater, Iâm in choir, I play the violin and piano, I used to take art classes.
And he went WOW. Thatâs amazing! And I said, âOh no, but Iâm not any good at ANY of them.â
And he said something then that I will never forget and which absolutely blew my mind because no one had ever said anything like it to me before: âI donât think being good at things is the point of doing them. I think youâve got all these wonderful experiences with different skills, and that all teaches you things and makes you an interesting person, no matter how well you do them.â
And that honestly changed my life. Because I went from a failure, someone who hadnât been talented enough at anything to excel, to someone who did things because I enjoyed them. I had been raised in such an achievement-oriented environment, so inundated with the myth of Talent, that I thought it was only worth doing things if you could âWinâ at them.
Stupid fucking yahoo writer wrote an article titled "NFL wife Siomne Biles nearly passes away" and honestly I think we need to have a feminism dungeon or something because this shit is absolutely wild. Also damn I hope she's doing alright
Ah. Yeah, that's a little more significant than marrying an NFL guy. Or being an NFL guy, for that matter. Johnathan Owens is a world-class olympian's husband.
proud victim of the tumblr accent. it's fading out of public consciousness as the tik tok accent takes precedence; a linguistic evolution that makes the tumblr accent 85% funnier to unsuspecting civilians. it's like releasing a disease on a non-inoculated population. coughing baby versus hydrogen bomb.
once my therapist said I used very uncommon and creative phrases and adjectives and i just did not have the heart to tell that Old Lady From A Foreign Small Town that I was translating tumblr speech into our language. so I was like yeah... must be from the books I read...
like girl we have an army of scholars over at tumblr.com crafting our language it's not just little old me I swear
An idiolect is an individualâs pattern of speech, but the reason we all have an identifiable âTumblr accentâ is because there is a shared set of features common enough to be identifiable. Iâd argue the more accurate term would be dialect.
but this is Tumblr, and calling it an âaccentâ is very On Brand
Are accents not specifically about the way words are pronounced? (And occasionally how spellings are changed to reflect those pronunciations?)
My linguistics prof back in the day said idiolects can also apply to small groups like families or companies/schools, that kind of thing, so I assumed since tumblr is such a small part of the internet that idiolect would be more applicable than dialect.
So first, I'm going to be up front - I am not a linguist, so I am going off of my special interest knowledge. Any linguists out here are more than free to correct me on anything I get incorrect about idiolects and dialects, this is my amateur opinion as someone who has been on this webbed site since 2014.
Yeah, accents are how we pronounce words, and yes, it's not the best term for the phenomenon referenced by OP. And I'm not going to argue with an expert's definition of idiolect, however, I am going to point something out about your definition of "small."
Tumblr's user base is small only in comparison to social media sites like Facebook, Twitter, or TikTok. According to SQ Magazine, in 2025 there were 12 million daily active users from the U.S. alone. It we assume that say, only a tenth of those users find themselves referencing the plinko horse in casual conversation, that's 1.2 million people. For reference, the "Hoi Toider" family of dialects from the Outer Banks of North Carolina is spoken by maybe less than a couple thousand people? (I've seen the number 150 floated, but I'm pretty sure that's just from one island - geographically the accent is spread out over several islands of the Outer Banks and some limited areas of the mainland.) Personally, I think once we've gone over a thousand people, we're out of the "small" category anyway.
Plus, the examples given by your professor (school, company, family) generally include elements of direct proximity or some sort of specific geographic anchor point. They all are going to be made up of people who live in close proximity to one another and/or who return to a centralized location more often than not. There's also a centralized hierarchy of authority figures that form the nucleus of the unit, whether that's a school administration, executives and managers in a company, or parents/elders in a family.
And I was actually thinking about this already, but arguably, Tumblr's particular vernacular may just extend to pronunciation/enunciation even though it's not actually an accent! Our ludicrous speech patterns are shaped by the fact that Tumblr is heavily text-based. Text really is the preferred mode of communication, with lots of visual modifiers and enduring meme references that indicate tone and subtext.
That's where subvocalization comes in. Subvocalization is where your larynx (voice box) and other muscles involved in speech actually move as if forming words while you read. You generally cannot feel it, but subvocalization can be detected by specialized machines.
You know how people learning to read usually have to start out reading out loud before they can read silently? Reading is actually a VERY complicated cognitive skill, in no small part because rendering spoken language into symbols adds a lot of cognitive load to your brain, especially to your working memory. It's thought that subvocalization helps lighten the load because you may not realize it, but your throat is silently creating the sounds of the words you're reading. You get physical feedback that might act as a memory aid.
Now what does that have to do with the Hellsite Vernacular?
Read the following examples to yourself out loud:
I think I have covid.
2. I think I hauve covid
3. ithinkihavecovid
4. I tHiNk I hAvE cOvId
5. I think âď¸ I have covid.
6. I đthink đI đhave đcovid.
Yes, you could read all of these statements completely flat, ignoring the visual shenanigans and formatting, but, more than likely, you ended up preserving the gags in your verbalization because each one is communicating different information! In example 2, you probably preserved the misspelling as a diphthong because that's part of the joke. Number 3 you might read as basically one word because there's no spaces. Number 4 might have some variation in interpretation, but I usually read it in a jerky cadence with my pitch going up on capital letters and lower on lower case letters. Other people might get louder on capitals and softer on lowers or use the capitalization pattern to determine stress patterns. You might have interpreted the emojis as punctuation marks, or used them as theatrical directions.
And even if you didn't say those phrases out loud - you still used subvocalization to help map what they should sound like.
For visual gags like emojis, formatting, and spellings, you're going to tend to say them out loud the way you silently read them because you're already basically practicing them via subvocalization. When I perform the ole Random Capitalization gag out loud, I emphasize the capitalized words because that's how I read them silently. When I verbalize the clap-emoji joke, I either punctuate each word or actually clap. For memes based on short videos or performances like "the sacred texts!" or "okay, noun-boy" the tendency is probably to preserve the original cadence and tone of the source meme.
Now yeah, specific enunciation choices can differ person to person, but if spoken aloud, we're still trying to preserve the information that each differing format would communicate to another Tumblrina. Speaking Tumblrish will have you using enunciation and pronunciation outside of your typical accent. And all of that is on top of the syntax gags and verbiage that's more classically associated with Cringe Unhinged Microblogging English.
But no, I do agree that in technical terms, "accent" isn't the most accurate description of what's going on, however, I do argue that we're not just a bunch of individuals or small groups - Tumblr is a community. We have a shared culture, history, and lingua franca even when we might hold wildly different opinions on like say, trans women and their rights to not have all their posts marked mature or have their accounts deactivated on a whim. (Yes, @staff, I'm staring right at you, you've been doing okay on not fuckin up the UI lately but we all know you can do better.) And this community is in reality, pretty large, geographically spread out with no central anchor or authority figures, has multiple sub-cultures, and in practice, speaks with multiple distinct accents even when we might sometimes share enunciation and pronunciation references.
Idiolect is too narrow, accent doesn't actually encompass what's going on - in my opinion, we should call it a dialect or vernacular.
But! âď¸This is also Tumblr, where the humor is in the text gags. In the gaining net zero information on posts, the Vanilla Extract, the rent lowering shots, the color of the sky, and the Goncherovs. Our cultural pastimes are posting a photo with a blatant lies attached a la Bitch, That's The Tubby Custard Machine and That's Not Were-Ralph That's Adam Driver, creating wacky bracket challenges like deciding a Tumblr Sexyman or Tumblr's Most Breedable Man, celebrating holidays from the joyously adorable to the laughably absurd such as Neil Banging Out the Tunes and the Ides of March, and we still tend to communicate important news to one another via Jensen Ackles's emotionally constipated face.
"Hellsite Vernacular" or "Cringe Unhinged Microblogging English (CUME)" might be more accurate, but insisting on an inaccurate name that communicates incorrect information is very On Brand for us.
Long live the Tumblr Accent, may I always show up to this particular devil's sacrament.
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"Giles is an image of Englishness that owes its status to cultural representations from the Victorian period through to Second World War films and up to icons such as James Bond. He is intelligent, well-mannered, courageous but not unduly violent, thoughtful and witty" (109).
~ Pateman, Matthew. "'You Say Tomato' Englishness in Buffy the Vampire Slayer," Cercles 8 (2003): 103-113
When defining Gilesâ character, the most common tendency is to define him in relation to the Scoobies. This is what leads to the propagation of misconceptions such as "Giles is an authority figure," or "Giles is the Scoobies' father figure." Due to his age and his role as Buffyâs mentor, Giles is often automatically slotted into the role of âfather of the groupâ and loaded with all sorts of traits that stereotypically go along with that paternal role, but donât necessarily apply to him, or, at least, are not major components of his character. The above quotation, from an article on representations of Englishness in Buffy, is somewhat unique because it defines Giles not in relation to the rest of the Scoobies, but in terms of his Englishness. It is still looking at the character from a particular angle, but it is closer to an assessment of him on his own terms, which is why it is more accurate than many definitions, and why I am taking it as my starting point. Patemanâs association of Giles with the Victorian period (earlier in the article he also writes, âGiles might be thought in some ways to reflect and trade upon a⌠Victorian version of Englishnessâ [107]) is what I particularly find interesting, because it agrees with what I consider to be really the essence of Gilesâs character.
The Victorian era was one of great change, in which modernity often came into conflict with tradition (which is itself an interesting way to regard Gilesâ character, but not what I consider essential to him), but in terms of literature and art it was largely continuous with the Romantic era. Despite the periodâs rational, stiff-upper-lip pretenses, the Victorians were concerned with writing about emotion, mythology and folklore, beauty and a search for ideals. In âThe Dark Ageâ (BtVS 2.8) we learn that Gilesâ favourite author is E. M. Forster (the script actually says âForresterâ but The Annotated Buffy concludes, and I agree, that thatâs a mistake), a popular writer of the Romantic genre. His best known work is probably A Room With a View (made into a film by Merchant-Ivory starring Helena Bonham Carter), in which a major theme is love and passion overcoming emotional repression and social restrictions. Jenny Calendar describes the particular book in question as âso romantic,â and that is what I consider Giles to essentially be: at heart a Romantic.
***This is an essay I wrote on LiveJournal in freaking 2007. I wanted to bring it over here, because I still think Giles' Romanticism/idealism is a major component of his character that doesn't get acknowledged nearly enough. Continued under the cut. I've edited it only very slightly.***
Even before Joss decided to give Giles a past at odds with his all-too-proper image, Romantic ideals were informing his character. From the very beginning his enthusiasm for his job reflects his attraction to a mystical world of heroes and monsters, rather in the same way Romantics and Victorians were attracted to folklore and inclined towards medievalism. Of course, in Giles' case, he does live in a mystical world of heroes and monsters; the romance of it is in the fact that (unlike Buffy) he gets excited about it. He emphasizes the mystical aspects of the Slayerâs power, telling Buffy she should be able to âsenseâ vampiresâ presence, while she takes the much more practical approach of picking them out by their outdated fashion sense (BtVS 1.1). At the end of âThe Harvestâ (BtVS 1.2) Giles informs the Scoobies that âThe next threat we face may be something quite different [than vampires]⌠We're at the center of a mystical convergence here. We may, in fact, stand between the Earth and its total destruction.â Buffy replies sarcastically âI can hardly wait!â but you can tell from his eager tone that Giles genuinely can hardly wait for their next adventure. While Buffy undercuts her mission, Giles romanticizes it. Set in opposition to the post-modern outlook of Buffy and her friends, Giles embodies the older ethos of Romanticism.
Giles' Romanticism comes through at other key moments as well. It's the Romantic in him that approves of Buffy and Angel's relationship. Though he admits that it verges into the maudlin, it's easy to see that the poeticness of "a vampire in love with a Slayer" appeals to Giles (BtVS 1.11). In "Innocence" (2.14) when Buffy is expecting Giles to be disappointed in her, he instead emphasizes that the important thing is that she and Angel really loved each other. It's the Romantic ideal of true love that he values. And what could be more Romantic than his reaction to Jenny's murder? He goes on a kamikaze mission to avenge her and bring down the world around him in flames (BtVS 2.17).
Less significant moments are evidence of a Romantic nature as well. Giles' thoughts on dramatic irony and predestination in "Graduation II" (3.22), his whimsical costumes in "Fear Itself" (4.04) and "No Place Like Home" (5.05), and the notion that Spike might be meant for "a higher purpose" in "The 'I' In Team" (4.13) all indicate an inclination towards romantic fancy and, in the latter case, idealism.
In fact, all of the major moments of Giles' character development can be understood in terms of Romanticism and/or idealism. Ten-year old Giles wanted to be a fighter-pilot (BtVS 1.05). He wanted to be a hero, and not just a hero -- a pilot, probably the most romantic kind of war hero there is. Dropping out from university and going to London was itself a Romantic rebellion against the suffocating system in the name of freedom, independence and individuality. He was living the anti-hero ideal, being the rebel without a cause. With Randal's death he became disenchanted with that particular romantic image and returned to the Council where his attraction to the mystical and the heroic appeal of fighting the forces of darkness led him to become the enthusiastic Watcher we met in Season 1. I've already used extensive examples of Giles' Romanticism at work throughout Seasons 1 and 2. In Season 3 he breaks with the Watcher's Council for valuing the emotional and the personal over the logical and abstract; for essentially privledging Romantic ideals over Modern ones (BtVS 3.12)
Up to this point Giles' idealism was always closely tied to the role he defined himself by. He aimed to be the ideal fighter pilot, the ideal rebel, the ideal Watcher. In Season 4 he is at loose ends. His dream in "Restless" (4.22) illustrates how he doesn't know who he is or how to define himself. He doesn't know what to aim for. At the end of his dream Giles discovers that ultimately he defines himself as a Watcher. But he doesn't get the opportunity to reaffirm his identity until a few months later, at the beginning of Season 5.
When Buffy asks him to be her Watcher again he latches on to that role as he never had before. Romatic ideals are bundled in to his conception of his work, but now he's projecting them on to Buffy so that she becomes his Romantic ideal. The opening scene of "The Real Me" (5.02) illustrates this shift in Buffy and Giles' relationship: Buffy balances on a pedestal as Giles paces around her at a distance. More than ever before she is the centre of his world, and by the end of the season he comes to figuratively put her on a pedestal and admire her as a hero from afar. At the end of the season Giles tells Buffy that he's proud of her for "Being able to place [her] heart above all else" (BtVS 5.20). Again, he values emotion. Though he later falls out with Buffy over the issue of killing Dawn, if what he said earlier about admiring Buffy's ability "to place her heart above all else" is true, he must not judge her harshly for prioritizing her sister's life. In his exchange with Ben in "The Gift" (5.22) Giles acknowledges that Buffy could never take a human life, and he idealizes her for it. "She's a hero, you see. She's not like us," he says, setting Buffy apart from himself, who he knows is capable of murder, and Ben, who for all he knows is an innocent. He identifies Buffy as a higher sort of being all together. His elevated perception of her is likely strengthened even more by her sacrifice.
Giles' murder of Ben also marks an important ideological turn in his character. As stated earlier, ten-year-old Giles wanted to be a hero; in "Welcome to the Hellmouth" Giles was psyched to be "stand[ing] between the Earth and its total destruction," i.e. about being a hero; in "Prophecy Girl" he wants to leave the safety of his library and go be a hero. The heroic ideal was an integral part of Giles' character and Romantic ideology, but by the end of Season 5 he has given up on it. Giles' final conclusion that he is not a hero, I would conjecture, is probably the result of a slow-burning realization that began with Jenny's murder, and was reinforced by his failure to find Buffy the summer she went away, his role in the Cruciamentum, and his year of uselessness Season 4. Giles stops trying to live up to his ideals, but he doesn't stop being an idealist -- he transplants his heroic ideals onto Buffy, which feeds into his idolization of her.
Moving now into the realm of complete conjecture, I would argue that Giles' view of Buffy as a hero, and of himself as a failure to be a hero, may have played in to his decision to leave her in Season 6. If Buffy is the kind of hero Giles imagined her to be -- and no doubt he built her up even more in his mind after her death -- then she would have had no use for him anyways. She should have been completely capable of standing on her own (as all classical heroes do). It may have even been that, on a subconscious level, Giles didn't like to see the all-too-human and broken Buffy that returned from the grave, and preferred to leave so as to keep his idealized vision of her intact. With his reaction to the deluge of bad news that greets him on his return to Sunnydale in "Grave" (6.22), in addition to the morbid absurdity of the situation, Giles may have been laughing at his own naivety in forgetting that Buffy is, after all, only human.
If this is the case, some of Giles' behaviour season 7 starts to make sense. If he had stopped believing in both his own and Buffy's ability to live up to the ideals he once valued so highly, it makes sense that he may start acting rather Machiavellian, as he does in "Lies My Parents Told Me." I'm not going to go to the trouble of explaining Season 7 Giles, however, since it was a huge mess.
So, there you go. That's how I understand Gile's character. I don't think I can overstate how important I think Romanticism and idealism are to his character and his motivation.