A bell is a cup until it is struck

An unmade bed is introduced as ‘the dominating character of this series’ and later described as an extension of the narrator’s body, an extra limb. ‘No one knows me better than my bed,’ the voice tells us. Prowse’s film is one example of the ways in which access is rendered a poetic material – as well as a frequently frustrating limit – by artists in the show. In late-stage capitalism that fetishizes productivity while actively producing health poverty, it is often the case that no amount of institutional access is enough.

...this is also part of the 'anyone could do that!' 'modern art is a scam!' de-valuation of contemporary art practice, and also² a self-defeating attitude which is so pervasive i do have to assume that the 'draw your OC' wing of illustration is determined to aw-shucks smol-bean their way out of both responsibility for the methods, mediums, and tropes they play with and the burden of trying to do something good