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Insect pot by Yui Suzuki, 2025-04-10

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guerillas-of-history

Maoist guerrillas of The Peoples Liberation Army (Nepal) gather in the Rukum District, April 22, 2004, during the Nepalese Civil War.

(Photo credit: Ami Vitale)

bestiolin

nakkusu

pangur-and-grim

a core part of being on tumblr is watching the site kick itself in the dick

classicalcanvas

Still Life - French Novels and Rose (1888) by Vincent van Gogh

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mkultra-dropout2

sun wukong... very nasty monkey. the jade emperor did him a Big Favor making him the protector of the peaches of immortality, but sun wukong, Tricky Sun Wukong i call him, he stole the peaches! theyre very good peaches, they only bloom every 3000 years. not for monkeys! well it doesnt matter now, laozi put him in a prison, a new kind of prison, theyre calling it Eight-Way Trigram Crucible! theyre going to make a potion of out sun wukong!

delmondo

forgot the safe word so I try saying every single word in the dictionary in sequence

#this is a bit in an alt j song #like literally #Lauren

champagneprobems

Our lives are just a blink compared to the life of a volcano.

Fire of Love (2022) dir. Sara Dosa

julianplum

🐟🐟🌕🐟🐟🐟🐟 // swallowtail shiners // gouache on hot press paper

romancenjoyer

emily brontë definitely sees heathcliff as a racial other and positions him as such and crucially does not apply a civilising narrative to his characterisation. the discomfort comes from this rejection of a politics of appeal and heathcliff being both the ‘villain’ AND the love interest, and this tension being very specifically racialised. compare this to the relationship between catherine and ‘gentleman’ edgar linton, which lacks this sort of conflict (we’re meant to understand they’re ‘right’ for each other) but is also void of any real import (it’s a marriage of convenience).

it’s important that catherine’s romantic interest in heathcliff does not redeem or change his otherness; in fact, it heightens it. he is not ‘bettered’ by her love for him, and neither is she, at least not in the eyes of polite society. heathcliff remains ‘abject’ and squarely beyond the fold of the early victorian household, despite his supposed upward mobility. this sort of mutually assured destruction, or abjection, is a hallmark of the gothic novel (at least in the western canon).

notice, however, that heathcliff is not disqualified as a love interest simply because he isn’t white. he is subject to disapproval, scorn, violence and exclusion precisely because he is a contender for catherine’s affections, and therefore a threat to the family unit (though, again, we’re not meant to understand love / romance as a straightforwardly good thing in this story, or even necessarily desirable). to me, this is the central tension (and perhaps contradiction) of the novel. heathcliff is neither ‘redeemed’ nor erased from the text as a form of course correction, and this ambivalence - his persistent presence, actually - makes readers deeply uncomfortable.

#literature #seriously this new adaption was made in a lab as English major ragebait

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phlebotomies

choices made in anger is such a crazy image. if you know what i'm talking about

phlebotomies

i'm gonna thrup

zegalba

tenthsfreezeout

Bruce Springsteen by Ken Regan, 1988.

nobrashfestivity

Edmund Weiss (Edmund Weiß), Illustration of Leonid Meteor Storm, as seen over North America on the night of November 12-13, 1833.

The Weiss Crater is named after him.

Wikimedia

angelstills

The Pride and the Passion (1957)

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transfemstalin-deactivated20260

“And the Battle is Going Again” Dmitry Myasnikov, 2019

enchantedbook

'The Embrace' by Beneš Knüpfer, 1890

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