ok I am just saying. I am JUST saying. lestat going "yeah armand came to apologize to me staring with barely concealed lust & anguish at my massive cock & then I told him to go kill himself rofl" is uh. let's say narratively suspect
NASA

â

@theartofmadeline
AnasAbdin
Not today Justin
styofa doing anything

ellievsbear

⣠Chile in a Photography âŁ
Aqua Utopiaď˝ćľˇăŽĺşă§č¨ćśăç´Ąă
macklin celebrini has autism

Kaledo Art

Janaina Medeiros
Sweet Seals For You, Always
Stranger Things
sheepfilms

2025 on Tumblr: Trends That Defined the Year
Show & Tell
Mike Driver
Lint Roller? I Barely Know Her
seen from Estonia

seen from Canada
seen from United States

seen from United States
seen from United States

seen from United States
seen from United States
seen from Canada
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United Kingdom

seen from Malaysia
seen from United States

seen from India

seen from Malaysia
@whoknowsyourfuture
ok I am just saying. I am JUST saying. lestat going "yeah armand came to apologize to me staring with barely concealed lust & anguish at my massive cock & then I told him to go kill himself rofl" is uh. let's say narratively suspect

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
what is the general opinion on armand after ep 4?
cause i've seen people say that he's being sincere in his apologies (which, as much as i would like him to be, i don't totally buy) or that he's just outright lying to everyone.
and i can totally see him using the apology tour to his advantage somehow, not sure how exactly but i would guess he doesn't wanna seem as a threat + alex is somehow involved, but i also doubt he lied to daniel... maybe it's the dm'er in me but i just don't think armand would want to hurt him again, but since he's hanging around lestat, and that's who i personally think is armand's target, he has to warn him and also, well, apologise about whatever happened between them after the interview.
idk, i have hope for gremlin armand and ik he's coming but tbh i kinda have no clue where things are going in this show lol
I recognize a lottttt of my trauma responses in Armand. Granted, I have been through years of therapy and I am doing a lot better, but the ways he moves through the world are painfully, saddeningly familiar. (OOF THIS GOT LONG putting the rest of this essay under a cut)
Being a people-pleaser (as in the learned "fawning" trauma response, in 'fight/flight/freeze/fawn") is like being an addict. You never stop being an addict, it is ALWAYS something you have to watch for in yourself and consciously choose to avoid.
Armand IS trying to manipulate circumstances with his letters, but I don't mean that in an accusatory way, and I ABSOLUTELY GUARANTEE YOU that he is not doing it consciously. He has one tool in his toolbox and he is trying valiantly to fix his life, but he genuinely just is not equipped to do it. He's gone to therapy for five minutes and he has dutifully and eagerly learned the language. He's been told, "If you do these 12 steps, you will fix your life" -- and he wants to. He desperately, desperately wants to. He doesn't want to be alone (relatable), he doesn't want the people he loves to be mad at him (who does?), he wants belonging and safety and comfort and solace (don't we all?).
But he is so, so, so, SO DEEPLY TRAUMATIZED that there's a disconnect at the last step. He is able to intellectually understand What He Needs To Do To Fix This Shit -- of course he's able to understand it intellectually, he's very smart! -- but he has been so disconnected for so long from his own fucking soul that he's not engaging with it on that level. He's deeply alienated from genuine emotion, especially when it is his own emotion, especially when it is an ugly emotion, ESPECIALLY when it is directed at someone he loves.
The fact that he outright snapped at Daniel ("I'm your maker, I can't get into your head any longer!") is such a huge green flag. No one else would see it that way (including him), but having been through almost this exact same therapeutic journey... That was huge for him. He expressed Perceivable Frustration toward someone he loved. That's HUGE. For someone so deeply scarred and convinced that they have to be perfect and blameless and inoffensive and small in order to deserve love, Getting Slightly Testy with a loved one is a truly fucking monumental achievement and we should all be gasping in amazement and clapping and sincerely cheering for that single inch of forward progress he won in that moment. That was a flicker of his soul coming back online, like the first time someone manages one singular shaky effortful almost-there pull-up on an exercise bar. (Welcome back to life, Armand!!! Keep going!!!)
So he's not sincere with the letters yet, but he doesn't know that he's not sincere. When I was in that mindset, if I had written those letters, I would have absolutely believed with every fiber of my being that I was being sincere, and I would have been deeply deeply hurt and insulted if someone had told me that I wasn't. But it's not sincere. Not yet.
It's not because of malice. It's not because he's a bad person or soulless. It's just because sometimes you have to learn do right by yourself before you can do right by other people. He's not doing right by himself. He's just self-harming in a new way, he's performing his penance because he thinks that's what other people want him to do, and he thinks that if he rolls over and shows his tummy like this, then they will have mercy on him and allow him to be around them (note that everyone keeps telling him variations on "go away"). He has not discovered what his own boundaries are, he has not discovered a sense of self-respect or self-esteem. He is wielding the language of therapy against himself. He is cutting himself down, beating himself up, hurting himself because he's convinced that it hurts so much less that way than when other people do it, and that this kind of pain is just the cost of admission to receive love... or the bare minimum of tolerance.
I am 36 years old, and I've been doing therapy for going on 7 years now. I am just now starting to feel like I've unpacked 15-20 years of my worst baggage. Armand, on the other hand, has been to 5 minutes of therapy. He is 500+ years old with 500+ years of trauma pretty much every goddamn day of his life. He simply has not had enough time. He hasn't had enough time. He has not had enough TIME. He is not GIVING HIMSELF enough time. He is trying to speedrun the journey so he can get to the destination, and that's not the point of therapy. He's rushing himself through it in a way that is not loving and kind to himself, he is being ungentle with himself, he is forcing himself through it because all he knows is how to force himself through things.
And that's the thing he has to unlearn. He has to treat Armand better. He has to learn that. Until he learns how to treat Armand better, he will be trapped in the same loop. Just like all of us. Just like every goddamn one of us. Healing STARTS with how you treat yourself, not how you treat other people. For someone who has Armand's particular set of traumas, prioritizing his relationship with himself is crucial -- he cannot heal his other relationships until he's made some progress healing that one.
But (I say, breathless with wonder and dawning hope) he snapped at Daniel for saying something stupid and annoying. He snapped. He was a reasonable and appropriate level of irritated, and he expressed it in a reasonable and appropriate way. That is: He did not call Daniel names, he did not physically assault Daniel, he did not threaten Daniel. All he did was Slightly Raise His Voice.
Last year, I Slightly Raised My Voice at one of my roommates, and when I told my therapist about it later, she fucking CHEERED. And I was PROUD of myself for that -- I expressed a frustration! Out loud in the moment without overthinking it!!! GLORY GLORY HALLELUJAH!!!!!!!!!!! (That doesn't mean that Slightly Raising Our Voices is something that we want to aim for as a long term strategy, because it really isn't nice to yell at people, but! In CONTEXT, it was an important growth moment, and once you've achieved that landmark, it makes it easier to refine and adjust to "having the feeling and expressing it courteously" versus the previous alternative which was "repressing the feeling entirely").
So. No, Armand wasn't sincere with his letters. But that's okay. He's fighting, he's trying, he's experimenting, he's pushing at the walls. There's life in that shell of a gremlin and it is trying so so so hard to break out! He was not sincere, but that's FINE, because it is part of the process. Let him cook! Healing is not linear, and progress doesn't always start in the exact right direction! Sometimes you have to have some wild emotional swings and make some mistakes and throw spaghetti at the walls! Sometimes you have to go down the checklist and mutter, "Well THAT didn't work, what do I try next?" And sometimes (FREQUENTLY) the big wins are not always clear and evident: Progress usually doesn't look like a trophy and a round of applause and "I did it perfectly and for once, no one was mad at me!" -- sometimes Progress looks like "Well, I pissed someone off again, as per usual, BUT!!!!! I didn't melt down and lose my shit and cry for the rest of the day this time! Actually, this time I almost didn't even care that they were mad! Almost! I did still care a little, but only about 40% of how much I would have cared last year! WOW!!!!"
He snapped at Daniel for a frustrating comment. <3 He snapped. He's growing. That was the first shaky pull-up on the exercise bar, and I don't think even he realized how huge that was. He snapped. We should be proud of him for snapping. Only my fellow clinical people-pleasers know what a hero moment that was for him. Imagine... Imagine snapping at someone, and then they continue the conversation with you instead of cutting you down into tiny little pieces because your tone was unacceptable. A fairy tale. A storybook moment we people-pleasers breathlessly whisper to each other under the blankets at sleepovers. He snapped and it was okay. He snapped and the world didn't end.
Go Armand. Go, baby, keep going, you're doing it. You're also going to backslide and chop someone up with a machete but that's ok too!!! Happens to the best of us! Healing is not linear! Sometimes we relapse! You'll have another chance to try again, you have an eternity of chances to try again! And for once, FOR ONCE, you managed to snap at your boyfriend. You have that win in your pocket. You have this one precious little win in your pocket. You snapped at him when he was annoying, baby boy, good job.
itâs unreasonably funny to me that armand showed back up after going to a support group with written apologies to make amends to the people he wronged and saying he worked on himself but we also know that weâre getting machete armand sometime in the next three episodes
heâs doing this one
Yes I know you mistrust the banks, milord, and I don't blame you, but their Vault Wizards are specially trained to prevent dragons from detecting large amounts of gold. I cannot emphasize enough that it's a full-time job employing multiple specialists, I'm not trying to be humble here but it's not something that just the court magician and I can set up a couple wards for on the weekends and call it good.
It's, it's just that dragons are the primordial embodiment of avarice wrought into fire and flesh. They are truly, supernaturally good at finding large amounts of valuables, that's why the big mines hire those Dragon Scouts to go sniff out their lairs and mark them on the maps as potential mining ventures. You know, in case someone slays the relevant dragon. Which doesn't happen often because, milord, they are simply not that easily slain.
No I know you've hired many knights, blooded warriors and true. Yes, I was there when you gave the ten most impressive ones their special sashes. Very grand, very high honors, of course. Ehm. It's just, none of them have ever actually faced a dragon. Yes no I know Sir Edbert says he did but Sir Edbert is rather notoriously prone to exaggerated and tragically unverifiable tales---
Well no milord of course I would not doubt the word of a sworn knight. Perhaps his sobriety, but not his word, as such.
The point is that the grand treasury, while surely grand and a very special notion, is just... it is mayhaps not the ideal way of handling the realm's finances? Perhaps a series of smaller vaults, capped well below the dangerous wealth threshold at which gold is known to whet the appetite of colossal winged harbingers of death, in different corners of the realms or...?
No, I, yes well I do realize that will impede anyone's interests in coming into the vault to hurl around the gold coins and go "whee, I'm so rich!" I am aware of its deficiencies as a plan in that regard. No, I see I've misjudged a few things.
Actually, thinking on it, milord, I truly believe what you need is a fresh set of skilled wizards on this job. The court magician and I, we cannot keep up with your visionary thinking. We're too old-fashioned. But the wizards revolutionizing the eldritch academies seem to be more on this sort of level. I hear they've made some truly remarkable choices in terms of outsourcing all of their spellwork to the Ever-Whispering Void, such that it takes mere minutes for them to set up an entire defensive array. That's just the sort of innovative thinking you require.
Though it will grieve the court magician and I to leave your service, perhaps this is a sign that retirement is overdue. So I'll just... be moving further away from the big pile of gold... in the opulent, dome-shaped building with the crystal skylight... best wishes.
I feel for everyone who isnât having the time of their fucking lives with The Vampire Lestat. Every week I clap and cheer for the antics of the worldâs saddest buzzword-laden bisexual crash-out diva and his crew of the least healed men to ever grace the small screen. The songs are cringe, the wigs are a nightmare, Iâm living my best life, Iâm loving every second. Why the fuck would you have a blood shower in your tour bus. The onscreen mother-son incest is only like the third wildest thing happening in any given episode. Itâs insane. I never want it to end

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
I think the one thing I wish people who donât like Armand would at least accept is that heâs not an evil mastermind at all.
Evil? Absolutely. Mastermind? Not even close.
Every single discrepancy in Lestat or Louisâ stories being pinned on Armand is just bad analysis because you already have more than enough proof that he doesnât plan that far ahead. He is a deeply impulsive person.
Thereâs no elaborate narrative constructed by him. No big evil plan. Louis put forward the idea that he saved him after the trial and Armand just rolled with it. Everything he did after that was maintenance and damage control. This isnât subtext. Itâs in the show.
Heâs not stupid either. Heâs just, as Assad has said a thousand times, desperate to be loved and constantly in survival mode. Heâll do anything to not be alone. He doesnât like doing the things he does and Iâm not certain he could, in the moment he makes these decisions, completely rationalise why he makes them. After the fact, sure, but during? Iâm not certain.
uh oh! fans of the unreliable narrator show are trying to find the one true reliable narrator of them all out of the unreliable narrators!
Finally realized what was annoying me with Gabriella.
She's a boy mom.
She takes an immediate dislike to his partners, is super possessive ("my beauty" anyone?), literally fucks his body double (more to get a rise out of him and not really a surprise with the incest), and is pissed off that he doesn't immediately drop everything and cater to her at the expense of his own life and plans.
I don't know if it's a commonality, but the one really intense boy mom I know of irl also had multiple sons but fixated on the youngest.
I definitely don't hate Gabriella's character, I'll let them cook, but she was so annoying to me in episode 3, and I think this is why.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Hoo boy. That sure was an episode.
Spoilers for episode 3 of The Vampire Lestat under the cut.
resurrected dead wife watching her own montage: wow I looked so hot in that
Improving your art skills isnât easy; it takes a lot of patience and dedication but it is extremely straightforward. Itâs all grinding until you understand 3d shapes, light, color harmonies, and composition ratios. I got good at the process. If I wanted to focus on improvement instead of making comics I could go back to that at any moment.
My issue is that I canât figure out a good equivalent to that kind of practice with writing ? Like idk. Do I do a bunch of object descriptions ? Do I do a scene with a restricted vocab ?? I donât knowwwww
Itâs hard finding useful advice because online creative spaces are full of self taught âjust have fun and be yourselfâ type people and itâs like. I will have fun later. Right now what I need is to figure out the writing equivalent of filling a page with cubes at different angles.
I think the people responding to this with some equivalent of "read more!" are missing the point a little. That would be closer to going to an art museum and looking at Old Masters paintings and trying to think of what you like about their stylesâWhich can be valuable, yes! But it isn't grinding.
Grinding would be word sprints. NaNoWriMo was killer for this before their whole operation went to shit, but the good thing about that is that they never had copyright over the concept of writing fast. The numbers you go for can be a little arbitrary at first as you figure out what specifically works for you, but 15 minutes is usually the average from what I've seen? Maybe you can get 500 words in 15 minutes. Maybe you can only get 200. Either way, you're exercising the muscles that get ideas from your brain out onto paper.
Here's some other ideas I came up with for more specific exercises:
Wordsketching for Settings
Go outside (or stay inside?), practically anywhere. Sit down and angle yourself in a way that lets you get a good view of where you're at, and then pick the first things that jump out to you about the place you're in and describe them in 2-3 sentences. Then, figure out what you're drawn to next and write sentences about that. Make sure you add what you feel in that moment (Is the atmosphere uncomfortable? Is the place hot or cold? Humid?), what the place sounds like (People talking, or cars, or animal noises...), so on and so forth. This is very similar to the 5-4-3-2-1 grounding technique, so you can even work off of that structure if you'd like, but this is specifically to help you get better at describing settings.
As far as fanfic is concerned, I think the genre as a whole skimps on atmosphere and setting a SHIT TON. If you want to elevate yourself, let the pacing of your work slow down for a second and dedicate some time to really orienting your blorbos in a specific space. It does a lot for the tone of the work, and... if you want to play ball with the big boys you need to start thinking about things like tone and atmosphere when writing.
Transcription for Dialogue
This can entail you writing down what your family says at the dinner table like a creepy weirdo, or transcribing movie dialogue or anything of that nature. The purpose would be to get used to how conversation naturally flows between two or more people (turn-taking, interruption etc.), and furthermore getting a sense of how human beings naturally talk to each other. I've written down things I've heard people say in public before for no better reason than thinking "Oh! I could totally see [X Character] saying that!". Whatever hangups you may have over this sick linguivouyeristic perversion are much less important than the tragedy of filling your work with Incorrect Quotes -style unreadable garbage. It's like eating your vegetables.
Wiktionary Challenges for Word Choice
Just spamming the "random word" button on Wiktionary will give you instances in every language Wiktionary has in its database, so this one requires a little more work to be helpful, but in lieu of that you can look through stuff like Categories or Thesaurus Entries!
Let's gather a few fun words to demonstrate.
Okay, this should be more than enough for some sentences describing a setting out in nature! Blunket is making me think this takes place at twilight... And I like alliterating, so let's mash it to make the semi-redundant phrase "blunket-blue" just for some flair.
The copse laid still. On the bank of the meandering creek, the rabbit flattened herself out against the soft grass, her luculent eyes darting back and forth over her surroundings. What she could see of the copse looked mostly the same: Twisting shrubs the color of ash, blunket-blue grasses, an invisible wind brushing over all that stillness and pressing flat everything it could. Her nose twitched. Until the last blushes of rose drained from the evening sky, the rabbit would keep herself fixed in that spot on the riverbank and wait.
Boom! Those words are suddenly in your arsenal to use whenever you want, and you additionally have a reference point to remember what they mean if you forget. I think the only thing I could add from here is that reading your work aloud can help you monitor the way you chunk out your sentences and clauses, but that's more closely related to editing help and, again, not grinding exercises.
I think part of OP's problem is that they aren't yet aware of all the sub-skills that go into writing. It's understandably hard to figure out practice excercises when you aren't sure what you should be practicing towards.
Unlike with art, there isn't an organized consensus about them and accepted practice excercises. I've consumed a lot of writing theory and advice content in my life, so I'll do my best to try and make a list of possible excercises based on stuff I learned as well as my own judgement for useful skills.
The most important thing to remember is that writing is the art of communicating your intent. A lot of writing is just figuring out ways to get across the experience you want to create, and so a lot of the excercises are about learning to do that in different ways.
Descriptions
Start out with picking random things and describing them in writing. This is mostly to get used to translating sensory experiences into verbal descriptions. Try describing experiences or things that aren't visual too.
Pick an object. Describe it three different times. Each time you're not allowed to use any of the previous descriptions.
Pick an object. Describe it three different times. Each time create a different connotation for it (an easy trio to start with is good/bad/neutral).
Go people watching. Pick something that's happening in front of you and describe it three different ways. Each time in a different genre.
Play taboo. Describe an object, action or an emotion without naming it or using closely associated words.
Exposition
Play storytelling Mao. Write a scene where the world and characters act according to a weird and arbitrary rule but never explain it directly or indirectly. Try to communicate the rule with only the character's actions, dialogue and environmental storytelling.
Write a scene with conflict and a twist, then analyze it to figure out what information the audience must know in order to to understand what's going on. Rewrite the scene as a mystery, each time omitting one of those pieces of information and framing it as the answer to the scene. This is mostly to practice awareness of what information you're giving the audience and how its presence or lack of it changes things.
Write a scene with an unreliable narrator. The narrator's perception of what's happening is completely mistaken, but the audience must still be able to understand the truth of what's actually going on.
Atmosphere
Write a story with a beginning, middle and end without any dialogue or actions. Use only descriptions to create environmental storytelling.
Pick an object. Describe it three different times. Each time try to evoke a different emotion.
Dialogue
Write a scene with only dialogue.
Write a conversation where the characters never state what they actually mean.
Pick an emotion. Write as many one line dialogues as you can that convey the character is feeling that emotion.
Character voice
Write a scene with multiple people using only dialogue. You can't state any of the characters' names, yet each speaker should be distinct.
Write a piece of exposition for a character to deliver and have a few different characters say it. Analyze how the character's backstory, culture, status, worldview and personality would change the delivery. What parts would they emphasize and what would get downplayed? How would they frame the information? What's their opinion on it? Would they deliver it factually or insert their opinion? How would their mood change the way they deliver the exposition?
Prose
Write poetry (and look up excercises for those as unfortunately I'm not familiar enough to give any).
Write a 1k story. Then rewrite it to be less than 500 words while still telling the same story.
Write a two sentence story. Write a three sentence story. Write a five sentence story. Compare them and analyze the things the extra length allowed you to do.
Pacing
Look up story structures. Pick a story and try to map it to said story structures. (A good place to start is Snyder's save the cat structure and hollywood movies. Most of them use that structure as template).
Write a story using only sentences with 3-4 words. Then do it with 6-7 words, and then with 10-11 words. Read those stories aloud and analyze the differences between how they sound and feel.
Plotting
Go people watching. Pick something that's happening in front of you and describe it in three different ways. Each time add a different twist in the end. What different setup did each twist need?
Write the same story in five sentences, then in three, then in two. What had to remain in order for the story to be the same? What was lost? In what ways did it change the resulting story?
Pick a story and read/watch it all the way through. Then go back and analyze each scene seperately. In what way did the scene contribute to the story?
Use a random word generator. Pick one word for theme, two words for plot and three words for characters. Figure out a way to write a coherent story that includes all of them. This one can be changed with any number of words for any category. The important thing is that there would be enough words you need to use that it acts as a constraint rather than a freeform prompt
Write a scene. Then rewrite it so that it starts as late as you can make it and ends as early as it can.
Character
Look up character arc structures. Pick a story and try to map it to a fitting character arc.
Practice debate. Pick a topic and write as many different viewpoints on it as you can. Try to give each viewpoint strong arguments to support it.
Pick a character. Figure out what plot would challenge them the most and what antagonist would cause them the most trouble.
Pick a character and decide on one trait of theirs. Write a foil character to highlight said trait.
Metaphor and subtext
Pick a couple of characters and have them argue. The argument can't be stated directly in any way and instead must be communicated through metaphor.
Write a story where the surface story is completely different than the story told when reading between the lines.
Okay but itâs so Armand to make his only fledgling feel like the rapture has come whenever he feels him.
It could never be conventionally romantic. It always has to be some spooky shit with him. Of course being connected to him feels like everyone else has been removed from the planet.
Itâs not that everyone fades out and heâs the only person in the room like in a romance movie. Itâs âwe are alone on earth together because everyone else is dead. The entire planet is just one been liminal space and you and I were left behind by God.â
Which for them is in turn actually very romantic because theyâre both freaks, so itâs incredibly beautiful and true to their book relationship.
Es el otro POV de ĂŠste

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Also, no wonder Lestat made an ass of himself at the de Pointe du Lac family dinner in season one, he has no home training and a family dinner table is a PVP enabled zone in his mind. He is used to it being a WWE SmackDown and not the site of quiet and deftly targeted advanced psychological warfare tactics like in a normal dysfunctional family.
Important research for a story I'm writing! Not real life, never real life.
You are transported back in time and into the body of a young noblewoman in the 1400s. Your parents have married you off to an awful, abusive, rapist husband whom literally no one else would marry despite him being very high nobility because he's that terrible. You successfully produce a baby boy and then plan to murder this man for the good of everyone and yourself. Here is the question: do you think you could murder him in a way that is undetectable to the historical people around you? Note: they aren't stupid, you are the prime suspect as the battered wife AND you can't just say poison. Where are you going to buy poison? Do you know anything about poison actually? NO GOOGLING! You were sent back without a plan!
Do you think you could murder someone in the 1400s and get away with it with your modern know-how?
Yes, I totally have a plan (tell me for research purposes)
No, I realize that I'm very uninformed about murder
I have some ideas but I'm not sure they would work
Edit: my notes are full of murder. I love you all
Edit: to clarify about the poison, you can use poison if you actually know how to identify it, I'm saying you can't just go "Poison!" with no knowledge about poison. Buying it probably means they know that poison and you're caught. Your personal knowledge when you read this post is all you have.
Another point of clarity: You went through all that trouble to have a baby without modern medicine so you could get the sweet house after your husband died. That's why you can't be caught. No disappearing.
Edit again: Air embolisms are going on a high shelf because the syringe won't be invented for 350 years. Prove to me that you could make one from scratch, lol
I promise to stop making edits (lol): I left the country vague because I just wanted to see ideas for modern vs. past. Whatever place you are most knowledgeable about