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Time Go Fishing
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Oh noooooooo! The mystery is solved! You’ve solved my final riddle, you are ze new riddle master... Congratulations… You have proven yourselves... quite the adventurers... oh, I’ve landed on Bryan- Bryan, ahhh… Bryan, I’m so proud of zem… I’m going to die now... My life is flagging from my body... I’ll see my family... goodbye cruel worrrrld-
I literally have no context for this and it’s fucking me up.
I don’t know how but this post is funnier in night mode
Doing a little bit of editing before work... I think once August et al. leave Scintilla Cascade, at some point Adzria and Giana put their heads together and are able to unpack this a little and they're like. Okay. Well objectively, August makes us both exhibit clown behaviours and we should probably learn something from this whole experience (in which Giana Nearly Died!) (She hasn't even told her sister that she Actually Did Die for like 5 minutes there. Not relevant information!) And given that August's leaving town (with his new guy???), and the baby, let's put this behind us and be Normal about him now. So normal
And Georlen hears this and he's like. I'm very glad you're able to talk to each other about this, and I highly approve of the Not Dying part. However ☝️ for full disclosure, I must admit that I would still fuck August in a heartbeat
And they're both like. Yeah. Obviously same. That goes without saying. Yeah. Yeah 😔
I really like when the double decker bus passes through low-hanging tree branches. Very immersive (<in a tree)
she's hades she's god she's jesus christ she's mary magdalene she's the grim reaper she's the virgin mother she's judas she's eve she's pontius pilate she's all four horsemen of the apocalypse she's the earth herself. her name is eva stratt and she listens to harry styles and she got taken to court for pirating minesweeper.
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And if anyone is wondering how the next chapter of the polycule fic is going, the answer is Also Bad!
Feeling severe doubt about the way I write romance, again
Fuck it, the next book is having no romance in it on account of Difficult To Write
TORCHWOOD 1.07 “Greeks Bearing Gifts"
Feeling severe doubt about the way I write romance, again
My mum got me this book at a charity shop, I think he likes it
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God, Tertia is just so tragic. Not only was she sacrificed on the altar of her family gaining even more power, after the ritual failed and she ended up a monster, her family just abandoned what was left of her. All she wanted to do was serve them and they left her there to rot.
Rocky fix
Hey, question! Does anyone have experience with like… okay, my work has a clause in all our contracts where any IP we create, even outside of work, belongs to the company while we work there. I work in a tech field so the point of this clause is to stop people creating their own companies with things they’ve invented while working there, but theoretically, this also includes books (and any creative output). This is why if I self-publish I would kind of try to keep it under the radar as much as I can so that work wouldn’t try and get money – I don’t think they would actually pursue me for something like this, like I said the point of this is to try and stop people patenting things and creating tech companies with what should be work IP. But they would be within their contractual right to. Also, having worked there nearly five years, my experience has been that work will always exert arbitrary and pointless levels of control and try and throw their employees under the bus for any reason whatsoever, just because they can.
So I’m wondering what is best to do here – I would like to publish under my own name if possible, and besides I know that if someone at work was determined it wouldn't exactly be difficult to find me with a pseudonym too. Has anyone been in a situation like this before, specifically with a tech company? Would they actually pursue something like this and try and sue me for money if my book actually got popular? Am I being crazy and overthinking this?
This book is actually about Anemone failing to solve the trolley problem in a baffling array of different ways
i'm actually so flabbergasted by the people who don't read prologues. my book deadass has a three chapter prologue (which is not the norm but it'll make sense when it makes sense, which is when you read it, which is after i write it) like a cold open montage before a title screen. several things in it are constantly referenced back to throughout the book... but if people aren't reading it because i called it a prologue then what the fuck?? they won't get it. some of the book will be nonsense. it's not really chapter one of the story but it is important to know for the story. it's a lore drop. are these people skipping cold opens and establishing shots in movies too??
I wonder if this is a miscommunication/confusion of language? Obviously the prologue is part of the story, but I wonder if the people saying they don't read prologues actually mean the foreword (and other front matter), except they don't know the word "foreword"? That's the only thing I can think. I can kind of understand not reading a foreword until after reading the book, since especially for classics, they often pre-suppose that you've already read the text and come at it with a more retrospective/literary criticism angle. (Sometimes when I'm reading a classic novel for the first time I save this kind of stuff to read until after I've read the actual story, because I find it more impactful with that context.)
So, to give these non-prologue-reading people benefit of the doubt, maybe they're actually just not reading the foreword/start material/reviews etc. and think that's all called the prologue? This seems consistent with what these people say, when they're like "prologues are just the author chatting", etc, so maybe this is what they actually mean?
But that said, I don't have any evidence for this either way. (Also I kind of doubt the people saying this are reading classics of the type that usually have an author's foreword or essay by another author at the start, so). Maybe these people really are skipping the prologue in the whole-ass first chapter of the story sense, I don't know. If so that's fucking wild!!! And either way it's a failure of education - either in teaching them what a foreword vs. a prologue is, or in getting people interested in actually reading when they're reading. Neither option is great :(
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everyone has to be nice to him
Should I do it. Should I start Book 2 (as yet untitled)
