Tauba Auerbach, Untitled (Fold), 2011, Acrylic on canvas, 72 x 54 inches (182.9 x 137.2 cm), Tetrachromat exhibition, Bergen Kunsthall Museum, Norway
I'd rather be in outer space πΈ

oozey mess


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Xuebing Du
h
ojovivo

@theartofmadeline
trying on a metaphor
Cosimo Galluzzi
πͺΌ

YOU ARE THE REASON

shark vs the universe
tumblr dot com
Sade Olutola
d e v o n

#extradirty
Noah Kahan

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@whifferdills
Tauba Auerbach, Untitled (Fold), 2011, Acrylic on canvas, 72 x 54 inches (182.9 x 137.2 cm), Tetrachromat exhibition, Bergen Kunsthall Museum, Norway

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Ooh this just popped into my head and thought it might be a fun ask if you have a random moment to kill! What's a font/typography fact that you found recently that made you go "oh that's dope/cool how they did that/super pretty/wild history"? Just one of those little things you weren't aware of before but made you happy to learn, as general or esoterically niche as you want. I figure you've probably stumbled across some interesting things in your studies and my dragon hoard is collecting people's fun little tidbits from the things they study for fun!
Futura (1927) [Daylight Fonts Β· Fonts In Use Β· Identifont] is one of my favorites out of the well-established sans serifs, but one thing that annoys me about it is how C and c have vertical terminals, while G and e have angled terminals.
Besides being internally inconsistent, I find the vertical terminals ugly. (I dislike Antique Olive (1962) [Daylight Fonts Β· Fonts In Use Β· Identifont] for the same reason, but at least it uses its vertical terminals consistently.)
I recently learned the reason for this (from the book Paul Renner: The Art of Typography): Futura was designed first and foremost for writing German. In German the letter c only occurs before h and k, and in traditional German blackletter typography, ch and ck are obligatory, inseparable ligatures.
Futura doesn't have joined ch/ck ligatures, but ch and ck were still cast on a single piece of metal, with a smaller gap between the c and h/k than between other letters. The vertical terminal on the c was necessary to allow these letters to be placed so close together.
If Futura had been designed in a non-German-speaking country, the C would probably look different. Yet the German design was used and continues to be used all over the world (though usually with a normal-sized gap between the c and the h/k).
RIP Sam Neill, a screen legend and icon
megan: you're going to kill me?
giulia: yeaaaaaahhhh. i will k i l l you megan
megan: giulia, you are already dead >:)
giulia: :\
What I'd give Oh, what I'd give For the time I've wasted Time I've wasted
DESERT HEARTS 1985, dir. Donna Deitch

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Plug-Board of an IBM 1401 Mainframe Computer, 1959
sounds like ass π©· how much do you want to bet carrie wonβt purposefully kill anyone in this version
i hate this motherfucker so much oh my god. will this series finally be the wake up call for the horror community to stop sucking his dick
The Gossip - Swing Low (from Thatβs Not What I Heard)
When the music reaches down your pants
Rest in Peace Sam Neil

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This is my new favourite image ever
aruba jamaica ooo I wanna take you to bermuda bahama come on pretty mama key largo montego baby why don't we go
Do. Hmm. Did you think they were saying βPoconosβ instead of βKokomo.β Which is the name of the song. Kokomo. By the Beach Boys. From the 1988 movie βCocktail.β
well, yeah, they're always talking about going down the shore? so it makes sense, since those are the two places people go on vacation
Mark Rothko Sketches from his Royal Vernon Line Composition Book 1946/1947 Ink on wove paper Royal: Royal / Writing (watermark) 10 1/4 x 7 1/2 in. (26.0 x 19.1 cm) Collections of Kate Rothko Prizel and Christopher Rothko. Β© Kate Rothko Prizel and Christopher Rothko
Wayson R. Jones - Singing Bird Migration (2023)
Extra-coarse pumice gel and acrylic on wood panel

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Halley - Terracota (2026)
Mix media on canvas with texture