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Your phone call! Ah, mon amour, you donāt know how good it was that you called me! You canāt know! You canāt imagine! Suddenly I feel like Iām reconnected to the earth, to the sea, to the sky, by a mysterious current that your voice and your spirit filled me with, and the clouds have suddenly become friendly. I love you! Oh, how I love you! How I treasure you! And tomorrow Iāll have your arms around me. How could I have doubts about anything when Iām given happiness itself so often! Bad! Iām bad! Demons take hold of me, making me deaf, blind, and sterile, and Iām left distraught, lonely, frozen in the midst of all my turmoil. Why, why, tell me, why am I so bad sometimes? Nowā¦this way, the way I am at this moment, with your warm voice inside me and the promise of your cool mouth and your bright, kind eyes! If I stay this wayā¦my pride returns, my great pride. I love you I thank you and am waiting for you. Tomorrow! Come to me with your heart open; surrender to me. I love you.
Maria CasarĆØs to Albert Camus,Ā Mon Cher Amour, May 17, 1950 [#308]
Albert Camus
I had a bad morning. Perhaps it was the gray sky, or simply waking up, each morningās the same, a dull day ahead of me, starting over again. Thereās a ray of sunshine in my room now, I can see the wind outside. But itās like the wind in the theater; I canāt feel it. What are you doing? I can picture you in that studio. I hate that studio. Soon youāll be rehearsing. And even the joy of hearing you is denied to me. Yet itās one of the most primordial, constant, and pure joys that youāve given me. Your letter of yesterday made me happy, though. Your voice, last night, on the telephoneā¦I love you. I hate being apart, darkness, suffering, the rain. I want a glorious day, with you, by the sea and sand, under a wildly joyful sky, in a place that I love, but with you, with youā¦I want your body, the heat, rocks, smooth water, everything you can touch. I hate dreaming, waiting⦠And yet Iām waiting for you, helpless, empty-handed, and itās necessary to speak, speak as a substitute for our bodies, to prepare for their return. Itās quite true that I talk to you all day long. I think about you, I worry, I suffer for you, I love your heart. Iād like to make your pain easier, make life simpler and sweeter. But I donāt really know what I want. At other times, my only desire is to feel youāre looking forward to the future with me, with no distractions, until the end. Iāll see you on Thursday, my darling, my beauty. Yes, you are beautiful, and great. Forgive me my follies. Tell yourself that I love you, with courage as well, and with the determination to ease this unhappiness. Perhaps the glorious day, the beautiful countryside, is not far off. But I already have your love, you exist; no, the world is not a desert! I love you, see you on Thursday. Fall asleep with me. I think of you constantly.
Albert Camus to Maria CasarĆØs, Mon Cher Amour, May 16, 1950 [#307]
..all true passion has a spice of cruelty.
Albert Camus, Caligula

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I want to stay like I was yesterday until ThursdayāI want to make you happy for the three days youāll spend at my side, and to do that I must manage to be myself in a certain way. I donāt want to stir anything up; I just want to tell you that youāre not the only one making me unhappy, and that, on the other hand, youāre the only person in the world who brings me and will always bring me joy, true joy.
Maria CasarĆØs to Albert Camus,Ā Mon Cher Amour, May 16, 1950 [#306]
Albert Camus
False identity card established in 1943. At that time, Albert Camus has just published *The Plague*, he writes for *Combat* and joins the Resistance.
I didnāt write you yesterday; I forced myself to have a bit of a break, to not think about anything, to forget you, and to forget myself as well, at least the way I am right now, to pull myself together and be ready to bring you a bit of the happiness on Thursday that I so love to give you. I banished my phone, forbade myself from any reading that might sting or hurt me by an unexpected twist in the plot; I turned off the radio, got undressed, lay down in the sun, on my balcony. I closed my eyes and waited, as stretched and taut as the string of a violin. I used to do this when I was little, when the weight of the world already seemed too much to bear. I armed myself with all the rage of my happiness, I secluded myself, I desperately tensed up all my muscles, and awaited the mysterious sound that the hand of some unknown god would wrench from me; and while I was waiting, I would begin to cry out with enthusiasm and triumph and gratitude. Yesterday I tried to do it again, to rid myself of everything, to find myself naked and pure like back then, and to do battle once more with the heart of the universe, peacefully. I stayed like that for hours, six hours, waiting, wiping everything away, blending everything together in the dazzling sky I could see through my eyelids, trying to turn the burning of the sun into a crucible for the frozen regions of the soul. Alas! I didnāt feel the need to shout. When I feel joy now, I want only one thing: to close myself off, to clench my teeth, my fists, to hold on to the joy, and for as long as possible. The time for generosity hasnāt yet returned. But during these endless moments, I managed once more to tremble in the air, with the air, with the light, and for the time of a brief glance at a flower quivering in the cool wind, I again relished the taste of eternity, where I finally completely found you. This is the flower that brought you back to me so totally for a second. Then I let go. I was tired, and all my muscles were aching from the prolonged tensionāI let go once again, but I found a bit of gentleness within myself.
Maria CasarĆØs to Albert Camus,Ā Mon Cher Amour, May 16, 1950 [#306]
She asked me again if I loved her. I replied, much as before, that her question meant nothing or next to nothingābut I supposed I didn't.
Ah, mon chĆ©ri, mon amour, my handsome love, you, you! You, with the peace you bring me, the life you fill me with, your greatness that rubs off on me, and the kindness and the demons you instill in me! You, and life! Donāt leave me! Keep me always by your side! Donāt let me leave. I donāt want to die! Ah, Iām afraid of this terrible need that youāve become to me, this vital need that you are for me! Iām afraid. The bond that unites two beings is so fragile. The obstacles on our path are so great! And I need you so much! Come! Come quickly and take me in your arms, speak to me, calm me, cherish me. Tell me, tell me again and always that you need me and youāll always need me, youāll need my presence by your side! Give me back my reason for living and my appetite for life! I donāt know anymore if I love you. I think itās more than that and Iām a bit terrified. Guide me. Help me. Give me your hand to lead me. I can only find myself within you. Help me, I beg you. Force me if you have to, but let me hear you, so Iāll finally know that you know that I belong to you. I know Iām a heavy burden to bear. Are you still willing to keep me beside you?
Maria CasarĆØs to Albert Camus,Ā Mon Cher Amour, May 14, 1950 [#304]

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Jean Tarrou from "The Plague"!! āā
There were a lot of things I wanted to do with Tarrou's design!! In the Penguin translation (which I had read first), it describes his face as being "pock-marked", so I tried to replicate that. I also liked the idea of him having an armband as a symbol of him being a member of the sanitary teams. I wanted to make hin look sort of young and carefree, but I tried to also show that there may be more to him through the scars on his arms, perhaps from fighting (the scars are faded, but still marked, as if the past will never leave him). ą«® ā ļ» ā į
I must admit, I dont like using colouring pencils much as I'm not the best with them, and the paper type certainly doesn't help with that - but it looks quite alright, better than I had expected XD
Donāt we all have a usefulness complex, a need to be needed? But what will I do without you? Find someone else? No! I canāt! I donāt want to! It would be fake, vile, mediocre! It would be a farce, a vulgar comedy! I donāt want to! A solitary life? I feel dizzy when I think of all those barren years to come, those gray and lifeless landscapes. Friendship? Camaraderie? The communion of a chance moment? I know all about that, oh yes, I do. My profession allowed me to get to know and explore this kind of friendship, these deep, total, and somewhat exhilarating bonds, these intimate links that are forged and dissolved with every play we perform in, those weeks we spend in the open air when we shoot a film. How disappointing it is! How superficial! My head spins when I think about itāI can literally taste what itās like on the day after such drunkenness. Those arenāt friendships, not even temporary ones; theyāre āemotional bendersā that leave you with a hangover. If not that, then what? A life of kindness? Maybe. But will I be able to stand the people and the abstraction you find in such a life?
Maria CasarĆØs to Albert Camus,Ā Mon Cher Amour, May 14, 1950 [#304]
I donāt think Iām crazy yet, unless I have been for a long time, because Iāve also always lived with the idea that weāre irreplaceable, each one of us, and up until now, that is what has given me a reason to live with intensity, fervor, rage, joy, self-pride. The very simple self-pride of being a woman, and, as youād say, of carrying out the work of being a woman strongly and courageously. Itās simply that as far as thatās concerned, there was a fundamental error: I wasnāt yet a woman and only a woman. I was also a child, a little girl too, and my life is too full to allow me to feel whatās missing. Now the missing bits are there, and theyāre terrifying, dizzying; they take away almost everything that surrounds me, they even empty my heart and my soul. And Iāve also acquired the right to carry out my profession at the very moment when work is forbidden to me. If you disappear from my life, mon chĆ©ri, Iāll be useless, Iāll be lost; all Iāll have left to do is disappear as well.
Maria CasarĆØs to Albert Camus,Ā Mon Cher Amour, May 14, 1950 [#304]
"At times one wanders, doubting the facts, even when one has discovered the secrets of the good life. To be sure, my solution is not the ideal. But when you don't like your own life, when you know that you must change lives, you don't have any choice, do you? What can one do to become another? Impossible. One would have to cease being anyone, forget oneself for someone else, at least once. But how? Don't be too hard on me. I'm like that old beggar who wouldn't let go of my hand one day on a cafe terrace: 'Oh sir,' he said, 'it's not just that I'm no good, but you lose track of the light.' Yes, we have lost track of the light, the mornings, the holy innocence of those who forgive themselves."
Albert Camus, The Fall

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Iām sitting in my bedroom on the floor, on the carpet, leaning against the bed, opposite the open window, facing the rosebushes, the pansies, the sweet peas, looking at the sky. Thereās no one here and everything is lovely and calm. I have a heavy heart. Since I left you yesterday, Iāve been holding a gloomy and strange debateā¦withā¦I donāt know what, something new that got into me a while ago and suddenly became tangible the day before yesterday in Cannes. I think itās fear, the dreadful fear of being apart. I get the sense that youāre closer and closer to giving up, to defeat, and this idea is driving me absolutely mad. I know that if one day you falter and stop fighting to hold on to me, Iāll leave. I know it. I know myself, and in a certain way Iām wise enough to know that the struggle canāt lead us anywhere. So Iāll leave, and for the moment I keep thinking that it wouldnāt take much for that catastrophic moment to arrive. I was still holding on to a vague hope that in an extreme situation, youād choose me; I learned that I was mistaken, so all it would take is for that situation to come about. If we get to that point, it would be a debacle for meādeath itself. I try to shake myself out of it, to hold back, to defend myself, to cling to anything at all to avoid the abyss. Ah, if only you could understand the depths of my stubbornness, my energy, my desire to justify my existence without you, my regret, the nostalgia I have for my taste for life! If only you knew how Iām trying to hold on, how Iām resorting to everything I can! No! Oh, no! I donāt want to die either. But I get no answer to my effortsānothing satisfies me even a little, not even for a second! I tell myselfāah, if only you knew everything I tell myself. I tell myself that I have a place that no one can fill but me, and that this is the sole reason I exist and act. When the sun strikes me, I look at the shadow that appears beneath me, that only exists for me, that unique shadow that I form on the stone, and Iām moved just standing above it, as though I were looking at a child.
Maria CasarĆØs to Albert Camus,Ā Mon Cher Amour, May 14, 1950 [#304]
In the depth of winter, I finally learned that within me there lay an invincible summer.ā
When Albert Camus was awarded the 1957 literature prize, he was just 44 years old ā the second youngest literature laureate at the time of the award.