¯\_(ツ)_/¯

And after getting over my initial (rather emotional) response, I wanted to reply properly, and explain just why that hit me so hard.

So back around twenty years ago, the internet cosplay and costuming scene was very different from today. The older generation of sci-fi convention costumers was made up of experienced, dedicated individuals who had been honing their craft for years.  These were people who took masquerade competitions seriously, and earning your journeyman or master costuming badge was an important thing.  They had a lot of knowledge, but – here’s the important bit – a lot of them didn’t share it.  It’s not just that they weren’t internet-savvy enough to share it, or didn’t have the time to write up tutorials – no, literally if you asked how they did something or what material they used, they would refuse to tell you. Some of them came from professional backgrounds where this knowledge literally was a trade secret, others just wanted to decrease the chances of their rivals in competitions, but for whatever reason it was like getting a door slammed in your face.  Now, that’s a generalization – there were definitely some lovely and kind and helpful old-school costumers – but they tended to advise more one-on-one, and the idea of just putting detailed knowledge out there for random strangers to use wasn’t much of a thing.  And then what information did get out there was coming from people with the freedom and budget to do things like invest in all the tools and materials to create authentic leather hauberks, or build a vac-form setup to make stormtrooper armor, etc.  NOT beginner friendly, is what I’m saying.

Then, around 2000 or so, two particular things happened: anime and manga began to be widely accessible in resulting in a boom in anime conventions and cosplay culture, and a new wave of costume-filled franchises (notably the Star Wars prequels and the Lord of the Rings movies) hit the theatres.  What those brought into the convention and costuming arena was a new wave of enthusiastic fans who wanted to make costumes, and though a lot of the anime fans were much younger, some of them, and a lot of the movie franchise fans, were in their 20s and 30s, young enough to use the internet to its (then) full potential, old enough to have autonomy and a little money, and above all, overwhelmingly female.  I think that latter is particularly important because that meant they had a lifetime of dealing with gatekeepers under our belts, and we weren’t inclined to deal with yet another one.  They looked at the old dragons carefully hoarding their knowledge, keeping out anyone who might be unworthy, or (even worse) competition, and they said NO.  If secrets were going to be kept, they were going to figure things out for ourselves, and then they were going to share it with everyone.  Those old-school costumers may have done us a favor in the long run, because not knowing those old secrets meant that we had to find new methods, and we were trying – and succeeding with – materials that “serious” costumers would never have considered.   I was one of those costumers, but there were many more – I was more on the movie side of things, so JediElfQueen and PadawansGuide immediately spring to mind, but there were so many others, on YahooGroups and Livejournal and our own hand-coded webpages, analyzing and testing and experimenting and swapping ideas and sharing, sharing, sharing.  

I’m not saying that to make it sound like we were the noble knights of cosplay, riding in heroically with tutorials for all.  I’m saying that a group of people, individually and as a collective, made the conscious decision that sharing was a Good Things that would improve the community as a whole.  That wasn’t necessarily an easy decision to make, either. I know I thought long and hard before I posted that tutorial; the reaction I had gotten when I wore that armor to a con told me that I had hit on something new, something that gave me an edge, and if I didn’t share that info I could probably hang on to that edge for a year, or two, or three.  And I thought about it, and I was briefly tempted, but again, there were all of these others around me sharing what they knew, and I had seen for myself what I could do when I borrowed and adapted some of their ideas, and I felt the power of what could happen when a group of people came together and gave their creativity to the world.

And it changed the face of costuming.  People who had been intimidated by the sci-fi competition circuit suddenly found the confidence to try it themselves, and brought in their own ideas and discoveries.  And then the next wave of younger costumers took those ideas and ran, and built on them, and branched out off of them, and the wave after that had their own innovations, and suddenly here we are, with Youtube videos and Tumblr tutorials and Etsy patterns and step-by-step how-to books, and I am just so, so proud.  

So yeah, seeing appreciation for a 17-year-old technique I figured out on my dining-room table (and bless it, doesn’t that page just scream “I learned how to code on Geocities!”), and having it embraced as a springboard for newer and better things warms this fandom-old’s heart.  This is our legacy, and a legacy the current group of cosplayers is still creating, and it’s a good one.  

OP also invented armsocks.

Naoko Takeuchi visiting the Kennedy Space Center in the 1990s and meeting an astronaut! She was visiting the Center to do research for her Sailor Moon side story, "The Lover of Princess Kaguya," which was later turned into the Sailor Moon S Movie.

Decades later, when a plushie of Artemis was spotted in the mission control center during the Artemis II mission, Naoko expressed surprise and delight:

“In the manga, he’s the little cat who sends instructions to the Sailor Guardians from the command room,” she said. “That was just a fantasy that existed only in the story, so to think that 30 years later Artemis would appear in NASA’s mission control, a place I’ve always admired, is incredible. I’m so jealous. Thank you for watching over humanity’s great achievement for ten days. You did a wonderful job.”

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Also prev tags:

All my zelda photocards! I finished them a while ago, but figured I should post them all together.

No, no, and NO.

AO3 does not live in “the cloud” because that is other people’s computers, and other people’s computers are vulnerable to censorship.

AO3 is on its own computers. It does still have to be housed somewhere, and I suppose a determined enough hater could try to find that place and go after it, but it’s a lot harder than sending spurious complaints to Amazon or whomever going “BadWrong things are hosted on your cloud service!”

AO3 is not “in the cloud.” AO3 is stored on physical machines that the OTW owns.

Because AI.

To paraphrase a comment on a Gamers Nexus video, the reason computer parts are getting so expensive is that a huge amount of RAM and storage that have not been produced yet were purchased with non-existent money to put in gpus and computers that have also not yet been produced to put in data centers that have not yet been built, to be powered by infrastructure that may never appear, to satisfy demand that does not actually exist, to obtain profit that is mathematically impossible.

So that’s fun. But it means that already owning computers that actually do the thing is SO MUCH BETTER than hiring other people to build more capacity to buy more computers to do the thing.

How bad is the RAM crisis? The price of ddr3, which is like 10-15yo tech, is going up. The price of DDR5 is now stupid expensive, 4+ times as expensive as it was a few months ago.

Mostly because there’s only one company in the world that is capable of generating the kind of chips needed and everyone uses that company because the modern world is a very precarious house of cards held together by tissue and string and we have a 50 foot toddler playing Godzilla with international trade.

Also surrounded by penguins