Mia Rosing | Margiela S/S 2009 © condé nast

Love Begins
Cosimo Galluzzi
dirt enthusiast
Keni
Cosmic Funnies
he wasn't even looking at me and he found me
we're not kids anymore.

⁂
TVSTRANGERTHINGS
todays bird

Origami Around

oozey mess

pixel skylines
noise dept.

★
Show & Tell

tannertan36
Aqua Utopia|海の底で記憶を紡ぐ

祝日 / Permanent Vacation


seen from Australia

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@eaux-fortes
Mia Rosing | Margiela S/S 2009 © condé nast

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Arthur Adams
Murray Smoker, Vampirella illustration
dip pen & ink, 2024
Every day I wake up and try not to have a Slavoj Žižek moment
Men praying at the altar. Scanned from the book 近代白老アイヌのあゆみ シラオイコタン 木下清蔵遺作写真集; 1988; Ainu Museum; photos by Seizō Kinoshita

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could use advice from a scary old crone in a hut in the woods right now
Susie Bick Cave & Nick Cave by Dominique Issermann.
Flögufoss ©thepalelaurel
Nude with Demon, William Mortensen, 1926
demonic possession wouldn’t even affect me, i would just assume it’s The Symptoms

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“I have, as you know, a passion for hands, which are more revealing than faces.”
— Renée Vivien, tr. by Jeanette H. Foster, from “A Woman Appeared To Me,” (via violentwavesofemotion)
[...] you must go behind the foreground of existence and reach down to that curious sense of the whole residual cosmos as an everlasting presence, intimate or alien, terrible or amusing, lovable or odious, which in some degree every one possesses. This sense of the world’s presence, appealing as it does to our peculiar individual temperament, makes us either strenuous or careless, devout or blasphemous, gloomy or exultant, about life at large; and our reaction, involuntary and inarticulate and often half unconscious as it is, is the completest of all our answers to the question, “What is the character of this universe in which we dwell?”
William James "Varieties of Religious Experience"
The inner self that we long to express is . . . modelled on an ideal found in our cultural environment. Whatever this identity may be . . . each is guaranteed to serve as an exemplar, and will possess the quality of exemplarity. Striving to be like our model, we will desire to become exemplary ourselves. This means seeking out admirers or disciples of our own, just as our model found a disciple in us. Unfortunately, others are not looking to become our emulators. On the contrary, they will want to retain their own hard-won identities and, propelled by the same dynamic, to attract emulators of their own. We end up in a sort of existential power struggle in which each wishes to emulate and none wants to emulate. Everyone wants to be the influencer, nobody the influenced: and so the public sphere becomes a theatre with all actors and no audience.
Alexander Douglas, Against Identity: The Wisdom of Escaping the Self
Moreover, we work in a limited-attention economy . . . , as most people broadcast more than they receive. Different aspiring exemplars must compete for the approval of a highly inattentive crowd. Social interactions become a complex, competitive game of pride, envy and ambition, where the stake is survival—survival . . . meaning retention of identity. Influencing others becomes integral to its goal. Not only does this lead to rivalry and conflict; it leads to frustration. What we wanted was our own identity. What we keep finding is somebody else's, and maintaining it feels less like self-expression than pandering to the crowd. [Those who threaten our identity] take the blame for a failure whose real explanation lies in the fundamental inconsistency of our aim. They remind us of the embarrassing arbitrariness of what we take to be essential—of our ontological unoriginality, our essential emptiness.
Alexander Douglas, Against Identity: The Wisdom of Escaping the Self
The sacred and the erotic, the material and the ideal, all live and are bound together, like vellum pages preserved in the arcane libraries of distant palaces.

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Courage consists, however, in agreeing to flee rather than live tranquilly and hypocritically in false refuges. Values, morals, homelands, religions, and these private certitudes that our vanity and our complacency bestow generously on us, have many deceptive sojourns as the world arranges for those who think they are standing straight and at ease, among stable things.
Anti-Oedipus: Capitalism and Schizophrenia
Gilles Deleuze
Identificazione di una donna (Michelangelo Antonioni, 1982)