a little lost with good intentions

Books and articles about lesbianism by black and poc authors, here's a start:

Afrekete: An Anthology of Black Lesbian Writing edited by Catherine McKinley and L. Joyce Delaney

Mouths of Rain: An Anthology of Black Lesbian Thought edited by Briona Simone Jones

Black lesbian in white America by Anita Cornwell

In Our Words: Queer Stories from Black, Indigenous, and People of Color Writers edited by Anne Shade and Victoria Villaseñor

Sister Outsider by Audre Lorde

Zami: a new spelling of my name by Audre Lorde

Hijab Butch Blues by Lamya H (Novel)

Black Lesbian gender and sexual culture: celebration and resistance by Bianca D. M. Wilson - (this one's an article)

The myth and tradition of the black Bulldagger by SDiane A. Bogus - ( it's an essay from the book Dagger: On Butch Women)

Femmes of Color, "Femmes de Couleur": Theorizing Black Queer Femininity through Chauvet's "La danse sur le volcan" by Omise'eke Natasha Tinsley - (article)

Learning color theory through oil painting is more difficult than learning it through gouache & watercolor, primarily because it takes way more time to find mass tone and mix everything and also it's much less obvious to easily and quickly discern if a paint pigment is highly staining or transparent.

Oil painters like to seem like they have the richest and most storied traditions in color theory to past down but also inevitably they are the most likely to retain an extremely limited chroma palette based on classical palettes for the sake of classicism and not always make that fact very apparent to a beginner aside from saying it's an "old masters palette" watercolor/gouache painters are bad at using paints that are not light-fast and clinging to them despite having better alternatives, but generally still understand chroma gamuts and pigment importance better or at least talk about them more.

When you're mixing paints, the earth colors (browns) don't need to handled and thought of as brown. Ask yourself if the brown is yellow, orange, red, or leaning towards a black (which would be treated as a violet or blue, depending on whether black is warmer or cooler).

Yes there are cool reds and warm blues

Any reference color wheel that places red on the very top hurts my feelings, stop doing this just because you learned "roygbiv". Yellow is at the top and the Indigo-Blue range is on the bottom because this also means the color with the lightest possible value is opposite the color with the darkest possible value, so you have the colors arranged with a value scale from top to bottom BUILT IN.

This makes me think makeup artists have good color theory, having to understand undertones of skin, warm v neutral v cool toned red lipstick....

Yes!!! I mean first of all, makeup artists are artists.

and they are ALSO ultimately just blending pigments to produce certain colors and effects, so yeah professionally do study the basics of color theory and then necessarily have to adapt it to their medium. And they tend to generally add like, what you talked about with recognizing cool/warm/olive/neutral undertones and such as a big consideration to their canvas.

And that IS why people will say "this is a cooler red lipstick" (although even cooler than that would be magenta or fuschia!).

I think the only thing I've noticed wrt to honestly mostly beauty influencers and not actual professional MUAs is that too many people buy an eyeshadow palette of cool tones in the palette and then put it on and complain it pulls "too warm for their cool skin." And it "isn't actually a true cool tone palette."

I just want to grab all these people by the face and say:

"Shhhhhh. Color temperature is relative. Although you have cool skin undertones, you ALSO have blood under your skin which will inherently make your base skin-canvas slightly warm no matter your foundation shade. So when you put any kind of pigment that isn't fully opaque onto your skin, the transparency WILL be warmed by your skin because you're alive and have blood still. The eyeshadow palette IS a cool palette. You're just not a vampire, which is why that cool taupe shade suddenly looks different from the mass tone in the palette."

These influencers would understand this better if they did some watercolor painting on pre-tintedpaper and then compared it to painting on pure white.

Handprint.com is hands down the most comprehensive scientific explanation of how different color wheels or palette choices work. It's big and dense and exceptionally thorough. I skim frequently and find myself always learning more. https://handprint.com/HP/WCL/water.html everything is done using watercolors as a reference point but a LOT of this translates to other mediums. For the record his CIECAM color wheel is what I consider to be the best (not 3 dimensional) color wheel for artists. Period.

He uses pigment numbers for some of the most common watercolors rather than specific paint brands or color names to place the pigments. It's also a case study in why yellow being at the top is the best because it also means you have a value scale from top to bottom (since black paints are just dark violets or blues, ultimately.)

When you look at this, you can start realizing more and more why the earth colors can be used as if they were like, straight red, or yellow, or orange. Like if you wanted to make a limited palette, you could use "burnt sienna" as your dark yellow (which will make the whole palette lean orange!) Or it could be your orange or you could use burnt sienna as your red. (Look at gamut masking links below)

Seriously it's good to try and swatch your medium (even really quickly!) Within a CIECAM Artist's color wheel. Below are two of my attempts:

From loose memory and then mapping pigments roughly.

He also discusses the difference between visual complements and mixing complements!

Anyways absolutely try to read bits and pieces. The whole site is amazing. Handprint is amazing.

Also:

https://gurneyjourney.blogspot.com and James Gurney's book: Color and Light: a guide for the realist painter. James Gurney is the dinotopia guy. That book is also amazing for painting fantasy with lots of fantastical examples. Here are two short videos on gamut mapping and gamut masking. Accompanying blog posts.

No surprises here! His book also charts pigments:

Actually these are my four favorite books hands down:

Color and Light: a Guide for the realist painter - James Gurney

Color for Painters: a guide to traditions & practice - Al Gury

The oil painters color handbook - Todd m casey

Artist's master series: Color & light - 3d total publishing. This one emphasizes digital!

The first two have been out for awhile now and you can more easily find them cheaper/used online than the latter two which are relatively newer and hefty hardbacks.

Also, from personal experience: al gury is a sweetheart angel who is a huge crazy cat man. I adore him, he's so kind and helpful. I think it's a little late to join the current session (although they did only start Jan 28, so you can always ask! Class videos are recorded), BUT he frequently offers a class on color that is fully online through PAFA continuing education, as well as other classes. I haven't taken it yet, but I HAVE taken other classes online with Al and he's really great.

Oh also online gamut masking tools:

In krita: https://docs.krita.org/en/user_manual/gamut_masks.html

https://claudiamatosa.com/resources/gamut-masking simple tool

https://mypaintingclub.com/blog/post/39-The-Gamut-Mask-Tool another tool with more complexity

use overdrive, libby, hoopla, cloudlibrary, and kanopy instead of amazon and audible.

use firefox instead of chrome or opera (both are made with chromium, which blocks functionality for ad-blockers. firefox isn't based on chromium).

use mega or proton drive instead of google drive.

get rid of bloatware

use libreoffice instead of microsoft office suite

use vetted sites on r/FREEMEDIAHECKYEAH for free movies, books, games, etc.

use trakt or letterboxd instead of imdb.

use storygraph instead of goodreads.

use darkpatterns to find mobile game with no ads or microtransactions

use ground news to read unbiased news and find blind spots in news stories.

use mediahuman or cobalt to download music, or support your favorite artists directly through bandcamp

make youtube bearable by using mtube, newpipe, or the unhook extension on chrome, firefox, or microsoft edge

use search for a cause or ecosia to support the environment instead of google

use thriftbooks to buy new or used books (they also have manga, textbooks, home goods, CDs, DVDs, and blurays)

use flashpoint to play archived online flash games

find books, movies, games, etc. on the internet archive! for starters, here's a bunch of David Attenborough documentaries and all of the Animorphs books

burn your music onto cds

use pdf24 (available online or as a desktop app) instead of adobe

use unroll.me to clean your email inboxes

use thunderbird, mailfence, countermail, edison mail, tuta, or proton mail instead of gmail

remove bloatware on windows PC, macOS, and iOS X

remove bloatware on samsung X

use pixelfed instead of instagram or meta

use NCH suite for free software like a file converter, image editor, video editors, pdf editor, etc.

feel free to add more alternatives, resources or advice in the reblogs or replies, and i'll add them to the main post <3

would you mildly inconvenience yourself? would you take them time to actually bond with them? would put effort into remembering their likes and dislikes? would you re-evaluate your beliefs? would you try to see an argument from their point of view? would you keep your voice level instead of raising it to intimidate them?

You all like to lump fatness into either the category of "product of bourgeoisie decadence" or "side effect of capitalism forcing us to eat bad food" when neither is the actual case.

Fat people exist in all social classes and all walks of life, often regardless of individual choices.

Fat people are victims of capitalist exploitation at the hands of the multi billion dollar diet and weight loss industry that pushes eating disorder behavior and unnecessary surgeries on to us all in the name of profits.

More than once i have had a younger/same age queer person come up to me in public settings and say something about “finding other gays” or clearly clocking me as nonbinary and I’m like :)))))))) hey buddy I’m here with my conservative parents can you fucking not out me :))))))))

My senior year of college AT A VERY CHRISTIAN CONSERVATIVE SCHOOL, the freshmen were very brave. And more times than I can count, I was asked either about dating women or my gender identity. In front of large groups of people. HELL I EVEN HAD A ‘WOKE’ PROFESSOR (she was supposed to be in charge of like diversity shit) LOOK AT ME IN THE MIDDLE OF LAB AND ASK ME AND ONLY ME WHAT MY PRONOUNS WERE. LIKE WHAT THE FUCK. That led to quite a few awkward conversations with classmates, and in some cases, there are still people I went to school with who genuinely believe me to be gay

And once at my old job, there was this older teenage girl who believed that I was gay. And when she found out I liked men, insisted that I had to be ‘just a little bit bisexual’ because of my short hair and ‘alternative aesthetic’. No matter how many times I told her no, I swear to god every other week she would look at me in front of a bunch of people and go ‘Come on theres got to be at least one person you’d be gay for’. And truth be told with most of that crowd, I didnt have to worry what they thought of me and wasnt in any danger. The problem was that MY MOTHER WORKED THERE. So I also got to have conversations with her to tell her I was in fact straight despite what any of the kids said.

The limp wrist thing is a physical reclamation of a stereotype that was also used as a slur.

So like, I’m all in favor of reclaiming slurs, which is why I get behind fruit so hard and will defend your right to do the wrist thing even if it makes me personally uncomfortable, but if you’re gonna do that YOU DO NOT GET TO YELL AT OLDER GENERATIONS FOR USING FAG AND QUEER. It’s hypocrisy of the highest order.

It’s a baby blanket, 32”x32” (a little over 81x81cm).

I am giving this away to a coworker for free as a baby shower gift. If I were to sell it, it would be $150.

If I were to price it based on the time I spent on it, using a living wage for my area ($17.72/hr), it would be approximately $530.

This is why, when I put items up for sale, I always say tips aren’t expected but are appreciated. It’s very likely I’m selling you my time, skill, and 20 years of practice and experience for about $2/hr.

Please consider tipping your fibercrafters. Even if you can only tack on $20, it tells us you know we have to underprice because the economic web is such that we literally cannot price at true value. It says “I can’t afford it either, but I wish I could; I know what this is really worth.”

A new study has found that your car likely knows more about you than your mom. That is disconcerting, but what’s even more so is what is being done with your information. It’s all about the Benjamins. Our private information is being collected and sold.

The Mozilla Foundation, a non-profit that studies internet and privacy issues, studied 25 car manufacturers. And it found every manufacturer sold in America poses a greater risk to your privacy than any device, app or social media platform.

Our cars are rolling computers, many of which are connected to the internet collecting information about how you drive and where. New cars also have microphones and sensors that give you safety features like automatic braking and drowsy driver detection. Those systems are also providing information. Got GPS or satellite radio? Then your car likely knows your habits, musical and political preferences.

Did you download your car’s app which gives you access to even more features? Well that also gives your car access to your phone and all the information on it.

The study found that of the 25 car brands, 84% say they sell your personal data.

And what they collect is astounding.

One example the study sites is KIA’s privacy policy. It indicates the company collects information about your sexual activity. I initially didn’t believe it until I pulled KIA’s privacy policy and read it. And it’s right there in black and white. It says it collects information about your “ethnicity, religious, philosophical beliefs, sexual orientation, sex life, or political opinions.

And it says it can keep your info for “as long as is necessary for the legitimate business purpose set out in this privacy notice.”

Translation: Nissan can keep your information as long as they want to. And more than half of the manufacturers (56%) say they will share your information with law enforcement if asked.

Why should a romantic partner automatically come before a person you've been best friends with for years?

I know it's a truth for many people. I don't want to discount those feelings, or say they're wrong or not real or whatever. But it's also all tied up in the ways that our society talks about romantic vs platonic relationships, and the intrinsic value of each. The assumption that obviously a romantic relationship is more important, more intimate, deeper and more real than a platonic relationship.

Which, for anyone who has a really deep, intimate relationship with a friend, or a family member, or anyone besides a romantic partner, we know is bullshit.

Someone in the reblogs said something about how aroaces shouldn't be surprised when people want intimacies that make us uncomfortable, and while I think that that is a little reductive and doesn't acknowledge the spectrum that the aroace identity encompasses, I think it also misses the point of the post a little bit.

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