Pasta is a hot salad — me, an Italian

and a rare variant

Loki shows his wife (Sigyn) and their children (Váli and Narfi) his latest invention: the net.

Everything is fine.

Everyone is happy, and I’m sure nothing will go wrong.

O-okay, let’s get into this, shall we?

*grumbling* Would you rather work for Lex Luthor or the Joker- *shouting* Lex Luthor, by like, a fucking mile!

Yes, yes, working for Lex Luthor is basically like being an Amazon employee that makes weapons of mass destruction, which is bad. Lex is like Donald Trump mixed with Mark Zuckerberg mixed with Jeffrey fucking Bezos, it’s not a great mix. He does not treat his henchmen well. Their lives still suck, and they are probably monitored on how long they take piss breaks for.

But let’s analyze what working for Lex Luthor is like versus the fucking Joker. With Lex you probably get a dental plan, a health plan, a paycheck, and the guy that you’re fighting really cares about human life. Superman will hit you just long enough to knock you out, so you’re not a treat, so he can stop the problem.

If you work for the Joker, your payment is you’re not fucking dead. You say one wrong thing? Bang. You don’t laugh at his jokes? Bang! You do laugh at his jokes? Bang! You think Joker gives a fuck about a henchman?

Who’s Lex Luthor’s right-hand-man? It’s a woman, you sexist, her name is Mercy, she’s awesome. Who’s Joker’s right-hand-man? Bob? Nah, he’s dead. Harley? Tried to kill her multiple times. Slappy? Who the fuck is Slappy?

The best case scenario of working for the Joker is that you fight the fucking Batman! And that presents its own fucking list of problems. If you stop Superman as a Lex Luthor henchman, Lex’ll be pissed, but he’ll be at least happy that Superman was caught. If you stop Batman as a Joker henchman, you better have a fucking coffin picked out yesterday.

This isn’t a fun hypothetical question, this is a screening technique that the doctors at Arkham use to determine your mental health! There is a right and a wrong answer to this question, and the correct one is Lex fucking Luthor. Thank you for coming to my fucking Ted Talk, have a nice day.

The reason it was so important for narrative purposes, was that the plot concerns the visit of the Astronaut, in his completely opaque spacesuit, to a planet populated entirely by self-aware robots (originally from Earth) who have built their own society and are petitioning to be allowed to interact with Earth again as equals.

They have a democratic government and free choice of careers etc. as the orange robot serving as guide tells the Astronaut.

The Astronaut notices that there are two different types of robot on this world; the orange ones, who are in charge, gifted access to all information and facilities. and the blue robots, who are seen as more limited in function, have less access to information and resources, and are not allowed positions of power or as wide a choice of employment opportunities. Even transportation is segregated.

The Astronaut investigates further and discovers that the blue and orange robots are actually structurally identical, there is absolutely no difference between their potential or capabilities, and it is only because the orange robots are instructed by their Educator system to consider themselves superior, that the difference exists.

The Astronaut tells the robots they are not ready for re-alignment with Earth, until they come to terms with their own unfairness, and how Earth had had to deal with this issue themselves. When that time comes, the robots will be able to ally with Earth.

Then he leaves in his spaceship, and it's only in that one final panel that we see the Astronaut is black.

Not subtle, nor should it be, but for 1950 this was a breathtakingly powerful statement, perhaps the first of it's kind in the genre.