Massive Attack - The Spoils ft. Hope Sandoval

Painting/Fresco

dir. by Yukio Mishima.

The Cranes Are Flying (1957) Dir. Mikhail Kalatozov

by An-My Lê Untitled, Ho Chi Minh City, 1995

Mountain Monasteries

Verona, Photo by David Seymour, 1956

Greek woman hanging laundry on the line, Tilburg, Netherlands, ca. 1977 - by Bertien van Manen (1935 - 2014), Dutch

San Remo. Old Town Street, 1925

Certainly The Decameron represents a departure, in many important ways, from Pasolini's films of the 1960's. Pasolini insisted that this film reflected a new vitality. A carnivalesque celebration of what he called: The joy of living and making love. I think it's fair to say that The Decameron is Pasolini's most playful film, reflecting a turning point in his career, although the film is certainly not without elements of the tragic dimensions that had characterized his earlier films. —Patrick Rumble, author of Allegories of Contamination: Pier Paolo Pasolini's Trilogy of Life

Le testament d'Orphée (1960) dir. Jean Cocteau

Le testament d'Orphée | Jean Cocteau | 1960

Le testament d'Orphée | Director : Jean Cocteau

Le testament d'Orphée | Director : Jean Cocteau

'The Elephant Man' (dir. by David Lynch) [1980]

Rumi