Lint Roller? I Barely Know Her

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Brian Eno and photoshop (1995)
emoji chain for emoji you like but rarely have a use for. I’ll start:
🗜️
A few months before he passed away in 2003, a 74 year old children’s television host sat down in the same studio where he had filmed 895 episodes over 33 years and recorded one last message. It wasn’t for children. It was for the adults who had grown up watching him.
Fred Rogers hosted Mister Rogers’ Neighborhood on American public television from 1968 to 2001. For over three decades he walked into the same set, changed into a cardigan and sneakers, looked directly into the camera, and spoke to children as if each one of them was the only person in the room. He never raised his voice, never talked down to his audience, and never rushed a single moment.
In that final recording, he looked into the camera one last time and said “I’m just so proud of all of you who have grown up with us. And I know how tough it is some days to look with hope and confidence on the months and years ahead. But I would like to tell you what I often told you when you were much younger. I like you just the way you are.”
He passed away from stomach cancer on February 27, 2003. He was 74.
Sometimes you're in your 50s and still need a dose of courage from Mr. Rogers when the world feels scary.
I will forever miss Fred Rogers. RIP
This is what The Verge said in their opening paragraph:
Elon Musk’s SpaceX IPO will probably make him the richest person to ever walk the planet. And while his mountain of horrible personal conduct could fill multiple books, one fact in particular stands out: A year ago, Musk’s actions directly led to the deaths of hundreds of thousands of people. He did it knowingly. And, worse — gleefully.
They're talking about DOGE discontinuing important programs that kept hundreds of thousands of people alive and safe. Now those people are dead.
Elon Musk is directly responsible.

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Little girl teaching her cats how to draw a flower
(via)
they’re? just? sitting there ???
it makes it 100% better that i can’t understand her, i feel like i’m hearing what cats hear
Heh, she’s speaking Portuguese! Here’s what she’s saying:
*baby voice* “… and if you have any questions, just ask me! And now… yeah. And now you draw the roots. You draw them all twisted up! Got it? A flower? Now draw it. Did you get it, Luis Roberto? Did you get it, Jurandir? Look. Did you get it? That’s how you draw a flower.”
Luis Roberto and Jurandir are people names (Jurandir is especially a name associated with older men) so it’s extra funny that the cats are named that, heh.
[...] We took a lot of different types of pictures, and in the end, the picture of my ass looked better, than the picture of my face, so that’s what went on the cover.
We are all closer to Jeff Bezos' net worth than Jeff Bezos is to Elon Musk's net worth
In Orwell’s essay “A Hanging,” the writer watches the condemned man, walking toward the gallows, swerve to avoid a puddle. For Orwell, this represents precisely what he calls the “mystery” of the life that is about to be taken: when there is no good reason for it, the condemned man is still thinking about keeping his shoes clean. It is an “irrelevant” act (and a marvelous bit of noticing on Orwell’s part). Now suppose this were not an essay but a piece of fiction. And indeed there has been a fair amount of speculation about the proportion of fact to fiction in such essays of Orwell’s.
The avoidance of the puddle would be precisely the kind of superb detail that, say, Tolstoy might flourish; War and Peace has an execution scene very close in spirit to Orwell’s essay, and it may well be that Orwell basically cribbed the detail from Tolstoy. In War and Peace, Pierre witnesses a man being executed by the French, and notices that, just before death, the man adjusts the blindfold at the back of his head, because it is uncomfortably tight. The avoidance of the puddle, the fiddling with the blindfold—these are what might be called irrelevant or superfluous details. They are not explicable; in fiction, they exist to denote precisely the inexplicable. This is one of the “effects” of realism, of “realistic” style.
But Orwell’s essay, assuming it records an actual occurrence, shows us that such fictional effects are not merely conventionally irrelevant, or formally arbitrary, but have something to tell us about the irrelevance of reality itself (…) There was no logical reason for the condemned man to avoid the puddle. It was pure remembered habit. Life, then, will always contain an inevitable surplus, a margin of the gratuitous, a realm in which there is always more than we need: more things, more impressions, more memories, more habits, more words, more happiness, more unhappiness.
— JAMES WOOD, from How Fiction Works.
What exactly do these irrational standards mean? They mean the supremacy of the detail over the general, of the part that is more alive than the whole, of the little thing which a man observes and greets with a friendly nod of the spirit while the crowd around him is being driven by some common impulse to some common goal. I take my hat off to the hero who dashes into a burning house and saves his neighbor’s child; but I shake his hand if he has risked squandering a precious five seconds to find and save, together with the child, its favorite toy. I remember a cartoon depicting a chimney sweep falling from the roof of a tall building and noticing on the way that a sign-board had one word spelled wrong, and wondering in his headlong flight why nobody had thought of correcting it. In a sense, we all are crashing to our death from the top story of our birth to the flat stones of the churchyard and wondering with an immortal Alice in Wonderland at the patterns of the passing wall. This capacity to wonder at trifles — no matter the imminent peril — these asides of the spirit, these footnotes in the volume of life are the highest forms of consciousness, and it is in this childishly speculative state of mind, so different from commonsense and its logic, that we know the world to be good.
— VLADIMIR NABOKOV, from Lectures on Literature.

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Following you was such a good thing, thanks so much for all the creatures that fill my dash, it's so delightful :) [also, as another biologist, just yes. good creatures. amazing.]
So... I heard you like corvids.
Carrion Crow (Corvus corone) screams in the rain, family Corvidae, order Passeriformes, Spain
photograph by Jorge de la Cruz
Your caption inspired a poem, @herpsandbirds
Carrion crow
Screams in the rain
Order Passeriformes
Corvidae
Spain
the b-52’s and john waters
gang get in the comments

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I’m suddenly laughing at the idea of a cliche noir detective story written in the brutally concise style of Hemingway.
A woman walked into my office. She had legs. I noticed her legs. “I have a problem. I need your help,” she said. They always said that. I knew her legs weren’t the problem. I hoped she might want my help with them anyhow.
“Can you pay?” I asked. Of course she could. Her shoes were worth more than my rent. She could pay. “I can pay,” she said. Her eyes were wet. I wondered if anything else was wet. Probably not. I am not handsome. Not since the war. She was looking at my scar. Lots of people do. Most look away. Not her. She did not look away. She looked at my scar and I looked at her legs. There were two of them. I liked that about her. I liked that a whole lot. “Will there be danger?” I asked. There always is. This city bleeds danger, then drinks it right back up again.
“I’m afraid there might be danger,” she said. She had the voice of a beautiful woman. She also had the face and body of a beautiful woman. She was beautiful.
The light from the window was striped. It made stripes on my cigarette smoke. The end of my cigarette crumbled into ash. My marriage had also crumbled into ash.
“I can handle danger,” I said. I patted the butt of my gun. My gun was a Colt. My gun and my scar were all that was left from my time as a soldier. My gun, my scar, and the nightmares. I looked her up and down. “I am good at handling things.”
“It’s about my husband. He’s gone missing.”
She was not wearing a ring. It means something when a woman does not wear a wedding ring. Usually, it means that she is not married. “Seems your ring has also gone missing,” I said. I hoped her dress would join it.
Her red mouth curved upwards. She was smiling a little. “I don’t wear it outside. A diamond that large would only invite trouble.”
“In my experience, trouble doesn’t wait for an invitation.” I looked at her legs again. They were both still there. “When did you last see your husband?”
Unquenchable greed is killing us all.