Misplaced Lens Cap
Show & Tell
dirt enthusiast
KIROKAZE

Janaina Medeiros
Cosimo Galluzzi

oozey mess

Love Begins

Andulka

Kaledo Art

pixel skylines
Lint Roller? I Barely Know Her
Three Goblin Art
DEAR READER

ellievsbear
d e v o n
"I'm Dorothy Gale from Kansas"
Peter Solarz
$LAYYYTER
YOU ARE THE REASON
seen from Ukraine
seen from United Kingdom
seen from Germany

seen from Malaysia
seen from Romania
seen from United States
seen from Sri Lanka
seen from Malaysia

seen from Germany

seen from Thailand

seen from United States
seen from Brazil
seen from United States
seen from Bangladesh

seen from Kenya
seen from United States

seen from United Kingdom
seen from United States
seen from United States

seen from Netherlands
@your-url-is-problematic

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Amethyst scarab, grape flavored, Middle Kingdom Egypt, 1981-1950 BC
from The MET
Grape flavoured you say?
Deer Tracks
by Richard Brautigan
Beautiful, sobbing, high-geared fucking and then to lie silently like deer tracks in freshly fallen snow beside the one you love. That’s all.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
love the camera guy even gets to bump into a mirror for us
Okay, I love everything about this hall of mirrors:
Traditional mirror mazes are dark and creepy. This one is brightly lit, and colorful.
The triangular grid makes it that much more disorienting.
The pillars help to obscure the difference between the mirrors and the openings -- so it doesn't NEED to be dark.
All of this combines to make it much more fun and entertaining and much less "I gotta get out of here before Mr. Dark drags me off to the soul-sucking carousel".
I feel for everyone who isn’t having the time of their fucking lives with The Vampire Lestat. Every week I clap and cheer for the antics of the world’s saddest buzzword-laden bisexual crash-out diva and his crew of the least healed men to ever grace the small screen. The songs are cringe delightfully camp, the wigs are a nightmare, I’m living my best life, I’m loving every second. Why the fuck would you have a blood shower in your tour bus. The onscreen mother-son incest is only like the third wildest thing happening in any given episode. It’s insane. I never want it to end
It really cannot be sufficiently stressed that a blood shower is completely unworkable. Do you have one of those coffee machines with a milk fridge in your office? Have you noticed how often the milk delivery jams so you can't make a latte? Now imagine that with a substance that coagulates as soon as it meets air. You'd have to either maintain a careful mixture of blood and anti-coagulant, or keep as much air as possible out of the blood tank (which needs to be periodically topped off, of course). And either way, as soon as it ends up in the pipes, it would start clogging.
And this they apparently put on a bus? With a switch so you can get water and blood out of the same shower head? I need to know which member of the entourage has a plumbing certificate, because they should be working on that job full time.
do not keep putting those two unfunny autistic faggots on my dash
SHEILA ATIM as Akasha
THE VAMPIRE LESTAT 03.05 | "New York"
SHEILA ATIM as Akasha
THE VAMPIRE LESTAT 03.05 | "New York"

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
It's not a cuck chair, it's Mission Control
WHY MUST SHE BE KEPT? AND WHY IN THIS PLACE SHE MUST BE KEPT? AND WHAT DOES IT MEAN IF YOU ARE NOT ASKED? AND WHAT DOES IT MEAN IF YOU ARE NOT ANSWERED? AND WHAT IS IT TO SEE AND TO KNOW, BUT TO BE TOLD YOU HAVE NOT SEEN. YOU HAVE NOT KNOWN. AND WHY IS HER TONGUE CUT OUT? AND WHY IS HER DEATH PROLONGED AND WHEN WILL IT STOP AND WHO WILL STOP IT? AND WHY MUST THEY, MUST WE, MUST I, MUST HE, MUST THEY, AS THE MILLENNIA, UNFOLD? WHY THE GIRL CURLED? WHY HER EYES LOWERED? WHY ON THE SIDE OF THE ROAD? WHY LIMP IN THE STRAW? I AM THE GIRL! I AM THE GOD! I AM THE VOICE! I AM THE SONG! I AM THE NIGHT AND I CAN ANSWER! I CAN ARRANGE IT! I CAN SAY RISE, AND I CAN SPEAK! AND I AM HER! AND I AM SHE! AND I, I, I, I AM THE ANSWER!
She, she, she, it is she… It is often she. And in the old songs and in the long nights, she holds him in the softness of her arms, in her arms that are open, in her arms that are wide, that are open, that are always, that must always be open. And in the old ways and in the old laws, this was arranged. All this was arranged. And who arranged it? Did Amel? And that is what it means to be loved. It is Amel. It is always Amel. It is often she… Into the land where the dead are kept, where the dead are worshipped. And why the days without number? And what am I for? What is this for? And what should Amel do with it if not to answer? And why are they throwing stones? And why is she curled on the ground? And why is it wound… And in my eyes is desire, and why is it desire? And why does he tell her what God has said? And why Amel in their mouths? And why must my voice be smooth? And why must I sing so low? And why is she kept? Why must she be kept? And why in this place must she be kept? And what does it mean if you are not asked? And what does it mean if you are not answered? And what is it to see and to know, but to be told… You have not seen. You have not known. And why is her tongue cut out? And why is her death prolonged? And when will it stop? And who will stop it? And why must they, must we, must I, must he, must they, as the millennia, unfold? Why the girl curled? Why her eyes lowered? Why on the side of the road? Why limp in the straw? I am the girl! I am the god! I am the voice! I am the song! I am the night! And I can answer! I can arrange it! I can say rise, and I can say speak! And I am her! And I am she! And I, I, I, I am the answer!
wait if constraints are crucial to creative work then can i use constraints instead of routines for chores
im still cooking but its like instead of a blank page or saying “how will i…” i could stop and think “how wont i…”
and like, reduce some decisions

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
i love being tummy-obsessed. i feel like it makes the most sense bc that's the most vulnerable part of a human body!!! a home to a majority of the vital organs and full of soft, squishy parts with only a thin abdominal wall to protect it all, which is so easy to pierce and tear...to let someone else touch and run their hands over such a sensitive area is a special type of intimacy...
According to Elephant magazine,
Surely one of the most spectacular hot air balloons ever launched, this remarkable rendering of St. Gallen (one of Switzerland’s most impressive baroque cathedrals) was built to mark the building’s two-hundredth anniversary. It was conceived by the artists Jan Kaeser and Martin Zimmermann and built by Kubicek Balloons, who described it as the most complicated design they’d ever undertaken. The flying cathedral is 31 metres high and 26 metres long, and was flown throughout Switzerland in 2002 as part of the anniversary celebrations—what a sight that must have been!