It's nuts how common it is to not allow children to be angry, even (especially) in households where adults are angry all the time. As a child I knew my own anger was unacceptable--not just expressing it outwardly but feeling it at all. So now as an adult my immediate reaction to my own anger is often to feel guilt instead of like. Noticing when someone is being rude or unfair or my boundaries are being violated or whatever. fucked up.

There are some characters where giving them therapy and cleaning them up is the fanfiction equivalent of buying antique furniture and painting it white

if you spoke to lestat or louis about your pain, they would say, "your pain? what about MY pain?" but if you spoke about your pain to armand he would say "let me lobotomize you and you will never feel pain again." he has a solution-based mindset and we could all learn from him.

And if you told Daniel he'd ask questions that would only make you feel worse. He has problem-making mindset.

EPIC official library post

Oh look it’s that short comic that’s haunted me for a decade.

stop posting this kinda shit my vestigial fish brain wanna go home

I fill my pockets with rocks and walk into the sea, but all it does it pull my pants down and I float harmlessly and pantslessly to the surface

Oh easy mistake. Yearning actually rises from the floor and longing hangs from the ceiling

kitten i'll be honest daddy needs to learn how to have fun making art again or he's going to kill himself

You know how we call things "pseudoscience"... the media analysis that's being done on twitter and tumblr should be pseudohumanities

What up guys welcome to my carpeted garage

it’s a pretty well-known phenomenon that you only get a couple seconds with your horror creature fully visible onscreen before it gets “chuckied,” a term coined by yours truly referring to the shift between the first and second acts of child’s play (1988) as the audience gets used to seeing the little chucky puppet moving around and consequently can no longer buy into the film’s serious slasher tone in the absence of the horror of the unknown. the tuunbaq in the terror and the dogomorph in alien 3 (1992) are also famous victims of chuckying—just like how lovecraftian horror usually falls flat on the screen, too much visibility and your scary, amorphous creature will become a very morphous puppet or cgi’d in picture. the easiest way to combat this is of course to keep the creature obscured for as much of the piece as possible; for instance, despite their oppressive presence throughout their respective works, the beast in over the garden wall is shown for less than six frames and the eponymous kaiju of cloverfield (2008) is never properly shown, allowing each to retain their mystery and danger. another route is to simply lean into the campiness of it, like the later child’s play franchise and alien resurrection (1997). in the case of the blob (1958) a mere satirical title sequence song is enough to completely transform a fairly standard creature feature into an enduring masterpiece of hokey fun. the third option to combat chuckying is for the horror creature to constantly transform—the thing (1982), the fly (1986), and aliens (1986) show their creatures in loving detail, but there is always something the audience hasn’t seen yet, something they don’t know to brace themselves for. it’s a fine line to walk, of course, but that’s the nature of the game when you want to turn the concept of the unknown into something knowable enough to bite you