Man this store has a weird playlist, it's all Weird Al songs but with the lyrics switched out for ones that aren't funny.

JVL

Love Begins
let's talk about Bridgerton tea, my ask is open
noise dept.
Today's Document
almost home
todays bird
πͺΌ
Keni
TVSTRANGERTHINGS

romaβ
Mike Driver
he wasn't even looking at me and he found me

@theartofmadeline

β

β£ Chile in a Photography β£
Not today Justin

if i look back, i am lost
trying on a metaphor

Kaledo Art
seen from Czechia

seen from Malaysia

seen from Malaysia

seen from Germany
seen from United States

seen from Malaysia

seen from China

seen from Germany

seen from United States

seen from Malaysia
seen from Netherlands
seen from Malaysia
seen from Argentina
seen from TΓΌrkiye
seen from TΓΌrkiye

seen from United Kingdom
seen from India

seen from Malaysia

seen from Canada
seen from United States
@unfavorableinstigation
Man this store has a weird playlist, it's all Weird Al songs but with the lyrics switched out for ones that aren't funny.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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In conversation with multiple posts going around discussing technical literacy and typing skillsβ¦
I HAD typing classes: my typing speed is less than 35 Words Per Minute
I did NOT have typing classes: my typing speed is less than 35 WPM
I HAD typing classes: my typing speed is 36-45 WPM
I did NOT have typing classes: my typing speed is 36-45 WPM
I HAD typing classes: my typing speed is 46-55 WPM
I did NOT have typing classes: my typing speed is 46-55 WPM
I HAD typing classes: my typing speed is 56-69 WPM
I did NOT have typing classes: my typing speed is 56-69 WPM
I HAD typing classes: my typing speed is faster than 70 WPM
I did NOT have typing classes: my typing speed is faster than 70 WPM
I'm on mobile/ vanilla extract option
β‘οΈ Take a typing test here (and you need an actual, physical keyboard for this):
The industry-standard benchmark used by employers and typing certifications worldwide.
β‘οΈ 'Typing classes' refers to computer skills classes you might have had in school; you can also count games or other related typing training your parents might have had you do.
β‘οΈ Across 3 different typing test websites*, the (english language) world average typing speed is 40 WPM.
*typingtest.now, typingtestgo.com, typerworld.com
HEUCHERA
This week's Rhombus House Garden post is a simple PSA to let you know that I fucking love Heuchera (aka Coralbells).
They're shade tolerant, perennial and hardy in zone 4, divisible every 2-3 years so that then you have twice as many heucheras. They're native from Ontario to Georgia and Nebraska to Louisiana.
They are the "oops all berries!" of garden plants with leaves as bright and colorful as the flowers of other plants.
Check this out.
Simulate an autumnal forest floor from spring through frost.
ο»Ώ
Or, go goth!
Get FANCY with variegation and coloring!
Celebrate your love for Color Theory!
You can even do pastels if that's your jam.
Anyways, please appreciate Heucheras. This barely scratches the surface of their beauty and variety!
its fucked up that 'earl' was a rank now its a name. naming my kid Boyar
Can Boyar come have a playdate with Senechal
my four beautiful sons, Earl, Duke, Roy, and Emir
Ahhhh, nothing quite like introducing an American to the Northern Territoryβs βC U in the N Tβ tourism marketing campaign and watching their face engage in a slapdash performance of every emotion known to man in the span of about three seconds
This is a sample for those not familiar:
God I wish I were Australian. Look at what they took from us

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They're having a birthday party for the blue thing everybody hates
Social media funneling a wide age range into the same comment sections so everyone can see in real time that they're rabid differently now is the funniest way to figure out there's a literacy crisis actually.
i like it when a band that has people i know in it sells merch with the people's faces on it. i feel like i'm wearing one of those shirts that etsy shops in china make where it's a 5-up photo collage of your pet
i think more artists who are like really local and independent should sell merch that has photos of them on it. i want it to get to the point where it's bands whose fanbase is only the person's friends. "what band is that" oh that's derek. his band has a name but really i'm wearing this because it's derek
ok im really curious do you guys have books you consider your "white whale"? as in books you keep telling yourself oh yeah i really want to read that, but you keep not reading it?
it's good that I will never be a dog breeder, bc I would make the elephant dog. long borzoi snout, chunky pitbull body, ears of a papillon
why aren't we doing this?
you π«΅ you can join the breeding project.

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My spouse and I just had one of those βwait your brain works HOW?β exchanges, and now I am BURNING TO KNOW HOW IT WORKS FOR OTHER PEOPLE:
Fellow speakers of this feral bastard language (English), rb and tell me in the tags: what is the delineation for you, if any, between evening and night?
Oh my god I didn't realize the phrase "post in a tag" was literal. I thought it was just a euphemism for tagging something!
I have literally never followed tags or used the tag area for anything, so I never had reason to open a new post in there... I just did a search and then wanted to post something and then the new post had the search I'd done already in my tags like some kind of brand-new spyware except that clearly this has been a core feature of the site for the past decade
Before we get started today, the International Energy Agency told me to make a little announcement. If you have a radioactive isotope of beryllium in your mouth, spit it out. Doesn't matter if it's beryllium-7 or the more common -10, you can't eat that shit. Everyone should have figured that out in grade school. Thank you for your time.
Safety warnings have been getting wilder as our world becomes more intricately dangerous. I've spoken about this before: fifty years ago, most warning signs were like "don't put your cigarette out in this." Nowadays there's a ton of cautions about radio interference with your Xbox controllers if you eat a cupcake the wrong way after having major dental surgery.
Part of this is because the demands of the customer have become more sophisticated. Every day, we're doing shit that would have pissed off a NASA scientist, and not even thinking about it too hard. Last week, I got mad that the free wifi on an airplane wasn't very fast. My buddy made some kind of special collar that lets us hear the thoughts of dogs, and then he threw it out with the other clutter on his desk when his in-laws were visiting.
Unfortunately, human brains are still basically the same as fifty years ago. Most of us would still be considered "kinda weird" in the 70s. There is a much wider gap of knowledge that has to be expressed to your average run-of-the-mill ding-dong in order to explain to them just how much trouble they are in. That's where the warnings are coming from: you practically have to include an undergraduate lecture to get people up to speed with the concepts involved, before you tell them not to put those concepts in their mouth.
So the next time you see a ridiculous safety warning, make sure to say thank you to all the technical writers who had to go through a brain-blasting exercise just to fit it all on the little sticker. And read the whole thing, why don't you? It's cheaper than college.
on the alberta oil sands
If you want to understand the Alberta oil sands β and everyone should, at least a little, because they are among the strangest industrial artifacts in the Western hemisphere and the standard coverage of them is almost uniformly wrong β you have to start with the fact that what's in the ground is not oil. Oil, proper oil, the stuff Saudi Arabia and Texas and the North Sea have been pumping for a century and a quarter, comes out of the ground as a liquid. You drill a hole, pressure differentials do most of the work, and what comes up is roughly pourable. This is not what's in northeastern Alberta. What's in northeastern Alberta is bitumen, which is oil that has been sitting around for a hundred million years getting its light ends biodegraded out of it by bacteria, and what's left is a substance with the consistency, at room temperature, of cold molasses or peanut butter. You cannot pump it. You cannot drill it. If you cut a chunk of oil-sand out of the formation and put it on your desk it will sit there, looking like a dark sticky brick, being the least ambitious hydrocarbon in the history of hydrocarbons.
So the entire industry is, at a physical level, a workaround for the fact that the thing they're extracting is an embarrassment to the concept of petroleum.
There are two workarounds and they both cost a lot of energy. If the deposit is close to the surface β and only about a fifth of the reserves are β you can dig it. This means you strip off the boreal forest and the peat underneath it (the "overburden," in the terminology, which is one of those words like "collateral damage" or "surplus population" that you can tell was invented to not describe something) and you run the biggest trucks and shovels in the world, actually the biggest, 400-ton dump trucks that cost five million dollars each and tires that cost the price of a house, and you mine it like coal. The oil-sand goes into crushers and then into giant hot-water tumblers that separate the bitumen from the sand the way you'd separate wet paint from gravel, with a lot of help from caustic soda and even more help from steam. The water goes into tailings ponds, which are not ponds, they are lakes, they are visible from low earth orbit, and they are full of a mixture of fine clays and residual bitumen and a lot of other chemistry that is at best dubious and at worst a slow-motion environmental catastrophe nobody in Alberta can figure out how to clean up and which, by provincial law, the operators are supposed to eventually reclaim β a promise whose timeline keeps sliding to the right and whose financial reserves, if you actually cost them out, would bankrupt most of the companies that made them. That's the mining side.
The other eighty percent of the reserves are too deep to mine. For those you use SAGD, steam-assisted gravity drainage, which works like this: you drill two horizontal wells, one stacked a few meters above the other, you blast the upper one full of high-pressure steam until the bitumen down there gets hot enough to actually flow, and then you collect the flowable bitumen out of the lower well. You are, essentially, cooking the ground. To do this you need ungodly amounts of natural gas, because steam doesn't make itself, and the natural gas is piped in from elsewhere in the province, which is why the oil sands are sometimes described (accurately) as a process for converting natural gas, which is a reasonably clean fuel, into synthetic crude, which is not, at a thermodynamic efficiency that would make a nineteenth-century millwright wince.
The net energy math on this is β fine. It works. You put one unit of energy in, you get three or four out, that's the rough ratio, less than conventional oil's old ten-to-one but more than enough to make money at any oil price north of roughly fifty dollars a barrel, which the global oil price has been north of most of the time since about 2004. So it gets done. And once you've gotten the bitumen out of the ground β whether by digging or by cooking β you still can't ship it, because at pipeline temperature it's still too thick to flow, so you cut it with condensate (a light hydrocarbon imported specifically for this purpose, sometimes from the US Gulf, shipped north, used as a thinner) until it's a mix called dilbit, diluted bitumen, which is what actually goes down the pipe. About a third of every barrel of dilbit leaving Alberta is diluent. You are paying to ship the thinner.
This is, I want to stress, the normal operation of the industry. None of this is scandal. This is the regular Tuesday.
The scale of it is the part people don't absorb, because the numbers are all in units nobody has intuitions for. Canadian oil sands production is running around 3.5 million barrels a day as of 2025, which is more than every OPEC producer except Saudi Arabia and Iraq, which is almost half of all oil produced in Canada, which accounts for most of the difference between Canada being an oil-exporting country and Canada being a quiet resource backwater with a per-capita income that looks more like Ireland's. The industry is about thirty percent of Alberta's GDP. It is the entire reason Alberta's per-capita GDP is what it is. Until the Trans Mountain pipeline expansion came online in May 2024 β after twelve years of construction, at a cost of 34 billion Canadian dollars, after the federal government had to buy the project from Kinder Morgan because no private company could eat the political risk β basically all of it went to the United States, which meant Canadian producers had exactly one customer and priced accordingly, at whatever discount to WTI the American refiners felt like imposing. This was annoying to Canada in the way that having a single customer is always annoying to a supplier, and it's the thing the pipeline was supposed to fix, and fixing it is already looking like it wasn't as much of a fix as promised because production keeps growing faster than egress capacity can keep up.
Okay. That's the industrial situation. Here's the part that actually matters.
Fort McMurray is not a city in any sense that the word normally carries. It is a town of maybe 75,000 permanent residents, up near the 57th parallel, surrounded by boreal forest and muskeg, to which is attached β and the word "attached" is wrong, the word needs to be something more like "grafted" or "hosting" β a second population of roughly 35,000 workers who live in what are called camps. The camps are the actual operational engine of the industry. A camp is a cluster of prefab dormitory buildings attached to a cafeteria and a gym and maybe a movie room, plopped down in the bush near a mine or a SAGD plant, with capacity for anywhere from a few hundred to several thousand workers. Workers fly in from everywhere in Canada β Newfoundland, Cape Breton, New Brunswick, whatever backwater the post-industrial labor market has stranded them in β on two-week-on two-week-off rotations, work twelve-hour shifts, live in a room the size of a cell, and fly home to spend two weeks with their families before coming back. The term of art is "shadow population." The official census counts them separately.
And this arrangement is not incidental to how the industry works. It is the industry. You cannot run a facility the size of Syncrude's Mildred Lake mine with a labor force of people who live in the nearest city and commute to work. There is no nearest city. The nearest city is eight hundred kilometers away. You have to import the workforce, and because you have to import the workforce, you have to house them, and because you have to house them cheaply, you put them in camps, and because the camps are miserable, you pay the workers a lot of money, and because you pay the workers a lot of money, they put up with the camps, and the whole system is stable as long as the oil price is high enough to subsidize the discomfort premium. It is an entire industrial operation structured around the fact that nobody would voluntarily live where the bitumen is, and so the industry has to buy the labor's tolerance of not-living-there, over and over, shift after shift, for however many decades the deposit lasts.
Which brings me to Kate Beaton.
Beaton is from Mabou, Cape Breton, which is one of those Canadian places that the twentieth century was mostly unkind to. Cape Breton had coal, and Cape Breton had steel, and Cape Breton had fishing, and Cape Breton lost all three of these industries in the space of about forty years, and what it has now is diminished. The island's culture, which is Gaelic-inflected and absurdly musical and which has produced a shocking amount of art per capita, has as one of its load-bearing assumptions the idea that you will probably have to leave to make a living, and that this leaving will be sad but necessary, and that everyone you know will do it too, and that it's been going on since the Highland Clearances, and will go on after you. This is the Cape Breton structure of feeling. It predates the oil sands by about two hundred years. The oil sands are just the current destination.
So when Beaton graduated from Mount Allison in 2005 with an arts degree and a pile of student loans, she did what her cousins and the boys from her high school had already been doing for a decade, which was get on a plane to Alberta. She went to the camps. She worked tool cribs, she worked supply offices, she worked at Syncrude's Long Lake and at Shell's Albian Sands and at a couple of the smaller operators whose names I can't remember off the top of my head, and she kept a notebook, and eventually β many years later, after she'd become internet-famous for Hark! A Vagrant, which is a different story β she turned the notebook into a graphic memoir called Ducks, published in 2022 by Drawn & Quarterly, which won pretty much every prize available to graphic novels and landed on Obama's list that year, and which is, I think, the single best book anyone has written about what the oil sands actually are, which is a very specific kind of social machine.
The book is called Ducks because in 2008, while Beaton was there, 1,600 migratory ducks landed on a Syncrude tailings pond and died in it, which became briefly a global news story and got Syncrude fined three million dollars, which is roughly the kind of money Syncrude made every forty-five minutes that year. The ducks were the visible atrocity. The book is about the invisible one.
The invisible one is that the ratio of men to women in the camps was, depending on which camp and which shift, somewhere between 30-to-1 and 50-to-1. Beaton spent two years as one of the maybe two or three women at any given installation surrounded by several hundred men who were working twelve-hour shifts, living in single-occupancy dorms a hundred meters from hers, drinking heavily when off-shift because there was nothing else to do, doing cocaine at a rate that surprised even her, isolated from their wives and girlfriends and mothers and daughters, and β this is the part the book builds very patiently and very devastatingly β slowly losing the ability to behave like the people they used to be when they were still at home. The book is not a condemnation of the men. It is explicitly not that. The book's most painful move is that it keeps humanizing them, keeps showing how they're also trapped, also miserable, also being used up by the same machine, even as they do the things they do to her. Which, without getting into the specifics β read the book β include the full range of what several hundred isolated men will do to two women when the HR function is a phone number in Calgary that nobody is going to call.
And the thing Beaton sees, the thing she sets up with complete economy and then lets the rest of the book bear out, is that the machine is designed to produce exactly this. It's not a bug. The camp structure produces isolated men away from their social networks in exchange for money. Isolated men away from their social networks, given enough money and enough boredom, will do predictable things, and those predictable things are accepted by the operators as part of the cost of doing business, the way a mine accepts that a certain number of miners will get silicosis. It's a function of the design. Nobody up the chain at Suncor or Syncrude or Shell wants the women in the camps to be harassed. It's just that preventing the harassment would require reorganizing the entire labor-rotation structure of the industry, which would raise the cost per barrel, which would make the operation uncompetitive, and so the harassment is priced in as an externality. The women are told they have a bad attitude. The men are told to knock it off. The rotation continues. The oil flows.
What makes Ducks extraordinary, and what makes it a book about the oil sands rather than a book about harassment β though it is also that β is that Beaton also sees the men. She sees the welders from Cape Breton she grew up around, except here they're trapped in a way she recognizes because she's trapped in the same way, a way her dad would recognize from his own generation going to Boston or Toronto, a way her grandfather would recognize from the mines. The Maritime out-migration has been happening long enough that it has a folk repertoire, a whole tradition of songs about leaving, and the men in the camps are inside that tradition whether they know it or not. Some of them are actively dying inside it β there's a running count in the book, not emphasized, just there in the margin, of young men who die on the highway between Fort McMurray and Edmonton, or who kill themselves in their dorms, or who disappear. The mortality of the rotation is ambient. It's baked in. Nobody makes a particular fuss because making a particular fuss isn't what anyone there has the cultural equipment to do.
And the thing I keep coming back to, reading that book, is how precisely it maps onto earlier Canadian industrial extractions. Cape Breton exported its own men to its own mines in the 1890s and they died of black lung. Newfoundland exported its men to the Banks and they died drowning. The cod collapsed in 1992 and those men went to Fort Mac. There is a temporal rhyme here that Beaton doesn't belabor but that sits underneath the whole book: this is what Canadian industrial history is, a series of extractive operations that consume the bodies and social networks of men from places the previous extractive operation already hollowed out. The oil sands are just the current iteration. When the oil sands go β and they will go, either because the world stops buying the product or because the bitumen that's economically recoverable runs out or because a carbon regime finally prices the externalities β whatever comes next will be staffed by the grandsons of the men who died at Fort McKay, who were themselves the grandsons of the men who died at Glace Bay. Same as it ever was.
The industry knows all this, by the way. None of it is secret. The oil companies have sociologists on retainer. The turnover statistics are studied. The mental health crisis in the camps is a line item, it has a budget, there are contractors whose entire business is running crisis-response services for a workforce they know is coming apart. The 2016 wildfire β which evacuated 88,000 people from Fort McMurray in the largest wildfire evacuation in Canadian history, which burned down 2,400 homes, which briefly shut down most of the industry β revealed in passing that the regional municipality's shadow population was around 40,000 people at that moment, people who lived here but didn't live here, who were uncounted in most of the news coverage because they weren't from there, they were from somewhere else, and they all went back to their somewhere elses during the evacuation and some of them simply never came back. The 2018 post-fire census found the shadow population down fifteen percent. The oil didn't care. The oil kept flowing. The rotations restarted.
And the Indigenous piece, which I've been circling without saying directly, is that all of this is happening on land that belongs, by every reasonable reading of treaty and prior occupation, to the Athabasca Chipewyan and the Mikisew Cree and the Fort McKay First Nation and the MΓ©tis communities of the region, who have been variously co-opted, partnered-with, sued-into-submission, paid-off, or simply bulldozed over, depending on the decade and the specific negotiation. Some of the bands have significant ownership stakes in the operations now, which is a development the 1970s activist version of this story did not predict. Some are still in active litigation over water quality and cancer clusters downstream on the Athabasca River. Both things are true. The oil sands produce billionaires and elders dying of bile duct cancer and they produce them in the same watershed and if you want a tidy story about which is the real one you'll have to write it yourself because the ground doesn't offer one.
Beaton's book ends, more or less, with her going home to Cape Breton, having paid off her loans. She is permanently changed. She does not know if she is changed in a way she can live with. The book came out fourteen years after she left the camps and you can feel in it the time it took her to process what she'd seen, which tracks β it takes that long, usually, to figure out what a thing was, and sometimes you never figure it out, you just get old enough to stop being wrecked by it. She is one of the very few people who went through those camps and came out with the specific combination of linguistic ability and patience and moral seriousness to write about them. The others β the welders and the mechanics and the engineers and the heavy-equipment operators β mostly did not. They went home. They drank. They worked the next rotation. They raised kids who, statistically, also went to Alberta, because the Maritime economy did not improve. The book is as much about them as it is about her, and the fact that their version of the book doesn't exist, and won't, is part of what the book is finally about.
There is a thing you learn if you read enough industrial history, which is that the machine doesn't need you to understand it in order to keep running. Understanding the oil sands does not stop them. Beaton writing Ducks did not stop them. The 1,600 ducks in the tailings pond did not stop them. The 88,000-person wildfire evacuation did not stop them. The carbon math does not stop them. The Chipewyan cancer clusters have not stopped them. The only thing that will eventually stop them is the price, and the price is set in a market that does not weight any of the inputs I have just listed, and so the bitumen will keep coming out of the ground until it doesn't, and the men will keep flying in, and the women who work among them will keep being what they have to be to survive the rotation, and somewhere a Cape Breton teenager is right now considering her options and thinking about student loans.
Same as it ever was.

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Deep-sea angler fish mermaid poster from the Italian film:Β Il prato macchiato di rosso (1973)
Disney is doing crazy things in the japanese mobile game sphere rn
you may be familiar with disney twisted wonderland, the gacha game in which various disney villains are used as direct inspiration for handsome anime boys. well that game was so successful that disney is trying to do it again but this time they're just animeboyifying whatever
here's mickey, goofy, donald, and chip & dale. yeah they turned mickey & friends into anime boys. they're an idol unit or something. they're technically not anime boy versions of the source characters, they have different names. mickey's guy is "Neo Michel". not michael, michel, like he's french. chip & dale are "Ruska Moncrief" and "Ranka Monk", they have different last names, they're not brothers anymore so that they can be yaoibait instead, anyways this post isn't actually about these guys I'm just setting the stage for the actual humanizations I wanted to show you
They also did monsters inc. And. Well it's obvious from the designs who mike and sully are. but you will also notice. the blonde one on the left. with glasses. monsters inc is kind of famously about just the two guys so they didn't really have a lot of other non-villain characters to take anime boys inspiration from, I guess, so, well,
Yeah it's her. they made an anime boy version of the mean receptionist slug. her name is roz btw, as all of boygachagame twitter has become extremely aware of in the past 3 days as we speculated prior to the release of the full image who tf the third guy was. the anime boy's name is "noah slugger". at this point no parody of the types of things gacha games will make gijinkas of will ever be able to live up to what disney is officially spending their own real money on designing