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@wartequila
Gotta lovr him. The Kignmer

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Brush brush
Actually if Kratos heard how y'all were talking about his wife, he beat the shit out of y'all.
Shout everyone else taking the vow of silence today

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i hate the word spicy can we bring back calling things erotic
#neuroerotic has a certain ring.
This came to me in a dream
happy new years everyone
(click for better quality)
Seeing how Gooseworx explicitly told us in the movie's credits to not say anything until it releases digitally...
...let's respect that, okay y'all?
One of my friends went to see tadc last act and LOOK AT THE BATHROOM DOORS OF THE CINEMA THEY WENT TO
I’m going to cry

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You'll feel a lot of things while watching it...
...but disappointment won't be one of them.
snoopy of the day
I just wanted to add this quote from the peppermint patty peanuts wiki page about Charles M. Schulz and his relationship with his gay cousin. The source here leads to a book that I did not read but the original source is Schulz's wife who confirmed this in an interview. If I can find the interview again I will link it here but uh. just in case someone tries to claim Schulz was a homophobe on this post again.
"This is Ankh-Morpork, you know. We've got extra pronouns here."
GNU Terry Pratchett
The full quote is fascinating though, and adds an interesting context as it's Angua (a werewolf) and Carrot (human, but raised by dwarves) discussing a dwarf colleague, Cheery.
"Female? He told you he was female?" "She," Angua corrected. "This is Ankh-Morpork, you know. We've got extra pronouns here." She could smell his bewilderment... "Well, I would have though she'd have the decency to keep it to herself," Carrot said finally. "I don't think it's very clever, you know, to go around drawing attention to the fact." "Carrot, I think you might have something wrong with your head," said Angua. "What?" "I think you might have it stuck up your bum."
Sir Terry Pratchett - "Feet of Clay"
This is CARROT being the asshole. Carrot who has, throughout all the prior books, been depicted as basically the best of all possible people. He is noble, brave, considerate, kind. He is the good guy in the entire City...
... and yet, he grew up dwarf, and has picked up their more conservative views on gender identity.
Discworld dwarves start out in the books as basically a people without visible gender differences (thanks to the woman growing beards just like the men) and using "he/him" pronouns as their default. Anything else is seen as breaking the most basic of social conventions. (Dwarf dating is described early on as being two dwarves who like each other spending an inordinately long time trying to find out, as tactfully as possible, what gender the other dwarf is)
Carrot does immediately adopt the "she" pronoun for Cheery, which is but wishes she didn't make such a fuss about it. He's prepared to tolerate her choices, but he doesn't APPROVE of them, and thinks that that is enough.
Carrot, because he IS Carrot, does learn to open his mind on this subject, perhaps his final frontier of bias, but I do love that it's addressed as something he has to work on, and succeed.
And to Terry Pratchett's credit what started out as a throwaway joke about dwarf sex, gradually becomes a multi-volume subplot which is a fascinating exploration of gender and social identity as more dwarves start to "come out" as being female, and not just identifying as female, but changing their form of dress to something which matches who they are (they keep their beards though, because to a dwarf, that has nothing to do with gender, and everything to do with being a dwarf) and how their society has to adjust, with differing levels of comfort, to this new reality.
Carrot was also prejudiced against the undead early on as well. And the fact that he unlearns these views is a good example of a common theme in Pratchett's work
The overwhelming theme of Pratchett's work is change. Not good vs evil but progress vs stasis/going backwards. The protagonists of Pratchett's stories are people who can take on board new ideas and change and grow and adapt. Some of them start out as very stupid people with very stupid views in fact until they learn and grow and improve. The villains on the other hand are people who desperately want things to either stay the same or regress back to some imagined "Good old days" that they prefer.
While we're talking about Terry Pratchett gender, there's also golems, who are basically lumps of clay that have been brought to life but don't actually have any gender or secondary sexual characteristics so everyone defaults to male and he/him. As the books story goes on some of them decide to try being women just because.
Feet of Clay came out in 1996. I cannot overstate how pronoun discourse wasn't anywhere on the radar then. I'm fairly terminally online, active in fandom, and the first I can remember is some timid discussion of neopronouns in the mid-2000s, where "how could you tell other people to use them for you" was a major puzzle. (I still love neopronouns - zie/hir appeals to me in a way they distinctly doesn't, genderfluid though I am.)
ALSO also also
1) I don't have the book to hand, but when Cheery comes out she changes her name to Cheri, because "sometimes, when you shout who you are to the whole world, you need to do it quietly." It's such a beautiful expression of coming out being a process, and one that needn't be undertaken all at once.
2) Pterry had the best goyische take I've ever seen on golems, and I will die on that hill. It's not perfect, but it is really well-done, and it was done with respect, and to me that might be even more important than perfection.
I had the book to hand because I reread it recently. The quote goes:
When you've made up your mind to shout out who you are to the world, it's a relief to know that you can do it in a whisper.
THERE we go.
Huh. I wonder if they weren't abandoned, the cost/environmental impact/efficiency matchup would look like between canals and railroads. I suspect the latter would still win, because they're marvelously efficient, but I wonder. Takes less work in the physics sense to move a shitload of cargo over the surface of water than on rails, doesn't it?
Not really the point, is it?
Actually just a sidenote here:
In southeast Louisiana, all the canals they dug created saltwater intrusion, which, wouldn’t be an issue if we hadn’t intervened in other ways.
BUT, since we diverted part of the water of the Mississippi River to protect New Orleans, all of the sediment isn’t reaching the delta to restore what salt water intrusion is eroding.
We disrupted natures ability to heal itself in the name of commerce.
To this day, we lose 2 football fields per year to saltwater intrusion. Our delta was our strongest protection against hurricanes, since they created a land barrier to starve storms of energy before they reached more densely populated areas.
(And since we’ve made the climate worse with constant fossil fuel consumption those storms are only getting stronger but that’s a story for another post)
So yeah. Canals kind of doomed New Orleans and most of southeast Louisiana. Grand isle is a shadow of what it once was and a bunch of other smaller communities don’t even exist anymore.
So uh. Yeah. I don’t care if canals are the most efficient foolproof way of transporting cargo. They’ve fucked up the wetlands of my home in a way we can never truly recover from. Like they’re TRYING but the state government dumps all the coastal wetland money into oil subsidies instead of restoring what we’ve lost.
Because it always comes back to money and “efficiency” with these people

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do you think insight can be gained about an author from the stories they write?
no. authors are like squids and can only be understood through spirited but ultimately futile combat
This neapolitan ice cream looks angry.