Peter Solarz

Andulka
Sade Olutola
we're not kids anymore.

oozey mess
AnasAbdin
Game of Thrones Daily
Cosmic Funnies
🪼

祝日 / Permanent Vacation
noise dept.

Janaina Medeiros
he wasn't even looking at me and he found me

❣ Chile in a Photography ❣
KIROKAZE
dirt enthusiast
Claire Keane
Mike Driver
will byers stan first human second
seen from United States
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seen from Italy

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seen from United States

seen from T1
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@2yasha2barnes

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do you think bowser ever gets anxious after kidnapping peach again that he went too far this time and he calls mario up in the middle of the night to make sure they’re still on for tennis and gokarting next weekend
painstakingly dialing mario’s landline on a comically small telephone only for luigi to pick up instead and he has to ask him to put his brother on the phone. not that luigi isn’t part of weekend plans, but like this is really more of a mario & bowser situation and it’d be rude to drag his brother into it if there’s a problem. so anyway then luigi puts the receiver down to go get his brother and bowser sits there tapping his claws on his table and this is agony, actually, he shouldn’t have called at all, it’s late enough at his castle so it has to be even later over in the mushroom kingdom. but just as he’s about to put the phone down, mario answers all chipper—mario mario speaking, who’s-a calling? which is a ridiculous question because there’s no way luigi didn’t already tell him.—and bowser has to ask him. look, mario, i know i dangled peach in a bird cage over a pit of lava the other day, and when you showed up, i let my son throw giant flaming hammers at you, and there’s no hard feelings about that, right? and there’s a few seconds of silence before mario laughs and reassures him it’s all in the day’s work of a plumber, an explanation bowser has never thought to really question since he only knows two plumbers and it does all seem pretty in their wheelhouse. and then he’s embarrassed for worrying so much so he tries to end the call quickly, but mario just ribs him about how badly he’s going to lose the next race, and then he starts asking bowser how junior is, and does bowser want any of the leftovers since he and luigi really do cook way too much for two, be a shame to let it go to waste. and by the time bowser manages to hang up, this has gone from leftovers into him and junior and the koopalings all being invited over to the mario household for dinner, so long as they don’t park their airship on the front lawn and leave the cannons at home.
op approved tags. you’re the only person here who sees my vision
They could never make me hate you, complex female character whose reaction to trauma was not pretty and digestible like how people think it should be.
despite everything, it’s still you (derogatory)
wait hey man wait whoah hey

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what if we stopped making Ambiguously Brown Character and started actually thinking about the race and ethnic features of the characters we made? what if instead of drawing a character that looks like you painted a white character brown, we started varying noses, lips, eyes, and hair? just a thought
I have a suggestion
Why am I finding out just today that Salvador Dali designed the Chupa Chups logo
????
Hey. What
"relax. sucking does not kill" would make for a fun shirt
If anyone wants to know what a leopard seal sounds like 🦷🩸
Leopard Seals are what happens when god needs a lizard and all he has is a mammal
I'd recommend turning the sound on. The seal is not screaming. It's not very loud at all, actually, but the noise it's making is Much Worse.
I don't know enough about stage magic to know whether or not this would even be possible to execute in practice, but I think it would be awesome to have a stage production of a play where every single possible character action is performed as some sort of a magic trick or stage illusion. Like if the script requires a character to take something out of their pocket, they instead pull it from some hammerspace seemingly out of nowhere, and in the same nature something that a character needs to hide somewhere real quick simply vanishes.
Someone who's trying to avoid eye contact during a serious conversation does so by fidgeting with something that seems to be breaking the laws of physics. Just levitating this coffee cup nervously in circles so that it's obvious to everyone that they're lying.
The key element in this whole thing is having none of the characters even aknowledge that anything that happens would be in any way out of the ordinary. They just live in a world where things like matter and gravity work differently from ours, and by the end half of the play, even the audience doesn't really actively notice that something strange going on in the background shouldn't be physically possible.

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National Theatre Live: Twelfth Night (2017)
becoming homophobic because when two characters in a scene have the same pronouns you have to say their names one william times
finally some good advice on this post
just something I wanted to try! (tumblr please don't absolutely destroy this, thank you)
People rightfully deride purley identity based marketing (this comic has an asexual transgender protagonist! The genre is unimportant!) but you know. You know what. You know what really pisses me off
“Jennifers body meets little fires everywhere” “for fans of silvia moreno garcia and southern folk horror” “immersive horror fairy tale marrying crimson peak and pans labryinth” “steven king calls this novel a a modern tour de force” DESCRIBE YOUR BOOK

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i am no longer fucking asking
for all your no longer fucking asking needs
love how Sims players call themselves simmers. you mean like a stew
with the temperature my laptop reaches I might as well be