Fragrance by KayleighJune
Three Goblin Art
noise dept.
KIROKAZE
DEAR READER

shark vs the universe
I'd rather be in outer space đ¸
Xuebing Du

ellievsbear

â

Kiana Khansmith

Product Placement
tumblr dot com
One Nice Bug Per Day
Claire Keane

Love Begins

â

JVL
PUT YOUR BEARD IN MY MOUTH

Origami Around
NASA
seen from T1
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seen from Malaysia
seen from Australia
seen from TĂźrkiye

seen from United States
seen from United States

seen from Malaysia
seen from United States

seen from United States
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@undinesea
Fragrance by KayleighJune

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THE OLDEST ROLE of scent, predating its use as a cosmetic, is as a vehicle to the realm of the spirit. And why not? Smell has always been recognized as the most ethereal of the senses. Perfumes are here but not here, of substance and of air, literally conjured out of spirit. Fleeting but embedded in memory, they embody both the evanescent quality of earthly existence and the possibility of eternity. As perfume seems to be the soul of the flower, so the spirit in man has seemed, in all ages, to be the elusive, immortal essence of his mortal body. All that is sacred in the human seems to be most poignantly hinted at in perfume.
The earliestâand most universal and enduringâuse of aromatics in religious rites seems to have been to burn them, for purification, communication with the spirit world, inspiration, and transport of the soul. It lies at the heart of religious practices in nearly every sect and nationality. The word perfume itself comes from the Latin per fumum, meaning âthrough smoke.â
Essence and Alchemy: A Natural History of Perfume, Mandy Aftel
She who had entered wholly into her own essence became a secret carried by night, a talisman soaked in frankincense and musk, haloed by unseen radiance. Awakened by the warm annunciation of love, by the amber collapse of a waxen offering, drawing the darkness over herself like a ceremonial veil. You will find her waiting in her occult garden, picking the golden flowers of Elysium.
Moon in conjunction with star Antares
Š hans gut | 2025

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like a she-wolf lost in a desert of stars,
HĂŠlène Picard, âA Poet,â from Sabbat, translation by Brian Stableford
ŠAndrÊ van Rensburg
.
âThe landscape thinks itself in me and I am its consciousness.â
â Paul CĂŠzanne, quoted in âLives We Keep Wanting to Know,â Acts of Mind: Conversations with Contemporary Poets, ed. Richard Jackson (University of Alabama Press, 1984)Â
Blooming tulips
(1) Tulip (1988), Robert Mapplethorpe.
(2) White Tulip, New York City (2000), Mariana Cook.
(3) Two tulips (1999), Ryuijie.
Poet, poet, poet... Go rediscover the nameless God in free nature, and bloom in the thousand faces that have never prevented you from being beautiful, mingle with the recreation of the world, believe in nymphs, dance with the angels, caress fauns, cause buds to burst into flower alongside youâŚ
HĂŠlène Picard, âThe Witch Liberated,â from Sabbat, translation by Brian Stableford

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Soul of the Sea by Eternal Heart
Poetry's another word
For losing everything
Except purity of heart.
Paul Durcan
Those devouring suns in the soul.
HĂŠlène Picard, âThe Witch and Monsieur Combiendefois,â from Sabbat, translation by Brian Stableford
But the evening when, light, singing, limpid and musical, I spread roses over our couch, my lover and I became as somber as a night of expiation and we only sighed and remained silent in the flowers.
HĂŠlène Picard, âThe Witch and Life,â from Sabbat, translation by Brian Stableford
Photo by Anastasia Marchenko

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The universal harmony has welcomed me and enrolled me.
HĂŠlène Picard, âA Poet,â from Sabbat, translation by Brian Stableford
audre lorde, from âuses of the erotic: the erotic as powerâ included in sister outsider: essays and speeches