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landslide - fleetwood mac

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L'Eclisse (1962) dir. Michelangelo Antonioni
Gaby Simultanportrait, Umbo, 1927
Love in the Afternoon (1972), dir. Ăric Rohmer
"[...] Understanding the world as a collection of aesthetics, of brands, instead of a series of philosophies and power struggles means focusing on how things appear, and not how or why they work.  Itâs bad enough to think about art this way, but thinking of yourself this way is a real disaster, [it] means neglecting what drives you, what fulfills you, what makes you human. The invented lifestyles of these aesthetics offer no path to embodiment, because they arenât designed for entities with bodies. Theyâre designed for TikTok, and hashtags, and the wiki."
"Millions of Dead Vibes", Lily Alexandre

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Anne Carson, plainwater
"I have the impression of being caught up in a network of complicated, minute, stupid rules, and I have the impression of being herded towards a uniform kind of happiness, toward a kind of happiness that doesn't really make me happy."
Michel Houellebecq
Georg Erler (1871â1950), âDeath and the Dancing Girlâ
etching & aquatint, c. early 20th century â source
Alex Quinio et Aline Elmerich - Collage, 1950
What people see in the moon. Our Wonder World. 1930.
Internet Archive

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Sylvia Plath, The Unabridged Journals
Love Magic, The Cologne Master, 1470-1480
Oil on wood
Daedalus and Icarus, Detail.
by Orazio Riminaldi, (c. 1625)
Artemisia Gentileschi (detail)
fr. âEverything Changed When I Forgave Myselfâ by Charlotte ErikssonâŁ

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Irek Mukhamedov (Romeo) and Viviana Durante (Juliet) in Romeo and Juliet (The Royal Ballet, 1992)
Gardenia by Kumiko Sekiguchi