« Ce n’est pas la peine de se tuer, puisqu’on se tue toujours trop tard. »
— Emil Cioran, "De l’inconvénient d’être né" (1973)
Sade Olutola
🪼

Kiana Khansmith
One Nice Bug Per Day


roma★
Cosmic Funnies
Show & Tell
Not today Justin
almost home
taylor price
d e v o n

tannertan36
we're not kids anymore.

Product Placement
he wasn't even looking at me and he found me
sheepfilms
Jules of Nature
TVSTRANGERTHINGS
Game of Thrones Daily
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@oniri-que
« Ce n’est pas la peine de se tuer, puisqu’on se tue toujours trop tard. »
— Emil Cioran, "De l’inconvénient d’être né" (1973)

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Pier Paolo Pasolini et Toto
Uccellacci e Uccellini. 1966
Wheel Of Ashes (1968)
Peter Emanuel Goldman
Boundaries of Time - Caspar David Friedrich (Peter Schamoni, 1986).
Alain Resnais, Chris Marker, and Ghislain Cloquet, Statues Also Die,1953

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Merab Abramishvili (Georgian, 1957-2006)
Gabriel
Pietro Donzelli: Napoli, Via Sanità, 1949
Le sang d’un poète (Jean Cocteau, 1932)
saw some color theory on here last night that reminded me of this painting, which it took me until today to remember where it is, and who made it.
Giovanni di Paolo, Creation of the World and Expulsion from Paradise, 1445, at the Metropolitan Museum of Art [greg.org]
But the poet task, says Kafka, is to lead the isolated human being into the infinite life
Anne Carson, Mimnermos and the Motions of Hedonism

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The Blood of a Poet (1931), dir. Jean Cocteau
Alphaville (1965), dir. Jean-Luc Godard
Johann Sebastian Bach (1685-1750) - Goldberg Variations (arranged for baroque ensemble) in G-Major, after BWV 988, XXVIII. Variatio 27. Canone alla Nona. Performed by Gunhild Ott, flute, and Wolfgang Wahl, viola, on period instruments.
Ilse Bing
5.28.26 "Bridge of Sighs"

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Green frescoes from Pompeii, Italy
Pier Paolo Pasolini
La religion de mon temps