Marina Anissina and Gwendal Peizerat Free Dance, 1999.

Carmina Burana by Carl Orff.

“I saw Claudia as a woman in a child’s body,” says Rice. “There are women who are eternally called girls - cute, sweet, adorable pinchable, and soft- when in fact they have a strong mind that’s very threatening” - The Vampire Companion

‘Let tears gather in your eyes. You haven’t tears enough for what you’ve done to me. (...) Monsters! To give me immortality in this hopeless guise. - Claudia, Interview with the Vampire

Claudia is brilliant and dangerous. Yet her fathers treat her as a "doll", a child. Part of her character arc is fueled by rage, caused by this constant paternalism.

Of course, Lestat gave me a doll as usual, the replica of me, which as always wears a duplicate of my newest dress. (...) And what should I do with it? Play with it as if I were really a child? "Is there a message here, my beloved father?" I asked him this evening. "That I shall be a doll forever myself?" - Claudia's Diary, The Queen of the Damned

There is a great interview in which Anne talks about the rage in the character of Claudia, I'll try to make a gifset of it for this week ^^.

Still, it is wild to see some interviews (old interviews) of a bestselling author, in which the host asks things like: "what does your husband think about you writing "x"?".

IWTV wasn't published until 1976.

Women in the United States were not legally allowed to have a credit card or get a home loan in their own name, without their husband's approval, until 1974. Laws were just being put into place regarding discriminating against women in hiring and discriminating in pay for women. Most women still couldn't get birth control without their husband's approval. There was no such thing as no fault divorce, or even the concept of marital rape.

While there was no law against a woman getting a driver's license on her own, in the 60s and 70s it could still depend on where you lived and who was working the DMV that day. Anne herself did not have a driver's license and did not drive because Stan would not permit her to drive.

I wish I could remember the exact interview, because she did talk extensively about how in her early days of writing their mutual friends would just refer to her as 'Stan's wife'. 'Stan's wife' wrote a book. 'Stan's wife' is getting published. 'Stan, how is your wife getting on with her book?' being asked while she's in the room. No matter how libertine we view the 1970s, socially women still weren't really looked at outside their roles as wives.

The Great Fire

Details:

And most importantly to me, she didn’t owe it to him to stay.

I think Anne does a beautiful job of exploring this in the book in a way that doesn’t cast blame on either side. They genuinely try to accommodate each other, for years, but their needs are not reconcilable.

Marius/Armand appreciation week

Abelard voice: "Yuri? On MY Voidship??"