emmy nominated "deborah do you strap" 🫡 happy pride #strapwins
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emmy nominated "deborah do you strap" 🫡 happy pride #strapwins

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🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting 🔔 ting
oh baby boy
bryan keith wrestling as the bounty hunter again, nature is healing
Risto Vilhunen (1945-2025) — Cosmic Perspective [acrylic, plexiglass, on panel, 1973]

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“Think of all the Djuna Barneses we could have had if not for slashfic.” new funniest sentence
On Sharing Appreciation for Good Design
I fell down a bit of a rabbit hole this week. It started when @commodorez shared the image above.
I'm a sucker for good design (having studied it for my bachelor's degree) and this is a beautiful bit of illustration. It looks like it's from a catalog or something of the sort, but the actual source was unknown. I would love to know where it came from and hopefully find a higher resolution copy of it.
Reverse image search led me to a Ukrainian language page talking about color using IBM as an example. But the machine translation had some issues and I failed to see the connection to the old computers shown nor I could not determine the image source from the page. The only other relevant result was an article about "Silicon City", an exhibit by the New York Historical Society ten years ago. The page did not actually seem to have the image in question, but it did give me something to go off of. Searching for the exhibition, I was able to find this image that showed it included a reproduction, but I could not read the info card.
Eventually I found a blog post from Adafruit recounting a visit to the exhibition which had a much higher resolution photo of the exhibit — enough that I could just make out the text; something about IBM and "Color in the Workplace". Which is indeed the title of the document, so finding the source was easy from there. It was a marketing publication for IBM designed by none other than Paul Rand.
It is absolutely lovely. The styling, the clean illustration, the colors. And the rest of the document is no less beautiful.
The name Paul Rand seemed familiar, but I couldn't immediately recall why. I never have had much memory for names & history. It didn't take long scrolling though his website to remember though. There are few designers so prolific, whose work is so iconic and recognizable to the general public.
But among retrocomputing enthusiasts, such as myself, there is perhaps one favorite piece of artwork Paul Rand created for IBM:
That was a fun rabbit hole to go down. Paul Rand's career spanned more than six decades and his work managed to capture (or perhaps even define) the look and feel of each one. I'll definitely be spending more time reviewing his vast body of work as I start in on branding and theming design for VCF Southwest 2027.
source 1, 2, 3.
sandylion stickers
im realizing very fast that people do not in fact know that sometimes things in stories suck on purpose and it sucking is the point
"this story is misogynistic!!"
>looks inside
>about the pressures of societal misogyny and how its bad

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Judith Hopf, Standing Tongue, 2019
Isopod
British Library, Harley MS 3244, c. 1236-1250, folio 64r
Anyone can be discarded by society
People get made fun of for being scared of aging but it comes from the very real fear of being discarded by society that’s why i always say the goal is not to never become old or disabled the future comes for us all the goal is better social policy
“Wrestling Mina Shirakawa is like wrestling a blowup doll. I wish we were friends so I could just go *motorboat sound*” — Thekla
oh my fucking god

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margaret qualley if you can hear me...it's time to lez out
From chronic conditions to questions of access and care, artists are challenging ideas about health and the body
An unmade bed is introduced as ‘the dominating character of this series’ and later described as an extension of the narrator’s body, an extra limb. ‘No one knows me better than my bed,’ the voice tells us. Prowse’s film is one example of the ways in which access is rendered a poetic material – as well as a frequently frustrating limit – by artists in the show. In late-stage capitalism that fetishizes productivity while actively producing health poverty, it is often the case that no amount of institutional access is enough.