JENNA ORTEGA & MADDIE ZIEGLER as VADA & MIA THE FALLOUT (2021) DIR. MEGAN PARK
Misplaced Lens Cap

Love Begins
One Nice Bug Per Day
styofa doing anything
AnasAbdin
NASA
$LAYYYTER
Aqua Utopia|海の底で記憶を紡ぐ
"I'm Dorothy Gale from Kansas"
Three Goblin Art

PR's Tumblrdome
RMH

Janaina Medeiros

Origami Around

⁂

Sade Olutola
cherry valley forever

#extradirty
we're not kids anymore.
seen from Malaysia
seen from Brazil
seen from Syria
seen from Netherlands
seen from Dominican Republic
seen from India

seen from Germany
seen from Pakistan

seen from Syria
seen from United Arab Emirates

seen from Tunisia

seen from Tunisia
seen from Saudi Arabia
seen from Argentina
seen from Egypt
seen from India
seen from United States

seen from United States

seen from United Kingdom

seen from Bangladesh
@youdeserveahelbig
JENNA ORTEGA & MADDIE ZIEGLER as VADA & MIA THE FALLOUT (2021) DIR. MEGAN PARK

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i love her your honor
And so I just figured, I was the one who made this music first. I can just make it again. So when something says “(Taylor’s version)” next to it, that means I own it which is exciting.
Taylor Swift Explains Why She’s Re-Recording Her Albums
turns out the overdue project I've been putting off for days is actually pretty easy and i should've done it earlier. i won't learn anything from this though
Annie and I met up at camp and we decided to switch places. The Parent Trap (1998) Dir. Nancy Meyers

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due to not wanting to, i will not. thanks.
I’ve always said that the world is a different place for the heartbroken. It moves on a different axis, at a different speed. Time skips backwards and forwards fleetingly. The heartbroken might go through thousands of micro-emotions a day trying to figure out how to get through it without picking up the phone to hear that old familiar voice. In the land of heartbreak, moments of strength, independence, and devil-may-care rebellion are intricately woven together with grief, paralyzing vulnerability and hopelessness. Imagining your future might always take you on a detour back to the past. And this is all to say, that the next album I’ll be releasing is my version of Red.
Musically and lyrically, Red resembled a heartbroken person. It was all over the place, a fractured mosaic of feelings that somehow all fit together in the end. Happy, free, confused, lonely, devastated, euphoric, wild, and tortured by memories past. Like trying on pieces of a new life, I went into the studio and experimented with different sounds and collaborators. And I’m not sure if it was pouring my thoughts into this album, hearing thousands of your voices sing the lyrics back to me in passionate solidarity, or if it was simply time, but something was healed along the way.
Sometimes you need to talk it over (over and over and over) for it to ever really be… over. Like your friend who calls you in the middle of the night going on and on about their ex, I just couldn’t stop writing. This will be the first time you hear all 30 songs that were meant to go on Red. And hey, one of them is even ten minutes long.
Red (Taylor’s Version) will be out November 19.
https://taylor.lnk.to/RedTaylorsVersion
Santana Lopez in Glee 2x19 “Rumors”
Man, that little scrolly wheel to pick your year of birth getting kinda far
I feel FATIGUED like send her to the seaside for her health type fatigue

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son of a bitch everything costs money
meese
drivers license OLIVIA RODRIGO
Original photos from the opening of HIMYM

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Benvenuto Tisi (Il Garofalo), Annunciation (details), 1528
you said it was a ghost story. it isn’t. it’s a love story.