no, mother... you should have read my supposed "school field trip" permission slip closer.... i foresaw your betrayal a mile away.... im afraid, mother, it is you who has been sold to one direction
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@xanthumn
no, mother... you should have read my supposed "school field trip" permission slip closer.... i foresaw your betrayal a mile away.... im afraid, mother, it is you who has been sold to one direction

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When we were children, my sister had private music lessons at her violin teacherās house. I only visited there once, but I still remember that afternoon. The teacher had an artificial pond in her yard, a large beautiful thing with lily pads and plant life. And in the pond, there were goldfish. I had never seen such enormous goldfish.Ā
I spent several minutes just staring at them (and trying to convince them to bite my fingers.) When my sisterās violin lesson ended, her teacher came out to the yard and explained that these goldfish were the same small creatures that were often unfortunately sold in plastic bags at state fairs. They were only about two inches long apiece, when she bought them and put them in the new, empty pond. In essence, they were like every goldfish I had seen before, but they had been given a much larger, much richer environment in which to flourish. As a result, they had grown into some of the most remarkable, vibrant creatures my twelve-year-old self had ever met with. All because of a pond.Ā
Funny what lessons children remember. My sister doesnāt play the violin anymore, but that was the first time I caught a glimpse of the overwhelming extent to which it matters, the way the world treats us.
Reblogged again for this drawing I made for it
Give us room to grow and see how we flourish.
When I finish this whale shark lamp all 4 of you are gonna be So I'm pressed
She glows now, just so you know, and she's full of string deliciƶusee string
Are you gonna show us the lamp? š
Good news! WhƤle shark lƤmp š„°
A lot more than 4 of us are impressed
There's a plentiful supply of nature and ecology writers that criticize "Anthropocentrism" and tell readers that we shouldn't consider ourselves more important than other life forms, and then they write things that are like "We evolved to live in Nature in a Natural environment...Long ago humans lived as hunter-gatherers instead of farming and domesticating animals...But when civilization was created, man unnaturally subjugated and modified plants and animals...Bringing them under human control for his own benefit...Man replaces natural ecosystems with artificially created "post-natural" environments...Now humans live in an unnatural environment that is separated from Nature...and i'm like buddy. do you even hear yourself
Since I have access to a bigger library now, I've explored "deep ecology" and "green anarchism" and "Biocentrism" a bit more and what i've seen is still kinda silly. The writers have very thoughtful theory and philosophy of diverse subjects relating to morality, society, power, and liberation, but...they just don't know very much about Nature.
I mean several things by that: first, they're not clear on the boring, practical details of things like food systems and the way construction alters ecosystems, second, they don't try to clearly define what "nature" is, and third, they act like "nature" has a clear definition anyway.
Now nature is pretty much undefinable anyway, a couple possible definitions are "all things that exist, have existed, or are possible in the universe" and "the thing that a forest has that a parking lot doesn't." You can say "biodiversity," but every space has biodiversity, and it's not clear how much biodiversity a space is "supposed" to have, we're just going on vibes. And the vibes are right, in a way; I visited an old-growth forest and it was DIFFERENT than any place i'd ever been in a way that is hard to describe. A flourishing, biodiverse ecosystem is different than a parking lot, a lawn, a monoculture field of corn. They say it's good for your health to be "in nature." What does that mean? At what point does a place become "nature?" How many trees does it have to have?
Something that is so painful to me is when people write "Human activities" as a cause of biodiversity loss. This is an act of cowardice. WHICH human activities? Name them.
A lot of nature and ecology writings treat humans like they have an anti-biodiversity force field that emanates from them. They write like lands on Earth are each contested between two inversely proportional forces, "Nature" and "Humans."
Without any more information, this is ethereal bullshit on par with crystals having energies. I am totally perplexed at the lack of curiosity about the specific causes and details of "human impacts." The division of habitats by so many roads and relentless speeding of cars with no way for wildlife to cross...the dumping of massive amounts of poison into soils and water...the wounding and disturbance of topsoil...these are the "human activities," but we can imagine a world without such destruction, and we can create that world.
Too many essays and papers talking about Nature non-specifically, an Idea of Nature, a Concept that everyone just intuitively knows. Nature is...you know...wildness! and trees! and...well, you know, NATURE!
And we do know! When we step out into the parking lot surrounded by low, squarish buildings and blaring signs and the stink of car exhaust, we know that something is very wrong with this place! Even we find these horrible un-places harsh and unwelcoming.
But it is very hard to imagine something different, because the other type of place, the place that is beautiful and soothes the spirit and is full of life, is by definition the place where humans only go to visit, the complete opposite and inverse of a place where humans work and live! Wherever humans live, shop, eat, fulfill their daily needs, that place is Not Nature.
The huge mistake, is that we believe that it is necessary to have places that are Not Nature. We believe that for humans to exist, areas must be set aside where the very concept of Nature is utterly obliterated.
From this imaginary and dismal point of view, we have to carefully confine our own lives to places that are utterly poisoned, sterilized, made into a hostile wasteland, and leave all the rest of the living biosphere to itself in pristine preserves.
And in this imaginary and dismal point of view, the one that divides Earth into Nature and Humans, it is okay to poison and to sterilize and to destroy, because humans must live SOMEWHERE, therefore Nature must be utterly excluded from at least SOME of Earth.
BUT...WHAT IF EVERYWHERE IS NATURE? What if the dandelions in the cracks of the pavement, the lichens growing on the park bench, the wildflowers on the side of the road, the sparrows in the parking lotāwhat if they are all Nature just as much as anything else? What if they too are sacred? What if it is our responsibility to see the connectedness of all life and to care for all ecosystems, however broken and hurt they may be?
What if Nature is not distant and abstract, untouched in some pristine place, but always reaching out, digging into the crumbled concrete and gravel and compacted ground, clawing to return to us and bring us back home?
It does not take away from the value of the old-growth forest or the unplowed prairie if we open our eyes and see even the scraggliest patch of overgrown weeds for the powerful manifestation of Nature it truly is.
Nature is not a place or a thing. Nature is the Movement, the Endless Happening, constantly alive throughout all life, the way of all things being family, the way of all things taking care of each other, the way of all life being constantly transformed through one another. You breathe the breath of the trees of your home, you drink the water of the streams of your home, you eat the sunlight that falls on your home, grown in the soil where all things go to be transformed through death into a new form of life, fed by the mycorrhizal network, pollinated by the bees, wasps, flies, and moths, nourished by the bone, blood and manure of beasts, and ultimately the fertile river valleys where agriculture first began, were replenished by the rich silt that washed down the river, which came from the forests in the mountains that shed their leaves to make a feast for a million decomposing critters, which is how the rich soil is made.
In this way they all take care of you, and in return you are asked to Liveāto take care of them in return, to live as part of the great family of everything alive, to live, to live
What are human activities...? Deforestation? Mining? Spraying pesticides? Building housing developments? But is that all? Are we inherently a "bad" and "destructive" species, or is our ability to acquire and pass down knowledge, use tools and novel behaviors, alter our surroundings, shape ecosystems, adapt our lifestyles almost infinitely, and persist in almost any environment, simply incredibly powerful for good or for evil?
First of all, what better way to demonstrate a contrast to anthropocentrism...than to compare the impact of humans alone to the impact of an ENTIRE KINGDOM OF LIFE, the fungi????? Of course all of Fungi are more important than one single species??? Wtf?!?!?
But also, we should not convince ourselves of our own insignificance and worthlessness to the biosphere, because in the same way that individual self-loathing can be a way to avoid the hard work of loving oneself and advocating for the love one deserves, collective self-loathing as a species is a way of avoiding the responsibility we have to other life forms.
How can this author not think of a single role Humans play in the ecosystem?? What species plants trees, saves seeds, documents rare plants, rescues injured animals and heals them, raises orphaned chicks, manages controlled burns, digs ponds, thoughtfully harvests in anticipation of future seasons, mercifully culls in understanding of suffering that cannot be fixed? What species writes a new chapter in the genome of the American Chestnut so it can be saved from extinction? What species mends the broken kakapo egg with sticky tape? What species addresses their own habitat with that fondest name of Home?
I went on a walk outside today and saw a sparrow that was like
this round. very round.
I went on a walk
outside today and saw a
sparrow that was like
Beep boop! I look for accidental haiku posts. Sometimes I mess up.

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pink in the night
If there is a time I donāt reblog this it will be because the apocalypse got me
also the creator confirmed the brunette girl is trans!!
You know you've fucked up when you go to a doctor and the thing you have wrong with you has been named after an occupation that isn't a thing anymore. Like imagine a doctor looking at you and going "yeah you've got ox-drawn ploughman's disease. We don't even test for that anymore. Yeah the reason you've never heard of it is because the last known case was in 1927 and happened to some guy who was like 98 years old and didn't believe in modern medicine of the time. What the fuck have you been up to."
Here in Sweden we have a pretty active larping community and many of them have a historical setting. I remember a story of a really awesome WW2 larp where, unfortunately, one of the participants hadn't removed his boots for three days straight and it rained the whole time. His feet suffered so much that he had to be taken to the hospital, which was a sight to behold. See, this guy covered in mud and wearing authentic WW2 gear had managed to get an incredibly historically correct case of trench foot. From a trench.
Peer reviewed! Too good to leave!
When I got Gout and the doctor told me the diagnosis I laughed so hard the doctor then asked me if I was on any psych meds. I was just like āwait so I got Old Timey Rich Person Disease?ā
Roughly paraphrasing his response: āwell by your own admission you live on a diet of shellfish and wine, and you came into my office dressed like a vampire. Like. Yea man you gave yourself Gout. You want me to check you for Consumption while Iām at it? Go eat some vegetables, please.ā
The most modern of medicine is no match for a Human who insists upon recreating the behaviors of their ancestors, it would seem.
The most modern of medicine is no match for a Human who insists upon recreating the behaviors of their ancestors
Leonard NimoyĀ as Mr. Spock -Ā Star TrekĀ (1967)
made an ace/asexual, genderfluid and pansexual pride flags using my own photography <3
This is how Kara looks at Lena btw
Sheās in love, your honour

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So a couple days ago, some folks braved my long-dormant social media accounts to make sure Iād seen this tweet:
And after getting over my initial (rather emotional) response, I wanted to reply properly, and explain just why that hit me so hard.
So back around twenty years ago, the internet cosplay and costuming scene was very different from today. The older generation of sci-fi convention costumers was made up of experienced, dedicated individuals who had been honing their craft for years. Ā These were people who took masquerade competitions seriously, and earning your journeyman or master costuming badge was an important thing.Ā They had a lot of knowledge, but ā hereās the important bit ā a lot of them didnāt share it. Ā Itās not just that they werenāt internet-savvy enough to share it, or didnāt have the time to write up tutorials ā no, literally if you asked how they did something or what material they used, they would refuse to tell you. Some of them came from professional backgrounds where this knowledge literally was a trade secret, others just wanted to decrease the chances of their rivals in competitions, but for whatever reason it was like getting a door slammed in your face. Ā Now, thatās a generalization ā there were definitely some lovely and kind and helpful old-school costumers ā but they tended to advise more one-on-one, and the idea of just putting detailed knowledge out there for random strangers to use wasnāt much of a thing. Ā And then what information did get out there was coming from people with the freedom and budget to do things like invest in all the tools and materials to create authentic leather hauberks, or build a vac-form setup to make stormtrooper armor, etc. Ā NOT beginner friendly, is what Iām saying.
Then, around 2000 or so, two particular things happened: anime and manga began to be widely accessible in resulting in a boom in anime conventions and cosplay culture, and a new wave of costume-filled franchises (notably the Star Wars prequels and the Lord of the Rings movies) hit the theatres. Ā What those brought into the convention and costuming arena was a new wave of enthusiastic fans who wanted to make costumes, and though a lot of the anime fans were much younger, some of them, and a lot of the movie franchise fans, were in their 20s and 30s, young enough to use the internet to its (then) full potential, old enough to have autonomy and a little money, and above all, overwhelmingly female. Ā I think that latter is particularly important because that meant they had a lifetime of dealing with gatekeepers under our belts, and we werenāt inclined to deal with yet another one.Ā They looked at the old dragons carefully hoarding their knowledge, keeping out anyone who might be unworthy, or (even worse) competition, and they said NO. Ā If secrets were going to be kept, they were going to figure things out for ourselves, and then they were going to share it with everyone. Ā Those old-school costumers may have done us a favor in the long run, because not knowing those old secrets meant that we had to find new methods, and we were trying ā and succeeding with ā materials that āseriousā costumers would never have considered. Ā I was one of those costumers, but there were many more ā I was more on the movie side of things, so JediElfQueen and PadawansGuide immediately spring to mind, but there were so many others, on YahooGroups and Livejournal and our own hand-coded webpages, analyzing and testing and experimenting and swapping ideas and sharing, sharing, sharing. Ā
Iām not saying that to make it sound like we were the noble knights of cosplay, riding in heroically with tutorials for all. Ā Iām saying that a group of people, individually and as a collective, made the conscious decision that sharing was a Good Things that would improve the community as a whole. Ā That wasnāt necessarily an easy decision to make, either. I know I thought long and hard before I posted that tutorial; the reaction I had gotten when I wore that armor to a con told me that I had hit on something new, something that gave me an edge, and if I didnāt share that info I could probably hang on to that edge for a year, or two, or three. Ā And I thought about it, and I was briefly tempted, but again, there were all of these others around me sharing what they knew, and I had seen for myself what I could do when I borrowed and adapted some of their ideas, and I felt the power of what could happen when a group of people came together and gave their creativity to the world.
And it changed the face of costuming. Ā People who had been intimidated by the sci-fi competition circuit suddenly found the confidence to try it themselves, and brought in their own ideas and discoveries. Ā And then the next wave of younger costumers took those ideas and ran, and built on them, and branched out off of them, and the wave after that had their own innovations, and suddenly here we are, with Youtube videos and Tumblr tutorials and Etsy patterns and step-by-step how-to books, and I am just so, so proud. Ā
So yeah, seeing appreciation for a 17-year-old technique I figured out on my dining-room table (and bless it, doesnāt that page just scream āI learned how to code on Geocities!ā), and having it embraced as a springboard for newer and better things warms this fandom-oldās heart. Ā This is our legacy, and a legacy the current group of cosplayers is still creating, and itās a good one. Ā
(Oh, and for anyone wondering: yes, Iām over 40 now, and yes, Iām still making costumes. And that armor is still in great shape after 17 years in a hot attic!) Ā
In 2018 I developed a method to bind fanfiction into hardback books. Like penwiper, I was also literally working in my kitchen by myself and trying things out. This solo work was a meditative experience that allowed me to think deeply about the implications of what I was creating and what my ethics and philosophy should be. I got around to the idea that the knowledge I was building should be spread far and wide, so that together, many of us fans could bind all the wonderful fics that made our lives better in a million tiny ways, and wherever possible, create a copy to give to the authors themselves. In 2019 I wrote How to Make a Book From An AO3 Page, a free manual for how to format and bind fanfic, as a gift to fandom as a whole. It took off during the 2020 lockdown and has been going strong ever since.
Now, through the efforts of so many wonderful people, Renegade Bookbinding Guild has developed out of the Discord server I originally created just to answer questions about paper, fonts, printers and such. I figured there would be no more than 15 people joining. We have surpassed 3000.
I hope in another 20 years time my little tutorial still be kicking along out here, my bad photography and potty mouth sitting forever at the foundational level of an exploding practice of radical generosity and community, preserving the best of fanfiction from the ravages of time and digital threats and censorship, and giving authors the best thank you I know how to give.
ArmoredSuperHeavy, March 2026
No transphobes allowed, only transborbs.
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At last we will reveal ourselves to the Jedi. At last we will have revenge. STAR WARS: EPISODE I ā THE PHANTOM MENACE 1999 | dir. George Lucas
Prints / KoFi
Sorry to keep banging on about this! I just have a few days left to meet the funding goal!
Blumineck is trying to fun a video series doing fun and serious historical and fantasy testing in fitted plate armour.

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two middle fingers up for rulette 2
WINGS (1927) dir. William A. Wellman